東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries./
Author:	Schaefer, Ann.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	157 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
Contained By:	Dissertations Abstracts International82-12A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28496216
ISBN:	9798505539866

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
Schaefer, Ann.

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 157 p.

Source: Dissertations Abstracts International, Volume: 82-12, Section: A.

Thesis (D.M.A.)--Boston University, 2021.

This item must not be sold to any third party vendors.

This study provides a historical contextualization of fortepiano pedaling trends in the late eighteenth and early nineteenth centuries. A brief history of the development of the fortepiano by region illuminates the complex narrative of the evolution of fortepiano technology. The symbiotic relationship of evolving fortepiano innovation and the emergence of disparate schools of fortepianism is confirmed in the pedagogical writings of important fortepianist-composers C. P. E. Bach, Johann Peter Milchmeyer, Johann Nepomuk Hummel, Carl Czerny, Louis Adam, Daniel Steibelt, and Johann Baptist Cramer. Their playing ideals and compositional techniques set the precedent for the long pedal markings of Ludwig van Beethoven. A large portion of this study is devoted to the influence of Wolfgang Amadeus Mozart. Beethoven was seen as Mozart's successor, both as a composer and on the public stage of Vienna's lively concert scene, but undamped textures in Mozart's post-Salzburg piano concertos deserve greater recognition as an influence on Beethoven's style. The final chapter of this study provides an in-depth analysis of undamped effects in Beethoven's fortepiano and orchestral music.

ISBN: 9798505539866Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Fortepiano

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
LDR:02306nmm a2200349 4500 001 2352780
005 20221205085602.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798505539866
035 $a (MiAaPQ)AAI28496216
035 $a AAI28496216
040 $a MiAaPQ $c MiAaPQ
100 1 $a Schaefer, Ann. $0 (orcid)0000-0002-4724-3734 $3 3692439
245 1 4 $a The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 157 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
500 $a Advisor: Yudkin, Jeremy.
502 $a Thesis (D.M.A.)--Boston University, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a This study provides a historical contextualization of fortepiano pedaling trends in the late eighteenth and early nineteenth centuries. A brief history of the development of the fortepiano by region illuminates the complex narrative of the evolution of fortepiano technology. The symbiotic relationship of evolving fortepiano innovation and the emergence of disparate schools of fortepianism is confirmed in the pedagogical writings of important fortepianist-composers C. P. E. Bach, Johann Peter Milchmeyer, Johann Nepomuk Hummel, Carl Czerny, Louis Adam, Daniel Steibelt, and Johann Baptist Cramer. Their playing ideals and compositional techniques set the precedent for the long pedal markings of Ludwig van Beethoven. A large portion of this study is devoted to the influence of Wolfgang Amadeus Mozart. Beethoven was seen as Mozart's successor, both as a composer and on the public stage of Vienna's lively concert scene, but undamped textures in Mozart's post-Salzburg piano concertos deserve greater recognition as an influence on Beethoven's style. The final chapter of this study provides an in-depth analysis of undamped effects in Beethoven's fortepiano and orchestral music.
590 $a School code: 0017.
650 4 $a Music. $3 516178
650 4 $a Music history. $3 3342382
650 4 $a Musical composition. $3 3289630
653 $a Fortepiano
653 $a Pedaling
653 $a Beethoven, Ludwig van
690 $a 0413
690 $a 0208
690 $a 0214
710 2 $a Boston University. $b Music Performance CFA. $3 3277766
773 0 $t Dissertations Abstracts International $g 82-12A.
790 $a 0017
791 $a D.M.A.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28496216