Performing Arts.
概要
| 作品: | 330 作品在 203 項出版品 203 種語言 | |
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書目資訊
Gilgamesh: A scenic design The Robert and Arlene Kogod Theatre Clarice Smith Performing Arts Center University of Maryland -- College Park.
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Using Hip Hop Puppet Theatre to increase awareness about the problems associated with bullying.
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Staging the slums, slumming the stage = class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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A Strafed, Tactical, Pugnacious Island: Political Performances in Taiwan from 2000 to 2013.
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Dancing, fighting, and staging capoeira: Choreographies of Afro-Brazilian modernity and tradition.
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Flamenco and Transformations of the Cultural Public Sphere in Cuba: Race, Ethnicity, and the Performance of New Hierarchies of Difference, 1989-2009.
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Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Development of an improvisational theatre skills training video to be used in the clinical training of psychotherapists.
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Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
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African youth languages = new media, performing arts and sociolinguistic development /
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Theaters of error = problems of performance in German and French enlightenment theater /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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Translating across sensory and linguistic borders = intersemiotic journeys between media /
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Creative measures of the anthropocene = art, mobilities, and participatory geographies /
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Seeing as practice = philosophical investigations into the relation between sight and insight /
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The comedy and legacy of music-hall women 1880-1920 = brazen impudence and boisterous vulgarity /
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Polyrhythmicity in language, music and society = complex time relations in the arts, humanities and social sciences /
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Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /
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Eugenics and physical culture performance in the progressive era = watch whiteness workout /
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Playing with Pain: Injury Prevention Strategies for Music Schools in the United States.
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A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
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Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
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A phenomenology of contemporary flute improvisation: Contextual explications of techniques, aesthetics, and performance practices.
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Analysis of wrist flexion and extension in piano performance: Biomechanical and anthropometrical perspectives.
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(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
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The dangerous lives of public performers = dancing, sex, and entertainment in the Islamic world /
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Mapping South Asia through contemporary theatre = essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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Out of the Pastel Shadows: Restoring the Artistic Legacy of Paris Opera Ballerinas in the era of Edgar Degas.
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Reframing immersive theatre = the politics and pragmatics of participatory performance /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
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Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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Creative selves / creative cultures = critical autoethnography, performance, and pedagogy /
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Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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In the name of the body: Identity, subjectivity, and the global nation in He Chengyao's performance art.
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Ubuntu as dance pedagogy in Uganda = individuality, community, and inclusion in teaching and learning of indigenous dances /
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Translated and visiting Russian theatre in Britain, 1945-2015 = a "Russia of the theatrical mind"? /
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Finding Multiplicity in Dance and Spoken Word: An Analysis of Works by Kidd Pivot, Cynthia Ling Lee, and Bill T. Jones.
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Music, Dance, and Tourism in Los Cabos, Mexico = = Musica, Danza, Y Turismo en Los Cabos, Mexico.
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"One of ya'll got my lyrics": Student artists exploring spoken word poetry, performance, and activism.
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Native American elements in piano repertoire by the Indianist and present-day Native American composers.
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Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
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The clinical use of musical components and their impact in improvisational music therapy.
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Tendrils of Lost Time and the Self An Aesthetic Anthropology of New York City's "Post"-Avant-Garde.
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Homemade faces in a foreign mirror: "Mimetic authenticity" in Sino-Western cultural interchange of the 1930s.
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Creative change: Audience development and cultural engagement in the nonprofit arts.
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Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985.
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Diasporic jeliya in New York: A study of Mande griot repertoire and performance practice.
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The Evolution of Choral Sound: In Professional Choirs from the 1970s to the Twenty-First Century.
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Performing the Landscape: Figuring Perceptual Space in Joan Jonas' Video and Performance Works, 1970-73.
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The role of cognition in oral & written transmission as demonstrated in ritual chant.
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Doing fringe in LA: How three performing artists stay off-beat in the entertainment industry's backyard.
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Politicizing Nostalgia: Cold War Theater in Taiwan and the US from the 1950s to the 1960s.
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Political Performance of Violence: Palestinian Female Bombers and the Politics of Visual Representation.
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Performing Lena: Race, representation, and the postwar autobiographical performances of Lena Horne.
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Queering Black Gay Historiography: Performance, (Mis)Identifications, and Possibilities.
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Staging the cosmopolitan nation: The re-creation of the "Dunhuang Bihua Yuewu", a multifaceted music, dance, and theatrical drama from China.
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Without agony: Analyzing Don Richardson's approach to actor-training for the university curriculum.
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The art of "having it all": Mothers in performing arts administration and the use of work-life policies.
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Patron participation in performing arts centers: A study of digital fan engagement in professional sports.
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Performing the Passion of Christ in Postmodernity: American Passion/passion Plays as Ritual and Postmodern Theatre.
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Influence of aural and visual expressivity of the accompanist on audience perception of expressivity in collaborative performances of a soloist and pianist.
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Theater percussion: Developing a twenty-first-century genre through the connection of visual, dramatic, and percussive arts.
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Linguistic, Narrative, and Theatrical Elements in Selected Vocal Works by Gyorgy Ligeti: Implications of Analysis for Performance.
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The Use of Theatrical Improvisation for Leadership Development in a Business Setting.
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A Performer's Guide to Violin Orchestral Excerpts from Baroque to the Twentieth Century Compositions.
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From Diminution to Autonomous Themes in Schenkerian Theory: Bridging the Divide between Tonally Organic and Modern Thematic Music.
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Understanding entertainment value: An investigation into the subjectivity of people who experience entertainment.
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Training for Performance: Lessons from Sports Psychology Applied to Musical Training.
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The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Trickster Dialogics: A Method For Articulating Cultural Archetypes From 'Q' To Performance Art.
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Creative musical improvisation in the development and formation of NEXUS percussion ensemble.
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Preparation Strategies in Percussion for the Music of J. S. Bach, Joseph Schwantner, and Iannis Xenakis.
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Passing on the legacy: Relevance of historical family narrative in motivating student efficacy and inspiring learning.
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Come Look at the Freaks: Costume Designs for Temple University's Production of Side Show.
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