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The theatre of Romeo Castellucci and...

Semenowicz, Dorota.

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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The theatre of Romeo Castellucci and Societas Raffaello Sanzio/ by Dorota Semenowicz.
Reminder of title:	from icon to iconoclasm, from word to image, from symbol to allegory /
Author:	Semenowicz, Dorota.
Published:	New York :Palgrave Macmillan US : : 2016.,
Description:	viii, 235 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- Chapter 1. The Khmer Theatre -- Chapter 2. The Open Image -- Chapter 3. From Mysteries to Tragedy -- Chapter 4. Interchanges -- Epilogue.
Contained By:	Springer eBooks
Subject:	Theater - History - 20th century. - Italy -
Online resource:	http://dx.doi.org/10.1057/978-1-137-56390-3
ISBN:	9781137563903

The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
Semenowicz, Dorota.

The theatre of Romeo Castellucci and Societas Raffaello Sanziofrom icon to iconoclasm, from word to image, from symbol to allegory /[electronic resource] :by Dorota Semenowicz. - New York :Palgrave Macmillan US :2016. - viii, 235 p. :ill., digital ;24 cm.

Introduction -- Chapter 1. The Khmer Theatre -- Chapter 2. The Open Image -- Chapter 3. From Mysteries to Tragedy -- Chapter 4. Interchanges -- Epilogue.

'Not only is this the most complete account in English of the work of one of the world's leading theatre makers, covering as it does the full range of Castellucci's career, from the early 1980s to the present, and immersed as it is in the remarkable range of philosophies and ideas that have informed that work. It may also, in its forceful, subtle and sustained critical readings of the major productions, and its rigorous attention to how the work on stage itself really 'thinks', be one of the best - in any language.' - Joe Kelleher, Professor of Theatre and Performance, University of Roehampton, UK This book focuses on Romeo Castellucci's theatrical project, exploring the ethical and aesthetic framework determined by his reflection on the nature of the image. But why does a director whose fundamental artistic tool is the image deny this key conceptual notion? Rooted in his conscious distancing from iconoclasm in the 1980s, Castellucci frequently replaces this notion with the words 'symbol', 'form' and 'idea'. As the first publication on the international market which presents Castellucci's work from both historical and theoretical perspectives, this book systematically confronts the director's discourse with other concepts related to his artistic project. Capturing the evolution of his theatre from icon to iconoclasm, word to image and symbol to allegory, the book explores experimental notions of staging alongside an 'emotional wave', which serves as an animating principle of Castellucci's revolutionary theatre.

ISBN: 9781137563903

Standard No.: 10.1057/978-1-137-56390-3doiSubjects--Personal Names:

3210060
Castellucci, Romeo,
1960---Criticism and interpretation.Subjects--Corporate Names:

2187854
Societas Raffaello Sanzio (Theatrical company)
Subjects--Topical Terms:

3210061
Theater
--History--Italy--20th century.

LC Class. No.: PN2686.C46 / S46 2016

Dewey Class. No.: 792.094548

The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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245 1 4 $a The theatre of Romeo Castellucci and Societas Raffaello Sanzio $h [electronic resource] : $b from icon to iconoclasm, from word to image, from symbol to allegory / $c by Dorota Semenowicz.
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505 0 $a Introduction -- Chapter 1. The Khmer Theatre -- Chapter 2. The Open Image -- Chapter 3. From Mysteries to Tragedy -- Chapter 4. Interchanges -- Epilogue.
520 $a 'Not only is this the most complete account in English of the work of one of the world's leading theatre makers, covering as it does the full range of Castellucci's career, from the early 1980s to the present, and immersed as it is in the remarkable range of philosophies and ideas that have informed that work. It may also, in its forceful, subtle and sustained critical readings of the major productions, and its rigorous attention to how the work on stage itself really 'thinks', be one of the best - in any language.' - Joe Kelleher, Professor of Theatre and Performance, University of Roehampton, UK This book focuses on Romeo Castellucci's theatrical project, exploring the ethical and aesthetic framework determined by his reflection on the nature of the image. But why does a director whose fundamental artistic tool is the image deny this key conceptual notion? Rooted in his conscious distancing from iconoclasm in the 1980s, Castellucci frequently replaces this notion with the words 'symbol', 'form' and 'idea'. As the first publication on the international market which presents Castellucci's work from both historical and theoretical perspectives, this book systematically confronts the director's discourse with other concepts related to his artistic project. Capturing the evolution of his theatre from icon to iconoclasm, word to image and symbol to allegory, the book explores experimental notions of staging alongside an 'emotional wave', which serves as an animating principle of Castellucci's revolutionary theatre.
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