東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Dance's duet with the camera = motio...

Arendell, Telory D.

Linked to FindBook

Google Book

Amazon

博客來

Dance's duet with the camera = motion pictures /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dance's duet with the camera/ edited by Telory D. Arendell, Ruth Barnes.
Reminder of title:	motion pictures /
other author:	Arendell, Telory D.
Published:	London :Palgrave Macmillan UK : : 2016.,
Description:	xvii, 263 p. :digital ;22 cm.
[NT 15003449]:	Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loie Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes.
Contained By:	Springer eBooks
Subject:	Dance in motion pictures, television, etc. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-59610-9
ISBN:	9781137596109

Dance's duet with the camera = motion pictures /
Dance's duet with the cameramotion pictures /[electronic resource] :edited by Telory D. Arendell, Ruth Barnes. - London :Palgrave Macmillan UK :2016. - xvii, 263 p. :digital ;22 cm.

Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loie Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes.

Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.

ISBN: 9781137596109

Standard No.: 10.1057/978-1-137-59610-9doiSubjects--Topical Terms:

1617018
Dance in motion pictures, television, etc.

LC Class. No.: GV1779 / .D368 2016

Dewey Class. No.: 791.436579

Dance's duet with the camera = motion pictures /
LDR:02939nmm a2200313 a 4500 001 2041534
003 DE-He213
005 20161129104824.0
006 m d
007 cr nn 008maaau
008 170118s2016 enk s 0 eng d
020 $a 9781137596109 $q (electronic bk.)
020 $a 9781137596093 $q (paper)
024 7 $a 10.1057/978-1-137-59610-9 $2 doi
035 $a 978-1-137-59610-9
040 $a GP $c GP
041 0 $a eng
050 4 $a GV1779 $b .D368 2016
072 7 $a ASD $2 bicssc
072 7 $a PER003000 $2 bisacsh
082 0 4 $a 791.436579 $2 23
090 $a GV1779 $b .D173 2016
245 0 0 $a Dance's duet with the camera $h [electronic resource] : $b motion pictures / $c edited by Telory D. Arendell, Ruth Barnes.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xvii, 263 p. : $b digital ; $c 22 cm.
505 0 $a Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loie Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes.
520 $a Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.
650 0 $a Dance in motion pictures, television, etc. $3 1617018
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Dance. $3 610547
650 2 4 $a Performing Arts. $3 896022
650 2 4 $a Screen Performance. $3 2191774
700 1 $a Arendell, Telory D. $3 2200234
700 1 $a Barnes, Ruth. $3 2200235
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-59610-9
950 $a Literature, Cultural and Media Studies (Springer-41173)