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Digital theatre = the making and mea...

Masura, Nadja.

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Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Digital theatre/ by Nadja Masura.
Reminder of title:	the making and meaning of live mediated performance, US & UK 1990-2020 /
Author:	Masura, Nadja.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xvi, 295 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World.
Contained By:	Springer Nature eBook
Subject:	Technology and the arts. -
Online resource:	https://doi.org/10.1007/978-3-030-55628-0
ISBN:	9783030556280

Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /
Masura, Nadja.

Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /[electronic resource] :by Nadja Masura. - Cham :Springer International Publishing :2020. - xvi, 295 p. :ill., digital ;24 cm. - Palgrave studies in performance and technology. - Palgrave studies in performance and technology..

1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World.

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.

ISBN: 9783030556280

Standard No.: 10.1007/978-3-030-55628-0doiSubjects--Topical Terms:

540451
Technology and the arts.

LC Class. No.: NX180.T4

Dewey Class. No.: 700.105

Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /
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505 0 $a 1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World.
520 $a Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.
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