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Performing antagonism = theatre, per...

Fisher, Tony.

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Performing antagonism = theatre, performance & radical democracy /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing antagonism/ edited by Tony Fisher, Eve Katsouraki.
其他題名:	theatre, performance & radical democracy /
其他作者:	Fisher, Tony.
出版者:	London :Palgrave Macmillan UK : : 2017.,
面頁冊數:	xv, 351 p. :ill., digital ;24 cm.
內容註:	1.Introduction; Tony Fisher -- 2. Tragedy's Philosophy; Simon Critchley -- 3. Tragedy; Olga Taxidou -- 4. Parterre; Broderick D.V. Chow -- 5. 'An Actor, but in Life'; Peter M Boenisch -- 6. Is this What Democracy Looks Like?; Theron Schmidt -- 7. Performing Protest; Pollyanna Ruiz -- 8. 'A Life Not Worth Living'; Eve Katsouraki -- 9. Collective Horizons; Gigi Argyropoulou -- 10. On the Performance of 'Dissensual Speech'; Tony Fisher -- 11. Remote Spectating; Fred Dalmasso -- 12. Antagonising the Limits of Critique; Rachel Cockburn -- 13. The Political Dimension of Dance; Goran Petrović-Lotina -- 14. The Art of Unsolicited Participation; Sruti Bala -- 15. Epilogue; Eve Katsouraki -- Bibliography.
Contained By:	Springer eBooks
標題:	Drama - Political aspects. -
電子資源:	http://dx.doi.org/10.1057/978-1-349-95100-0
ISBN:	9781349951000

Performing antagonism = theatre, performance & radical democracy /
Performing antagonismtheatre, performance & radical democracy /[electronic resource] :edited by Tony Fisher, Eve Katsouraki. - London :Palgrave Macmillan UK :2017. - xv, 351 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..

1.Introduction; Tony Fisher -- 2. Tragedy's Philosophy; Simon Critchley -- 3. Tragedy; Olga Taxidou -- 4. Parterre; Broderick D.V. Chow -- 5. 'An Actor, but in Life'; Peter M Boenisch -- 6. Is this What Democracy Looks Like?; Theron Schmidt -- 7. Performing Protest; Pollyanna Ruiz -- 8. 'A Life Not Worth Living'; Eve Katsouraki -- 9. Collective Horizons; Gigi Argyropoulou -- 10. On the Performance of 'Dissensual Speech'; Tony Fisher -- 11. Remote Spectating; Fred Dalmasso -- 12. Antagonising the Limits of Critique; Rachel Cockburn -- 13. The Political Dimension of Dance; Goran Petrović-Lotina -- 14. The Art of Unsolicited Participation; Sruti Bala -- 15. Epilogue; Eve Katsouraki -- Bibliography.

This book combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street. Our times are pre-eminently political times and have drawn radical responses from many theatre and performance practitioners. However, a decade of conflict in the Middle East and Afghanistan, the eruption of new social movements around the world, the growth of anti-capitalist and anti-globalisation struggles, the upsurge of protests against the blockades of neoliberalism, and the rising tide of dissent and anger against corporate power, with its exorbitant social costs, have left theatre and performance scholarship confronting something of a dilemma: how to theorize the political antagonisms of our day? Drawing on the resources of 'post-Marxist' political thinkers such as Chantal Mouffe and Jacques Ranciere, the book explores how new theoretical horizons have been made available for performance analysis.

ISBN: 9781349951000

Standard No.: 10.1057/978-1-349-95100-0doiSubjects--Topical Terms:

3220710
Drama
--Political aspects.

LC Class. No.: PN1643 / .P47 2017

Dewey Class. No.: 792.09

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520 $a This book combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street. Our times are pre-eminently political times and have drawn radical responses from many theatre and performance practitioners. However, a decade of conflict in the Middle East and Afghanistan, the eruption of new social movements around the world, the growth of anti-capitalist and anti-globalisation struggles, the upsurge of protests against the blockades of neoliberalism, and the rising tide of dissent and anger against corporate power, with its exorbitant social costs, have left theatre and performance scholarship confronting something of a dilemma: how to theorize the political antagonisms of our day? Drawing on the resources of 'post-Marxist' political thinkers such as Chantal Mouffe and Jacques Ranciere, the book explores how new theoretical horizons have been made available for performance analysis.
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