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Humanism, drama, and performance = u...

Worthen, Hana.

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Humanism, drama, and performance = unwriting theatre /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Humanism, drama, and performance/ by Hana Worthen.
其他題名:	unwriting theatre /
作者:	Worthen, Hana.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xiii, 301 p. :ill., digital ;24 cm.
內容註:	1. Introduction: Unwriting Theatre -- 2. Martial's damnatio ad bestias -- 3. Augustine's spectacula -- 4. Lessing's Vermenschlichung -- 5. Pinkins's Alienating Gestus -- 6. Kivimaa's Living Humanism -- 7. Disassembling Performance.
Contained By:	Springer Nature eBook
標題:	Theater. -
電子資源:	https://doi.org/10.1007/978-3-030-44066-4
ISBN:	9783030440664

Humanism, drama, and performance = unwriting theatre /
Worthen, Hana.

Humanism, drama, and performanceunwriting theatre /[electronic resource] :by Hana Worthen. - Cham :Springer International Publishing :2020. - xiii, 301 p. :ill., digital ;24 cm.

1. Introduction: Unwriting Theatre -- 2. Martial's damnatio ad bestias -- 3. Augustine's spectacula -- 4. Lessing's Vermenschlichung -- 5. Pinkins's Alienating Gestus -- 6. Kivimaa's Living Humanism -- 7. Disassembling Performance.

This book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history today. From Aristotle onward, theatre has been regulated by three strains of critical poiesis: the literary, segregating theatre and the practices of the spectacular from the humanising work attributed to the book and to the internality of reading; the dramatic, approving the address of theatrical performance only to the extent that it instrumentalises literary value; and the theatrical, assimilating performance to the conjunction of literary and liberal values. These values have been used to figure not only the work of theatre, but also the propriety of the audience as a figure for its socialising work, along a privileged dualism from the aestheticised ensemble - harmonising actor, character, and spectator to the essentialised drama -to the politicised assembly, theatre understood as an agonistic gathering.

ISBN: 9783030440664

Standard No.: 10.1007/978-3-030-44066-4doiSubjects--Topical Terms:

522973
Theater.

LC Class. No.: PN2001 / .W678 2020

Dewey Class. No.: 792

Humanism, drama, and performance = unwriting theatre /
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520 $a This book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history today. From Aristotle onward, theatre has been regulated by three strains of critical poiesis: the literary, segregating theatre and the practices of the spectacular from the humanising work attributed to the book and to the internality of reading; the dramatic, approving the address of theatrical performance only to the extent that it instrumentalises literary value; and the theatrical, assimilating performance to the conjunction of literary and liberal values. These values have been used to figure not only the work of theatre, but also the propriety of the audience as a figure for its socialising work, along a privileged dualism from the aestheticised ensemble - harmonising actor, character, and spectator to the essentialised drama -to the politicised assembly, theatre understood as an agonistic gathering.
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