東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Dance in contested land = new interc...

Swain, Rachael.

FindBook

Google Book

Amazon

博客來

Dance in contested land = new intercultural dramaturgies /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dance in contested land/ by Rachael Swain.
其他題名:	new intercultural dramaturgies /
作者:	Swain, Rachael.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xxv, 157 p. :ill., digital ;24 cm.
內容註:	1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.
Contained By:	Springer Nature eBook
標題:	Dance - Political aspects - Australia -
標題:	Australia - Race relations. -
電子資源:	https://doi.org/10.1007/978-3-030-46551-3
ISBN:	9783030465513

Dance in contested land = new intercultural dramaturgies /
Swain, Rachael.

Dance in contested landnew intercultural dramaturgies /[electronic resource] :by Rachael Swain. - Cham :Springer International Publishing :2020. - xxv, 157 p. :ill., digital ;24 cm. - New world choreographies,2730-9266. - New world choreographies..

1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.

This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012-2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram's solo Gudirr Gudirr (2013) and the multimedia work Cut the Sky (2015) Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.

ISBN: 9783030465513

Standard No.: 10.1007/978-3-030-46551-3doiSubjects--Corporate Names:

3527028
Marrugeku (Dance Company)
Subjects--Topical Terms:

3527029
Dance
--Political aspects--AustraliaSubjects--Geographical Terms:

743538
Australia
--Race relations.

LC Class. No.: GV1716.W47 / S93 2020

Dewey Class. No.: 792.8099414

Dance in contested land = new intercultural dramaturgies /
LDR:02289nmm a2200337 a 4500 001 2256589
003 DE-He213
005 20210203170803.0
006 m d
007 cr nn 008maaau
008 220420s2020 sz s 0 eng d
020 $a 9783030465513 $q (electronic bk.)
020 $a 9783030465506 $q (paper)
024 7 $a 10.1007/978-3-030-46551-3 $2 doi
035 $a 978-3-030-46551-3
040 $a GP $c GP
041 0 $a eng
050 4 $a GV1716.W47 $b S93 2020
072 7 $a ASD $2 bicssc
072 7 $a PER003000 $2 bisacsh
072 7 $a ATQ $2 thema
082 0 4 $a 792.8099414 $2 23
090 $a GV1716.W47 $b S971 2020
100 1 $a Swain, Rachael. $3 3527027
245 1 0 $a Dance in contested land $h [electronic resource] : $b new intercultural dramaturgies / $c by Rachael Swain.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xxv, 157 p. : $b ill., digital ; $c 24 cm.
490 1 $a New world choreographies, $x 2730-9266
505 0 $a 1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.
520 $a This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012-2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram's solo Gudirr Gudirr (2013) and the multimedia work Cut the Sky (2015) Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.
610 2 0 $a Marrugeku (Dance Company) $3 3527028
650 0 $a Dance $x Political aspects $z Australia $z Kimberley (W.A.) $3 3527029
650 0 $a Dance, Aboriginal Australian. $3 3527030
650 0 $a Multiculturalism $z Australia $z Kimberley (W.A.) $3 3527031
650 0 $a Postcolonialism and the arts $z Australia $z Kimberley (W.A.) $3 3527032
650 0 $a Aboriginal Australians $x Land tenure. $3 743533
650 0 $a Land use $z Australia $z Kimberley (W.A.) $3 3527033
650 1 4 $a Dance. $3 610547
650 2 4 $a Performing Arts. $3 896022
650 2 4 $a Global/International Theatre and Performance. $3 3236632
650 2 4 $a National/Regional Theatre and Performance. $3 3264622
650 2 4 $a Theatre Industry. $3 3227350
651 0 $a Australia $x Race relations. $3 743538
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a New world choreographies. $3 3135279
856 4 0 $u https://doi.org/10.1007/978-3-030-46551-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)