東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

(In)between nation and diaspora: Per...

Diaz-Sanchez, Micaela.

FindBook

Google Book

Amazon

博客來

(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production./
作者:	Diaz-Sanchez, Micaela.
面頁冊數:	222 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-01, Section: A, page: 0029.
Contained By:	Dissertation Abstracts International71-01A.
標題:	American Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3395835
ISBN:	9781109584547

(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
Diaz-Sanchez, Micaela.

(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production. - 222 p.

Source: Dissertation Abstracts International, Volume: 71-01, Section: A, page: 0029.

Thesis (Ph.D.)--Stanford University, 2010.

This dissertation interrogates methodologies that contemporary Chicana/o and Mexican artists employ in embodying and representing pre-Columbian Indigenous and African diasporic histories and iconographies. Engaging with cultural production ranging from visual art and dramatic texts to folkloric music and performance art, I assert that as these artists "remap" the Americas they reconfigure notions of national identities and re-envision diasporic imaginaries. I focus on these performative reformulations through the work of: Chicana playwright and essayist Cherrie Moraga; Chicana writer and performer Adelina Anthony; Chicana/Tepehuana painter, installation and performance artist Celia Herrera Rodriguez; Mexican actress and performance artist, Jesusa Rodriguez; Mexican son jarocho group Son de Madera; predominately Chicana/o band Quetzal; Chicana muralist and painter Juana Alicia; and Chicana theorist Gloria Anzaldua. Focusing on questions of race, gender, sexuality and class, I argue that the artists discussed challenge canonical and hegemonic constructions of nation and diaspora and make interventions that alter the very trajectories of critical and popular discourse.

ISBN: 9781109584547Subjects--Topical Terms:

1017604
American Studies.

(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
LDR:02182nam 2200313 4500 001 1397060
005 20110705104716.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781109584547
035 $a (UMI)AAI3395835
035 $a AAI3395835
040 $a UMI $c UMI
100 1 $a Diaz-Sanchez, Micaela. $3 1675871
245 1 0 $a (In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
300 $a 222 p.
500 $a Source: Dissertation Abstracts International, Volume: 71-01, Section: A, page: 0029.
500 $a Adviser: Harry J. Elam, Jr.
502 $a Thesis (Ph.D.)--Stanford University, 2010.
520 $a This dissertation interrogates methodologies that contemporary Chicana/o and Mexican artists employ in embodying and representing pre-Columbian Indigenous and African diasporic histories and iconographies. Engaging with cultural production ranging from visual art and dramatic texts to folkloric music and performance art, I assert that as these artists "remap" the Americas they reconfigure notions of national identities and re-envision diasporic imaginaries. I focus on these performative reformulations through the work of: Chicana playwright and essayist Cherrie Moraga; Chicana writer and performer Adelina Anthony; Chicana/Tepehuana painter, installation and performance artist Celia Herrera Rodriguez; Mexican actress and performance artist, Jesusa Rodriguez; Mexican son jarocho group Son de Madera; predominately Chicana/o band Quetzal; Chicana muralist and painter Juana Alicia; and Chicana theorist Gloria Anzaldua. Focusing on questions of race, gender, sexuality and class, I argue that the artists discussed challenge canonical and hegemonic constructions of nation and diaspora and make interventions that alter the very trajectories of critical and popular discourse.
590 $a School code: 0212.
650 4 $a American Studies. $3 1017604
650 4 $a Theater. $3 522973
650 4 $a Latin American Studies. $3 1669420
650 4 $a Performing Arts. $3 896022
650 4 $a Hispanic American Studies. $3 1017793
690 $a 0323
690 $a 0465
690 $a 0550
690 $a 0641
690 $a 0737
710 2 $a Stanford University. $3 754827
773 0 $t Dissertation Abstracts International $g 71-01A.
790 1 0 $a Elam, Harry J., Jr., $e advisor
790 $a 0212
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3395835