東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Unraveling artistic influence and co...

Austin, Kristi N.

FindBook

Google Book

Amazon

博客來

Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912./
作者:	Austin, Kristi N.
面頁冊數:	106 p.
附註:	Source: Masters Abstracts International, Volume: 49-01, page: 0037.
Contained By:	Masters Abstracts International49-01.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1485652
ISBN:	9781124146959

Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
Austin, Kristi N.

Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912. - 106 p.

Source: Masters Abstracts International, Volume: 49-01, page: 0037.

Thesis (M.A.)--Idaho State University, 2010.

Studying the background of a particular ballet can yield a unique perspective regarding the process of creative collaboration. Daphnis et Chloe, a production of the Ballets Russes which had its premiere in Paris in 1912, was created through a collaborative process by artists who were aware of, and striving towards, the "total work of art" concept as propounded by Richard Wagner in the mid-nineteenth century. Wagner's term for the result of a collaboration that was greater than the sum of its parts was gesamtkunstwerk. Although Wagner generally applied the term to opera, the founder of the Ballets Russes, Serge Diaghilev, and his circle considered it a valid goal for ballet as well. This thesis examines the first Ballets Russes production of Daphnis et Chloe (1912) and those who created it through the lens of gesamtkunstwerk, asking the question, was Daphnis et Chloe a perfect synthesis of the arts, a totally successful gesamtkunstwerk? In fact, although it cannot be considered an ideal example of collaboration, neither was it the total failure it may have seemed at the time.

ISBN: 9781124146959Subjects--Topical Terms:

610547
Dance.

Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
LDR:02342nam 2200301 4500 001 1395858
005 20110526085828.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781124146959
035 $a (UMI)AAI1485652
035 $a AAI1485652
040 $a UMI $c UMI
100 1 $a Austin, Kristi N. $3 1674595
245 1 0 $a Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
300 $a 106 p.
500 $a Source: Masters Abstracts International, Volume: 49-01, page: 0037.
500 $a Adviser: Roger P. Schmidt.
502 $a Thesis (M.A.)--Idaho State University, 2010.
520 $a Studying the background of a particular ballet can yield a unique perspective regarding the process of creative collaboration. Daphnis et Chloe, a production of the Ballets Russes which had its premiere in Paris in 1912, was created through a collaborative process by artists who were aware of, and striving towards, the "total work of art" concept as propounded by Richard Wagner in the mid-nineteenth century. Wagner's term for the result of a collaboration that was greater than the sum of its parts was gesamtkunstwerk. Although Wagner generally applied the term to opera, the founder of the Ballets Russes, Serge Diaghilev, and his circle considered it a valid goal for ballet as well. This thesis examines the first Ballets Russes production of Daphnis et Chloe (1912) and those who created it through the lens of gesamtkunstwerk, asking the question, was Daphnis et Chloe a perfect synthesis of the arts, a totally successful gesamtkunstwerk? In fact, although it cannot be considered an ideal example of collaboration, neither was it the total failure it may have seemed at the time.
520 $a Contributors to the ballet in question were Maurice Ravel, composer of the musical score; Michel Fokine, the choreographer and librettist; and Leon Bakst, the designer and creator of the sets and costumes. The story was based on the ancient Greek novel, Daphnis and Chloe, by Longus.
590 $a School code: 0320.
650 4 $a Dance. $3 610547
650 4 $a Music. $3 516178
650 4 $a Performing Arts. $3 896022
690 $a 0378
690 $a 0413
690 $a 0641
710 2 $a Idaho State University. $3 1023169
773 0 $t Masters Abstracts International $g 49-01.
790 1 0 $a Schmidt, Roger P., $e advisor
790 $a 0320
791 $a M.A.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1485652