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Music, (Anti)nostalgia, and the Myth...
~
Turner, Stephen Davis,
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Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks // Stephen Davis Turner.
作者:
Turner, Stephen Davis,
面頁冊數:
1 electronic resource (338 pages)
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
Music history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30567329
ISBN:
9798380164825
Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks /
Turner, Stephen Davis,
Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks /
Stephen Davis Turner. - 1 electronic resource (338 pages)
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Twin Peaks engages with the late-twentieth century's nostalgia for the mid-twentieth century. As Frederic Jameson notes, 1980s and 1990s mass culture's rose-colored vision of all things mid-century Americana glosses over the realities of life in the 1950s. Twin Peaks serves as an analogy to Jameson's commentary; the program often presents nostalgic signifiers-including those in its score-that are simultaneously contradicted, amounting to anti-nostalgia, or an invitation to remember, but without the fondness of nostalgia, and perhaps even counter-acting previous nostalgic constructions. In Twin Peaks, its presumably nostalgic score accompanies contradictory signifiers rooted in the surreal and uncanny that produce a sense of rupture. What could be understood as nostalgic is instead construed to be anti-nostalgic. That is, its strangeness produces something other than the expected warm feelings of fondness for the past, even as it brings that past to mind.
English
ISBN: 9798380164825Subjects--Topical Terms:
3342382
Music history.
Subjects--Index Terms:
Badalamenti, Angelo
Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks /
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Twin Peaks engages with the late-twentieth century's nostalgia for the mid-twentieth century. As Frederic Jameson notes, 1980s and 1990s mass culture's rose-colored vision of all things mid-century Americana glosses over the realities of life in the 1950s. Twin Peaks serves as an analogy to Jameson's commentary; the program often presents nostalgic signifiers-including those in its score-that are simultaneously contradicted, amounting to anti-nostalgia, or an invitation to remember, but without the fondness of nostalgia, and perhaps even counter-acting previous nostalgic constructions. In Twin Peaks, its presumably nostalgic score accompanies contradictory signifiers rooted in the surreal and uncanny that produce a sense of rupture. What could be understood as nostalgic is instead construed to be anti-nostalgic. That is, its strangeness produces something other than the expected warm feelings of fondness for the past, even as it brings that past to mind.
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