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Transmissions in dance = contemporar...

Main, Lesley.

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Transmissions in dance = contemporary staging practices /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Transmissions in dance/ edited by Lesley Main.
其他題名:	contemporary staging practices /
其他作者:	Main, Lesley.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xvii, 231 p. :ill., digital ;24 cm.
內容註:	1. Introductions; Lesley Main -- 2. Transmission: from archive to production. Re-imagining Laban - contemporizing the past, envisioning the future; Alison Curtis-Jones -- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabian Barba -- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis -- 5. The Transmission--Translation--Transformation of Doris Humphrey's Two Ecstatic Themes (1931); Lesley Main -- 6. Transmission as Process and Power in Graham's Chronicle (1936); Kim Jones -- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey -- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butcher's Practice of 'Looking Back and Ahead'; Stefanie Sachsenmaier -- 9. The Living Cultural Heritage of Robert Cohan; Paul R W Jackson.
Contained By:	Springer eBooks
標題:	Dance - Stage-setting and scenery. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-64873-6
ISBN:	9783319648736

Transmissions in dance = contemporary staging practices /
Transmissions in dancecontemporary staging practices /[electronic resource] :edited by Lesley Main. - Cham :Springer International Publishing :2017. - xvii, 231 p. :ill., digital ;24 cm.

1. Introductions; Lesley Main -- 2. Transmission: from archive to production. Re-imagining Laban - contemporizing the past, envisioning the future; Alison Curtis-Jones -- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabian Barba -- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis -- 5. The Transmission--Translation--Transformation of Doris Humphrey's Two Ecstatic Themes (1931); Lesley Main -- 6. Transmission as Process and Power in Graham's Chronicle (1936); Kim Jones -- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey -- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butcher's Practice of 'Looking Back and Ahead'; Stefanie Sachsenmaier -- 9. The Living Cultural Heritage of Robert Cohan; Paul R W Jackson.

This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.

ISBN: 9783319648736

Standard No.: 10.1007/978-3-319-64873-6doiSubjects--Topical Terms:

3270273
Dance
--Stage-setting and scenery.

LC Class. No.: GV1782 / .T736 2017

Dewey Class. No.: 793.32

Transmissions in dance = contemporary staging practices /
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520 $a This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.
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