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Performing Arts and Performance Anxiety.
~
Bascomb, Jacklyn Sue.
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Performing Arts and Performance Anxiety.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Performing Arts and Performance Anxiety./
作者:
Bascomb, Jacklyn Sue.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
75 p.
附註:
Source: Masters Abstracts International, Volume: 80-12.
Contained By:
Masters Abstracts International80-12.
標題:
Kinesiology. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13864536
ISBN:
9781392192429
Performing Arts and Performance Anxiety.
Bascomb, Jacklyn Sue.
Performing Arts and Performance Anxiety.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 75 p.
Source: Masters Abstracts International, Volume: 80-12.
Thesis (M.S.)--Marshall University, 2019.
This item must not be added to any third party search indexes.
Background: Performing arts are a broad view of a range of human activities that occur in front of an audience with the attempt to express human experience and emotion. Performing artists consist of dancers, instrumental musicians, vocal musicians, and drama/comedy or theater/actors. Actors and instrumental musicians participate in tremendous training to provide the emotional story they deliver. Multiple factors contribute to mental and physical stress experienced by a performer. Performance anxiety results from a performer's fear of an adverse reaction or evaluation of their performance. Performance anxiety can be debilitating with negative effects on a performer's performance, career, and health.Purpose: The purpose of this comparative study was to investigate performance anxiety in actors and musicians using the validated Performance Anxiety Inventory (PAI). We hypothesized that the PAI will predict performance anxiety and that actors perform differently than musicians on the PAI.Methods: 22 performing artists out of 25 were included in the study (6 actors and 16 musicians). The age range of participants ranged from 19-23 years old. All participants completed the PAI and data collection form. One-way ANOVA was used to determine between-group differences in the PAI score. Multiple regression and Receive Operator Characteristics analysis were used to determine the responsiveness of each item of the PAI to determine the effect of performance anxiety.Results: No between-group differences were found for the reported anxiety, the reported performance anxiety, the SF-12 health survey, and the PAI scores. Multiple regression revealed that all items of the PAI contributed to the validity of multiple regression analysis for each group revealed that differences in the individual item responsiveness.Conclusion: This investigation provides evidence that the PAI can assess the level of performance anxiety in instrumental musicians and theater actors. Given the between-group differences in the contribution of individual items of the PAI to the total scores, it appears that the actors and musicians might experience performance anxiety differently. Future research should establish the responsiveness of the PAI on assessing performance anxiety in larger sample sizes and more diverse populations of performing artists.
ISBN: 9781392192429Subjects--Topical Terms:
517627
Kinesiology.
Subjects--Index Terms:
Music
Performing Arts and Performance Anxiety.
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Background: Performing arts are a broad view of a range of human activities that occur in front of an audience with the attempt to express human experience and emotion. Performing artists consist of dancers, instrumental musicians, vocal musicians, and drama/comedy or theater/actors. Actors and instrumental musicians participate in tremendous training to provide the emotional story they deliver. Multiple factors contribute to mental and physical stress experienced by a performer. Performance anxiety results from a performer's fear of an adverse reaction or evaluation of their performance. Performance anxiety can be debilitating with negative effects on a performer's performance, career, and health.Purpose: The purpose of this comparative study was to investigate performance anxiety in actors and musicians using the validated Performance Anxiety Inventory (PAI). We hypothesized that the PAI will predict performance anxiety and that actors perform differently than musicians on the PAI.Methods: 22 performing artists out of 25 were included in the study (6 actors and 16 musicians). The age range of participants ranged from 19-23 years old. All participants completed the PAI and data collection form. One-way ANOVA was used to determine between-group differences in the PAI score. Multiple regression and Receive Operator Characteristics analysis were used to determine the responsiveness of each item of the PAI to determine the effect of performance anxiety.Results: No between-group differences were found for the reported anxiety, the reported performance anxiety, the SF-12 health survey, and the PAI scores. Multiple regression revealed that all items of the PAI contributed to the validity of multiple regression analysis for each group revealed that differences in the individual item responsiveness.Conclusion: This investigation provides evidence that the PAI can assess the level of performance anxiety in instrumental musicians and theater actors. Given the between-group differences in the contribution of individual items of the PAI to the total scores, it appears that the actors and musicians might experience performance anxiety differently. Future research should establish the responsiveness of the PAI on assessing performance anxiety in larger sample sizes and more diverse populations of performing artists.
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