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Art and dance in dialogue = body, sp...

Whatley, Sarah.

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Art and dance in dialogue = body, space, object /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Art and dance in dialogue/ edited by Sarah Whatley ... [et al.].
其他題名:	body, space, object /
其他作者:	Whatley, Sarah.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xiv, 265 p. :ill., digital ;24 cm.
內容註:	1. Introduction; Marie-Louise Crawley, Katerina Paramana, Imogen Racz, and Sarah Whatley -- 2. 'Networked Commensals: Bodily, relational and performative affordances of sharing food remotely'; Cinzia Cremona -- 3. 'Unsound Bodies: Mapping manifolds in/of the dance'; Elise Nuding -- 4. 'TV, Body and Landscape: Nam June Paik's Show (2016)'; Yuh, J. Hwang -- 5. 'Please Do Not Touch: Dancing with the sculptural works of Robert Therrien'; Marie-Louise Crawley -- 6. 'The Holding Space: Body of (as) knowledge'; Sally Doughty, Lisa Kendall, and Rachel Krische -- 7. 'Contextualising the Developing Self in Helen Chadwick's Ego Geometria Sum'; Imogen Racz -- 8. 'Cutting Onions, Cooking Stew: Stabilizing the unstable in Mexico City'; Ruth Hellier -- 9. 'Series and Relics. On the presence of remainders in performance's museum'; Susanne Foellmer -- 10. 'Knitting Connection with the Red Ladies: Walking, remembering, transforming'; Sophie Lally -- 11. 'A Dance After All Hell Broke Loose: Mourning as 'Quiet' in Ralph Lemon's How Can You Stay in the House All Day and Not Go Anywhere?"'; Alison Bory -- 12. 'Theatre as FOMO: Metonymic spaces of William Forsythe's KAMMER/KAMMER'; Tamara Tomic-Vajagic -- 13. 'Broken Homes and Haunted Houses'; Gill Perry -- 14. 'The Monumental and the Mundane: Living with public art in London's East End'; Robert James Sutton.
Contained By:	Springer Nature eBook
標題:	Human figure in art. -
電子資源:	https://doi.org/10.1007/978-3-030-44085-5
ISBN:	9783030440855

Art and dance in dialogue = body, space, object /
Art and dance in dialoguebody, space, object /[electronic resource] :edited by Sarah Whatley ... [et al.]. - Cham :Springer International Publishing :2020. - xiv, 265 p. :ill., digital ;24 cm.

1. Introduction; Marie-Louise Crawley, Katerina Paramana, Imogen Racz, and Sarah Whatley -- 2. 'Networked Commensals: Bodily, relational and performative affordances of sharing food remotely'; Cinzia Cremona -- 3. 'Unsound Bodies: Mapping manifolds in/of the dance'; Elise Nuding -- 4. 'TV, Body and Landscape: Nam June Paik's Show (2016)'; Yuh, J. Hwang -- 5. 'Please Do Not Touch: Dancing with the sculptural works of Robert Therrien'; Marie-Louise Crawley -- 6. 'The Holding Space: Body of (as) knowledge'; Sally Doughty, Lisa Kendall, and Rachel Krische -- 7. 'Contextualising the Developing Self in Helen Chadwick's Ego Geometria Sum'; Imogen Racz -- 8. 'Cutting Onions, Cooking Stew: Stabilizing the unstable in Mexico City'; Ruth Hellier -- 9. 'Series and Relics. On the presence of remainders in performance's museum'; Susanne Foellmer -- 10. 'Knitting Connection with the Red Ladies: Walking, remembering, transforming'; Sophie Lally -- 11. 'A Dance After All Hell Broke Loose: Mourning as 'Quiet' in Ralph Lemon's How Can You Stay in the House All Day and Not Go Anywhere?"'; Alison Bory -- 12. 'Theatre as FOMO: Metonymic spaces of William Forsythe's KAMMER/KAMMER'; Tamara Tomic-Vajagic -- 13. 'Broken Homes and Haunted Houses'; Gill Perry -- 14. 'The Monumental and the Mundane: Living with public art in London's East End'; Robert James Sutton.

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

ISBN: 9783030440855

Standard No.: 10.1007/978-3-030-44085-5doiSubjects--Topical Terms:

527062
Human figure in art.

LC Class. No.: N7570 / .A783 2020

Dewey Class. No.: 700.4561

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505 0 $a 1. Introduction; Marie-Louise Crawley, Katerina Paramana, Imogen Racz, and Sarah Whatley -- 2. 'Networked Commensals: Bodily, relational and performative affordances of sharing food remotely'; Cinzia Cremona -- 3. 'Unsound Bodies: Mapping manifolds in/of the dance'; Elise Nuding -- 4. 'TV, Body and Landscape: Nam June Paik's Show (2016)'; Yuh, J. Hwang -- 5. 'Please Do Not Touch: Dancing with the sculptural works of Robert Therrien'; Marie-Louise Crawley -- 6. 'The Holding Space: Body of (as) knowledge'; Sally Doughty, Lisa Kendall, and Rachel Krische -- 7. 'Contextualising the Developing Self in Helen Chadwick's Ego Geometria Sum'; Imogen Racz -- 8. 'Cutting Onions, Cooking Stew: Stabilizing the unstable in Mexico City'; Ruth Hellier -- 9. 'Series and Relics. On the presence of remainders in performance's museum'; Susanne Foellmer -- 10. 'Knitting Connection with the Red Ladies: Walking, remembering, transforming'; Sophie Lally -- 11. 'A Dance After All Hell Broke Loose: Mourning as 'Quiet' in Ralph Lemon's How Can You Stay in the House All Day and Not Go Anywhere?"'; Alison Bory -- 12. 'Theatre as FOMO: Metonymic spaces of William Forsythe's KAMMER/KAMMER'; Tamara Tomic-Vajagic -- 13. 'Broken Homes and Haunted Houses'; Gill Perry -- 14. 'The Monumental and the Mundane: Living with public art in London's East End'; Robert James Sutton.
520 $a This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
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