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Choreography and corporeality = rela...
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DeFrantz, Thomas F.
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Choreography and corporeality = relay in motion /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Choreography and corporeality/ edited by Thomas F. DeFrantz, Philipa Rothfield.
其他題名:
relay in motion /
其他作者:
DeFrantz, Thomas F.
出版者:
London :Palgrave Macmillan UK : : 2016.,
面頁冊數:
xiii, 310 p. :ill., digital ;22 cm.
內容註:
1. RELAY; Philipa Rothfield and Thomas F. DeFrantz -- PART I. Rethinking Choreography -- 2. Tinkering Away; Philipa Rothfield -- 3.Choreography as Meshwork; Daisuke Muto -- 4.Flickering Photology; Nigel Stewart 5. Caribbean Dance, British Perspectives and the Choreography of Beverly Glean; 'Funmi Adewole -- PART II. Circuits and Circulation -- 6. Festivals and Local Identities in a Global Economy; Janet O'Shea -- 7. Rhythmic Operations; Lim How Ngean -- 8.Embodying Interaction in Argentinean Tango and Sports Dance; Susanne Ravn -- 9.Speaking Africa; Franz Anton Cramer -- PART III. Affectivities -- 10. The Economy of Shame or Why Dance Cannot Fail; Elizabeth Dempster -- 11. Dancing and Thinking Politics with Deleuze and Ranciere; Christel Stalpaert -- 12. Dancing the Downward Slide; Aoife McGrath -- 13. Afrofuturist Remains; Thomas F. DeFrantz -- PART IV. Sites of Representation -- 14. Discipline and Asian American Dance; Yutian Wong -- 15. Corporeal Memories; Hanna Jarvinen -- 16. Violence, Performance, and Relationality; Ramsay Burt -- 17. Dance in Chile; Adeline Maxwell -- 18. Dancing the Political; Lena Hammergren and Susan Leigh Foster.
Contained By:
Springer eBooks
標題:
Choreography. -
電子資源:
http://dx.doi.org/10.1057/978-1-137-54653-1
ISBN:
9781137546531$q(electronic bk.)
Choreography and corporeality = relay in motion /
Choreography and corporeality
relay in motion /[electronic resource] :edited by Thomas F. DeFrantz, Philipa Rothfield. - London :Palgrave Macmillan UK :2016. - xiii, 310 p. :ill., digital ;22 cm. - New world choreographies. - New world choreographies..
1. RELAY; Philipa Rothfield and Thomas F. DeFrantz -- PART I. Rethinking Choreography -- 2. Tinkering Away; Philipa Rothfield -- 3.Choreography as Meshwork; Daisuke Muto -- 4.Flickering Photology; Nigel Stewart 5. Caribbean Dance, British Perspectives and the Choreography of Beverly Glean; 'Funmi Adewole -- PART II. Circuits and Circulation -- 6. Festivals and Local Identities in a Global Economy; Janet O'Shea -- 7. Rhythmic Operations; Lim How Ngean -- 8.Embodying Interaction in Argentinean Tango and Sports Dance; Susanne Ravn -- 9.Speaking Africa; Franz Anton Cramer -- PART III. Affectivities -- 10. The Economy of Shame or Why Dance Cannot Fail; Elizabeth Dempster -- 11. Dancing and Thinking Politics with Deleuze and Ranciere; Christel Stalpaert -- 12. Dancing the Downward Slide; Aoife McGrath -- 13. Afrofuturist Remains; Thomas F. DeFrantz -- PART IV. Sites of Representation -- 14. Discipline and Asian American Dance; Yutian Wong -- 15. Corporeal Memories; Hanna Jarvinen -- 16. Violence, Performance, and Relationality; Ramsay Burt -- 17. Dance in Chile; Adeline Maxwell -- 18. Dancing the Political; Lena Hammergren and Susan Leigh Foster.
Dance travels as does thought about dance. This book renews thinking about the moving body by drawing on dance practice and performance from across the world. Eighteen internationally recognised scholars show how dance can challenge our thoughts and feelings about our own and other cultures, our emotions and prejudices, and our sense of public and private space. In so doing, they offer a multi-layered response to ideas of affect and emotion, culture and politics, and ultimately, the place of dance and art itself within society. The chapters in this collection arise from a number of different political and historical contexts. By teasing out their detail and situating dance within them, art is given a political charge. That charge is informed by the work of Michel Foucault, Stuart Hall, Gilles Deleuze, Jacques Derrida, Ranciere and Luce Irigaray as well as their forebears such as Spinoza, Plato and Freud. Taken together, Choreography and Corporeality: RELAY in Motion puts thought into motion, without forgetting its origins in the social world.
ISBN: 9781137546531$q(electronic bk.)
Standard No.: 10.1057/978-1-137-54653-1doiSubjects--Topical Terms:
745813
Choreography.
LC Class. No.: GV1782.5 / .C467 2016
Dewey Class. No.: 792.82
Choreography and corporeality = relay in motion /
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1. RELAY; Philipa Rothfield and Thomas F. DeFrantz -- PART I. Rethinking Choreography -- 2. Tinkering Away; Philipa Rothfield -- 3.Choreography as Meshwork; Daisuke Muto -- 4.Flickering Photology; Nigel Stewart 5. Caribbean Dance, British Perspectives and the Choreography of Beverly Glean; 'Funmi Adewole -- PART II. Circuits and Circulation -- 6. Festivals and Local Identities in a Global Economy; Janet O'Shea -- 7. Rhythmic Operations; Lim How Ngean -- 8.Embodying Interaction in Argentinean Tango and Sports Dance; Susanne Ravn -- 9.Speaking Africa; Franz Anton Cramer -- PART III. Affectivities -- 10. The Economy of Shame or Why Dance Cannot Fail; Elizabeth Dempster -- 11. Dancing and Thinking Politics with Deleuze and Ranciere; Christel Stalpaert -- 12. Dancing the Downward Slide; Aoife McGrath -- 13. Afrofuturist Remains; Thomas F. DeFrantz -- PART IV. Sites of Representation -- 14. Discipline and Asian American Dance; Yutian Wong -- 15. Corporeal Memories; Hanna Jarvinen -- 16. Violence, Performance, and Relationality; Ramsay Burt -- 17. Dance in Chile; Adeline Maxwell -- 18. Dancing the Political; Lena Hammergren and Susan Leigh Foster.
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Dance travels as does thought about dance. This book renews thinking about the moving body by drawing on dance practice and performance from across the world. Eighteen internationally recognised scholars show how dance can challenge our thoughts and feelings about our own and other cultures, our emotions and prejudices, and our sense of public and private space. In so doing, they offer a multi-layered response to ideas of affect and emotion, culture and politics, and ultimately, the place of dance and art itself within society. The chapters in this collection arise from a number of different political and historical contexts. By teasing out their detail and situating dance within them, art is given a political charge. That charge is informed by the work of Michel Foucault, Stuart Hall, Gilles Deleuze, Jacques Derrida, Ranciere and Luce Irigaray as well as their forebears such as Spinoza, Plato and Freud. Taken together, Choreography and Corporeality: RELAY in Motion puts thought into motion, without forgetting its origins in the social world.
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