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Debussy's Decor : = Music, the Arts, and Sociability at the Fin De Siecle.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Debussy's Decor :/
其他題名:
Music, the Arts, and Sociability at the Fin De Siecle.
作者:
Rakonjac, Damjan.
面頁冊數:
1 online resource (207 pages)
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
Music history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30687166click for full text (PQDT)
ISBN:
9798380350822
Debussy's Decor : = Music, the Arts, and Sociability at the Fin De Siecle.
Rakonjac, Damjan.
Debussy's Decor :
Music, the Arts, and Sociability at the Fin De Siecle. - 1 online resource (207 pages)
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Thesis (Ph.D.)--University of California, Los Angeles, 2023.
Includes bibliographical references
With the increasing importance of the decorative arts in late 19th century France, evidenced by movements such as Symbolism and Art Nouveau, the concept of "decor" came to symbolize the intimate reciprocity between groups of artists and works of art. This dissertation frames three works by Claude Debussy - La Damoiselle elue, Prelude de l'apres-midi d'un faune, and the Bilitis tableaux vivants Musique de scene - within the broader resonances of decor at the fin de siecle. In doing so, it reveals the ways in which the idea(l) and practice of decor informed Debussy's milieu and shaped both the production and reception of his music.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798380350822Subjects--Topical Terms:
3342382
Music history.
Subjects--Index Terms:
Decorative artsIndex Terms--Genre/Form:
542853
Electronic books.
Debussy's Decor : = Music, the Arts, and Sociability at the Fin De Siecle.
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With the increasing importance of the decorative arts in late 19th century France, evidenced by movements such as Symbolism and Art Nouveau, the concept of "decor" came to symbolize the intimate reciprocity between groups of artists and works of art. This dissertation frames three works by Claude Debussy - La Damoiselle elue, Prelude de l'apres-midi d'un faune, and the Bilitis tableaux vivants Musique de scene - within the broader resonances of decor at the fin de siecle. In doing so, it reveals the ways in which the idea(l) and practice of decor informed Debussy's milieu and shaped both the production and reception of his music.
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