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Heidegger and future presencing (The...

Golub, Spencer.

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Heidegger and future presencing (The black p.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Heidegger and future presencing (The black p./ by Spencer Golub.
Author:	Golub, Spencer.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	vii, 258 p. :ill., digital ;24 cm.
[NT 15003449]:	1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being)
Contained By:	Springer eBooks
Subject:	Ontology. -
Online resource:	https://doi.org/10.1007/978-3-030-31889-5
ISBN:	9783030318895

Heidegger and future presencing (The black p.
Golub, Spencer.

Heidegger and future presencing (The black p.[electronic resource] /by Spencer Golub. - Cham :Springer International Publishing :2019. - vii, 258 p. :ill., digital ;24 cm.

1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being)

"Golub's novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields." -Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger's writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scene is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional "now" of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub's ongoing project of lyrically reimagining philosophy and the mise-en-scene of theatrical performance (a presence-room of consciousness) in light of one another.

ISBN: 9783030318895

Standard No.: 10.1007/978-3-030-31889-5doiSubjects--Personal Names:

526264
Heidegger, Martin,
1889-1976.Subjects--Topical Terms:

530874
Ontology.

LC Class. No.: B3279.H49 / G658 2019

Dewey Class. No.: 111

Heidegger and future presencing (The black p.
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245 1 0 $a Heidegger and future presencing (The black p. $h [electronic resource] / $c by Spencer Golub.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a vii, 258 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being)
520 $a "Golub's novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields." -Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger's writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scene is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional "now" of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub's ongoing project of lyrically reimagining philosophy and the mise-en-scene of theatrical performance (a presence-room of consciousness) in light of one another.
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