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Performing ruins

Murray, Simon.

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Performing ruins

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performing ruins/ by Simon Murray.
Author:	Murray, Simon.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xviii, 316 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature's Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.
Contained By:	Springer Nature eBook
Subject:	Ruins in art. -
Online resource:	https://doi.org/10.1007/978-3-030-40643-1
ISBN:	9783030406431

Performing ruins
Murray, Simon.

Performing ruins[electronic resource] /by Simon Murray. - Cham :Springer International Publishing :2020. - xviii, 316 p. :ill., digital ;24 cm. - Performing landscapes. - Performing landscapes..

1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature's Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.

This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author's fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book's main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author's own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists' reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.

ISBN: 9783030406431

Standard No.: 10.1007/978-3-030-40643-1doiSubjects--Topical Terms:

748030
Ruins in art.

LC Class. No.: N8237.8.R8 / M877 2020

Dewey Class. No.: 709.05107479491

Performing ruins
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245 1 0 $a Performing ruins $h [electronic resource] / $c by Simon Murray.
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300 $a xviii, 316 p. : $b ill., digital ; $c 24 cm.
490 1 $a Performing landscapes
505 0 $a 1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature's Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.
520 $a This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author's fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book's main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author's own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists' reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.
650 0 $a Ruins in art. $3 748030
650 1 4 $a Performing Arts. $3 896022
650 2 4 $a Contemporary Theatre. $3 3221924
650 2 4 $a Performers and Practitioners. $3 3264621
650 2 4 $a Applied Theatre. $3 3414378
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