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Drag king camp: A new conception of ...

Arithson, Andryn.

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Drag king camp: A new conception of the feminine.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Drag king camp: A new conception of the feminine./
Author:	Arithson, Andryn.
Description:	90 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1539295
ISBN:	9781303143908

Drag king camp: A new conception of the feminine.
Arithson, Andryn.

Drag king camp: A new conception of the feminine. - 90 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--University of Colorado at Boulder, 2013.

This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. The Introduction will contextualize drag king performance as a subversive queer performance form. Chapter 1 will give an overview of the history of female cross-dressing on theatrical stages, including the development of contemporary drag king performance. Three types of drag king Camp will be introduced: Pond Scum Camp, Marginal Male Camp, and Celebrity Camp. In Chapter 2, the term Camp will be defined and explained in terms of its relation to feminist theatre. Finally, Chapter 3 will build a framework based on feminist theatre scholarship and third wave feminist scholarship in order to situate the use of drag king Camp as destabilizing the gender binary and revealing multiple femininities. The conclusion will situate drag king performance as a form of cultural performance, engaged in an ongoing challenge to hegemonic cultural structures.

ISBN: 9781303143908Subjects--Topical Terms:

522973
Theater.

Drag king camp: A new conception of the feminine.
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100 1 $a Arithson, Andryn. $3 2094317
245 1 0 $a Drag king camp: A new conception of the feminine.
300 $a 90 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Adviser: Bud Coleman.
502 $a Thesis (M.A.)--University of Colorado at Boulder, 2013.
520 $a This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. The Introduction will contextualize drag king performance as a subversive queer performance form. Chapter 1 will give an overview of the history of female cross-dressing on theatrical stages, including the development of contemporary drag king performance. Three types of drag king Camp will be introduced: Pond Scum Camp, Marginal Male Camp, and Celebrity Camp. In Chapter 2, the term Camp will be defined and explained in terms of its relation to feminist theatre. Finally, Chapter 3 will build a framework based on feminist theatre scholarship and third wave feminist scholarship in order to situate the use of drag king Camp as destabilizing the gender binary and revealing multiple femininities. The conclusion will situate drag king performance as a form of cultural performance, engaged in an ongoing challenge to hegemonic cultural structures.
590 $a School code: 0051.
650 4 $a Theater. $3 522973
650 4 $a Theater History. $3 644289
650 4 $a Performing Arts. $3 896022
650 4 $a Gender Studies. $3 898693
650 4 $a GLBT Studies. $3 1669655
690 $a 0465
690 $a 0644
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690 $a 0733
690 $a 0492
710 2 $a University of Colorado at Boulder. $b Theatre and Dance. $3 1024597
773 0 $t Masters Abstracts International $g 51-06(E).
790 $a 0051
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1539295