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Working women: Contemporary Cinemati...

Kinsley, Karen Hummel.

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Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl"./
作者:	Kinsley, Karen Hummel.
面頁冊數:	54 p.
附註:	Source: Masters Abstracts International, Volume: 52-05.
Contained By:	Masters Abstracts International52-05(E).
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1552821
ISBN:	9781303740091

Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".
Kinsley, Karen Hummel.

Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl". - 54 p.

Source: Masters Abstracts International, Volume: 52-05.

Thesis (M.A.)--City University of New York, 2014.

The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.

ISBN: 9781303740091Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".
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245 1 0 $a Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".
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500 $a Adviser: Shifra Sharlin.
502 $a Thesis (M.A.)--City University of New York, 2014.
520 $a The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.
520 $a The focus of this thesis is to examine how the contemporary cinematic costume designer unifies contemporary clothing with the actor's body to narrate a cinematic character's story. In order to understand how the costume designer creates a visual narrative, I will examine two films, Desk Set (1957) with costumes designed by Charles le Maire and Working Girl (1988) with costumes designed by Ann Roth that offer an entree into two different time periods; however, both films were released as contemporary films.
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