Performing Arts.
Overview
| Works: | 329 works in 203 publications in 203 languages | |
|---|---|---|
Titles
Educating in the Arts = The Asian Experience: Twenty-Four Essays /
by:
(Language materials, printed)
Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
by:
(Electronic resources)
A phenomenology of contemporary flute improvisation: Contextual explications of techniques, aesthetics, and performance practices.
by:
(Language materials, printed)
Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
by:
(Language materials, printed)
Homemade faces in a foreign mirror: "Mimetic authenticity" in Sino-Western cultural interchange of the 1930s.
by:
(Language materials, printed)
Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985.
by:
(Language materials, printed)
Using Hip Hop Puppet Theatre to increase awareness about the problems associated with bullying.
by:
(Language materials, printed)
Class divisions on the Broadway stage = the staging and taming of the I.W.W. /
by:
(Electronic resources)
The dangerous lives of public performers = dancing, sex, and entertainment in the Islamic world /
by:
(Electronic resources)
Mapping South Asia through contemporary theatre = essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
by:
(Electronic resources)
Performance, identity, and immigration law = a theatre of undocumentedness /
by:
(Electronic resources)
Staging the slums, slumming the stage = class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
by:
(Electronic resources)
The Evolution of Choral Sound: In Professional Choirs from the 1970s to the Twenty-First Century.
by:
(Language materials, printed)
Performing the Landscape: Figuring Perceptual Space in Joan Jonas' Video and Performance Works, 1970-73.
by:
(Language materials, printed)
The role of cognition in oral & written transmission as demonstrated in ritual chant.
by:
(Language materials, printed)
Doing fringe in LA: How three performing artists stay off-beat in the entertainment industry's backyard.
by:
(Language materials, printed)
Pedagogical Use of Cinematic Imagery in Augusta Read Thomas's Piano Etudes.
by:
(Language materials, printed)
A comparison of bluegrass bands: 2013 bands versus the 1940s-1960s bands.
by:
(Language materials, printed)
Between object and interpretation: Allan Kaprow's Happenings and environments.
by:
(Language materials, printed)
Politicizing Nostalgia: Cold War Theater in Taiwan and the US from the 1950s to the 1960s.
by:
(Language materials, printed)
Political Performance of Violence: Palestinian Female Bombers and the Politics of Visual Representation.
by:
(Language materials, printed)
Performing Lena: Race, representation, and the postwar autobiographical performances of Lena Horne.
by:
(Language materials, printed)
"Flowers in the desert": Cirque du Soleil in Las Vegas, 1993--2012.
by:
(Language materials, printed)
A Strafed, Tactical, Pugnacious Island: Political Performances in Taiwan from 2000 to 2013.
by:
(Language materials, printed)
Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".
by:
(Language materials, printed)
Without agony: Analyzing Don Richardson's approach to actor-training for the university curriculum.
by:
(Language materials, printed)
The art of "having it all": Mothers in performing arts administration and the use of work-life policies.
by:
(Language materials, printed)
Patron participation in performing arts centers: A study of digital fan engagement in professional sports.
by:
(Language materials, printed)
Performing the Passion of Christ in Postmodernity: American Passion/passion Plays as Ritual and Postmodern Theatre.
by:
(Language materials, printed)
Theatre of State: the Performative Production of International Community.
by:
(Language materials, printed)
Uniting commedia dell'arte traditions with the spieltenor repertoire.
by:
(Language materials, printed)
Influence of aural and visual expressivity of the accompanist on audience perception of expressivity in collaborative performances of a soloist and pianist.
by:
(Language materials, printed)
Theater percussion: Developing a twenty-first-century genre through the connection of visual, dramatic, and percussive arts.
by:
(Language materials, printed)
An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos.
by:
(Language materials, printed)
Linguistic, Narrative, and Theatrical Elements in Selected Vocal Works by Gyorgy Ligeti: Implications of Analysis for Performance.
by:
(Language materials, printed)
The Use of Theatrical Improvisation for Leadership Development in a Business Setting.
by:
(Language materials, printed)
A Performer's Guide to Violin Orchestral Excerpts from Baroque to the Twentieth Century Compositions.
by:
(Language materials, printed)
From Diminution to Autonomous Themes in Schenkerian Theory: Bridging the Divide between Tonally Organic and Modern Thematic Music.
by:
(Language materials, printed)
Understanding entertainment value: An investigation into the subjectivity of people who experience entertainment.
by:
(Language materials, printed)
Training for Performance: Lessons from Sports Psychology Applied to Musical Training.
by:
(Language materials, printed)
Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
by:
(Electronic resources)
Intersecting cultures in music and dance education = an oceanic perspective /
by:
(Electronic resources)
Beyond immersive theatre = aesthetics, politics and productive participation /
by:
(Electronic resources)
Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
by:
(Electronic resources)
Ethno identity dance for sex, fun and profit = staging popular dances around the world /
by:
(Electronic resources)
Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
by:
(Electronic resources)
History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
by:
(Electronic resources)
Migrating modernist performance = British theatrical travels through Russia /
by:
(Electronic resources)
The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
by:
(Electronic resources)
The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
by:
(Electronic resources)
Belonging, ownership, social values: Three performances of place in current film.
by:
(Electronic resources)
Development of an improvisational theatre skills training video to be used in the clinical training of psychotherapists.
by:
(Electronic resources)
Therapeutic acting: Psychodrama with adolescent female survivors of sexual abuse.
by:
(Electronic resources)
How to improve theatre arts education in Chinese higher educational institutes.
by:
(Electronic resources)
Intermedial praxis and practice as research = 'doing-thinking' in practice /
by:
(Electronic resources)
The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
by:
(Electronic resources)
Reframing immersive theatre = the politics and pragmatics of participatory performance /
by:
(Electronic resources)
The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
by:
(Electronic resources)
Creating performances for teaching and learning = a practice session for pedagogy /
by:
(Electronic resources)
Hollyweird science = the next generation :from spaceships to microchips /
by:
(Electronic resources)
Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
by:
(Electronic resources)
Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
by:
(Electronic resources)
The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
by:
(Electronic resources)
The topos of music. = theory, software, and case studies /. II,. Performance
by:
(Electronic resources)
Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
by:
(Electronic resources)
Choreographing the airport = field notes from the transit spaces of global mobility /
by:
(Electronic resources)
Exploring, experiencing, and envisioning integration in US arts education
by:
(Electronic resources)
Theatricality and performativity = writings on texture from Plato's cave to urban activism /
by:
(Electronic resources)
Theaters of error = problems of performance in German and French enlightenment theater /
by:
(Electronic resources)
Digital echoes = spaces for intangible and performance-based cultural heritage /
by:
(Electronic resources)
Economies of collaboration in performance = more than the sum of the parts /
by:
(Electronic resources)
The theatre of imagining = a cultural history of imagination in the mind and on the stage /
by:
(Electronic resources)
Performing dream homes = theater and the spatial politics of the domestic sphere /
by:
(Electronic resources)
Media archaeology and intermedial performance = deep time of the theatre /
by:
(Electronic resources)
Translating across sensory and linguistic borders = intersemiotic journeys between media /
by:
(Electronic resources)
Passing on the legacy: Relevance of historical family narrative in motivating student efficacy and inspiring learning.
by:
(Electronic resources)
Digital Engagement as a Mechanism for Digital Transformation: An Exploratory Study of the Performing Arts.
by:
(Electronic resources)
What you see is what you hear = creativity and communication in audiovisual texts /
by:
(Electronic resources)
Transnational Chinese theatres = intercultural performance networks in East Asia /
by:
(Electronic resources)
Contemporary African dance theatre = phenomenology, whiteness, and the gaze /
by:
(Electronic resources)
The future of music = towards a computational musical theory of everything /
by:
(Electronic resources)
Performances of suffering in Latin American migration = heroes, martyrs and saints /
by:
(Electronic resources)
Sustainable tools for precarious times = performance actions in the Americas /
by:
(Electronic resources)
Creative measures of the anthropocene = art, mobilities, and participatory geographies /
by:
(Electronic resources)
Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /
by:
(Electronic resources)
Labor and aesthetics in European contemporary dance = dancing precarity /
by:
(Electronic resources)
Ubuntu as dance pedagogy in Uganda = individuality, community, and inclusion in teaching and learning of indigenous dances /
by:
(Electronic resources)
Shakespeare's storytelling = an introduction to genre, character, and technique /
by:
(Electronic resources)
Space-time geometries for motion and perception in the brain and the arts
by:
(Electronic resources)
Affects in 21st-century British theatre = exploring feeling on page and stage /
by:
(Electronic resources)
Theatre and archival memory = Irish drama and marginalised histories 1951-1977 /
by:
(Electronic resources)
Seeing as practice = philosophical investigations into the relation between sight and insight /
by:
(Electronic resources)
The comedy and legacy of music-hall women 1880-1920 = brazen impudence and boisterous vulgarity /
by:
(Electronic resources)
Dementia, narrative and performance = staging reality, reimagining identities /
by:
(Electronic resources)
Polyrhythmicity in language, music and society = complex time relations in the arts, humanities and social sciences /
by:
(Electronic resources)
Performing new German realities = Turkish-German scripts of postmigration /
by:
(Electronic resources)
Madness in contemporary British theatre = resistances and representations /
by:
(Electronic resources)
Dramatizing blindness = disability studies as critical creative narrative /
by:
(Electronic resources)
The Palgrave handbook of queer and trans feminisms in contemporary performance
by:
(Electronic resources)
Ways of seeing in the neoliberal state = a controversial play and its contexts /
by:
(Electronic resources)
Choreographing agonism = politics, strategies and performances of the left /
by:
(Electronic resources)
Translated and visiting Russian theatre in Britain, 1945-2015 = a "Russia of the theatrical mind"? /
by:
(Electronic resources)
Performing welfare = applied theatre, unemployment, and economies of participation /
by:
(Electronic resources)
Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /
by:
(Electronic resources)
Applied theatre and sexual health communication = apertures of possibility /
by:
(Electronic resources)
Eugenics and physical culture performance in the progressive era = watch whiteness workout /
by:
(Electronic resources)
Pop with gods, Shakespeare, and AI = popular film, (musical) theatre, and TV drama /
by:
(Electronic resources)
Don't Fall in Love: Designing Costumes for Shakespeare's Romeo and Juliet.
by:
(Electronic resources)
Finding Multiplicity in Dance and Spoken Word: An Analysis of Works by Kidd Pivot, Cynthia Ling Lee, and Bill T. Jones.
by:
(Electronic resources)
How Meditative Breathing Can Enhance Musical Performance: A Study on the Practical Use of Alternate Nostril Breathing and Deep Breathing.
by:
(Electronic resources)
A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
by:
(Electronic resources)
Four Contemporary Trumpet Sonatas: A Recording Project and Performer's Guide.
by:
(Electronic resources)
A Performance Guide for Oscar Navarro's Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure in a Classical Form.
by:
(Electronic resources)
Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
by:
(Electronic resources)
Embodying the Rite[s]: Performing Bodies and Somatic Praxis in Vaslav Nijinsky, Pina Bausch, Marie Chouinard, and Hilary Bryan.
by:
(Electronic resources)
Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s.
by:
(Electronic resources)
Analysis of wrist flexion and extension in piano performance: Biomechanical and anthropometrical perspectives.
by:
(Language materials, printed)
Gilgamesh: A scenic design The Robert and Arlene Kogod Theatre Clarice Smith Performing Arts Center University of Maryland -- College Park.
by:
(Language materials, printed)
Native American elements in piano repertoire by the Indianist and present-day Native American composers.
by:
(Language materials, printed)
Tendrils of Lost Time and the Self An Aesthetic Anthropology of New York City's "Post"-Avant-Garde.
by:
(Language materials, printed)
Diasporic jeliya in New York: A study of Mande griot repertoire and performance practice.
by:
(Language materials, printed)
The new humor in the progressive era = Americanization and the vaudeville comedian /
by:
(Electronic resources)
Postmodern metanarratives = Blade Runner and literature in the age of image /
by:
(Electronic resources)
Mirror of the invisible world -- Tracing hidden elements behind the words.
by:
(Language materials, printed)
The 19 percent: Disability and actor training in higher education.
by:
(Language materials, printed)
Queering Black Gay Historiography: Performance, (Mis)Identifications, and Possibilities.
by:
(Language materials, printed)
Performance training methodology through the choreographic process.
by:
(Language materials, printed)
Activating the Creative, Awakening the Spirit The Making of a Method.
by:
(Language materials, printed)
Dancing, fighting, and staging capoeira: Choreographies of Afro-Brazilian modernity and tradition.
by:
(Language materials, printed)
Flamenco and Transformations of the Cultural Public Sphere in Cuba: Race, Ethnicity, and the Performance of New Hierarchies of Difference, 1989-2009.
by:
(Language materials, printed)
The influences of physical attributes, perceived exertion, and time spent playing the piano on hand discomfort, and the relationship of hand discomfort with hand function status among piano students: an exploratory study.
by:
(Language materials, printed)
Embodied philosophy in dance = Gaga and Ohad Naharin's movement research /
by:
(Electronic resources)
Trickster Dialogics: A Method For Articulating Cultural Archetypes From 'Q' To Performance Art.
by:
(Electronic resources)
Creative musical improvisation in the development and formation of NEXUS percussion ensemble.
by:
(Electronic resources)
Preparation Strategies in Percussion for the Music of J. S. Bach, Joseph Schwantner, and Iannis Xenakis.
by:
(Electronic resources)
Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
by:
(Electronic resources)
Art and politics under modern dictatorships = a comparison of Chile and Romania /
by:
(Electronic resources)
Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
by:
(Electronic resources)
Creative selves / creative cultures = critical autoethnography, performance, and pedagogy /
by:
(Electronic resources)
African youth languages = new media, performing arts and sociolinguistic development /
by:
(Electronic resources)
Memory, identity and cognition = explorations in culture and communication /
by:
(Electronic resources)
The civil rights theatre movement in New York, 1939-1966 = staging freedom /
by:
(Electronic resources)
Come Look at the Freaks: Costume Designs for Temple University's Production of Side Show.
by:
(Electronic resources)
In the name of the body: Identity, subjectivity, and the global nation in He Chengyao's performance art.
by:
(Electronic resources)
Contemporary theatre education and creative learning = a great British journey /
by:
(Electronic resources)
Storytelling in participatory arts with young people = the gaps in the story /
by:
(Electronic resources)
Music, Dance, and Tourism in Los Cabos, Mexico = = Musica, Danza, Y Turismo en Los Cabos, Mexico.
by:
(Electronic resources)
(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
by:
(Language materials, printed)
Perspectives on a cappella: A mixed methods portrait of the perceived benefits of unaccompanied ensemble singing on the development of the musical skills of undergraduate students.
by:
(Electronic resources)
Playing with Pain: Injury Prevention Strategies for Music Schools in the United States.
by:
(Electronic resources)
The Transcendence of Timbre: Timbre and Spatialization in Jonathan Harvey's "Bhakti," and an original composition, "Zodiacal Light" for string quartet, percussion quartet, and electronic sound.
by:
(Electronic resources)
"One of ya'll got my lyrics": Student artists exploring spoken word poetry, performance, and activism.
by:
(Language materials, printed)
The clinical use of musical components and their impact in improvisational music therapy.
by:
(Language materials, printed)
Creative change: Audience development and cultural engagement in the nonprofit arts.
by:
(Language materials, printed)
Staging the cosmopolitan nation: The re-creation of the "Dunhuang Bihua Yuewu", a multifaceted music, dance, and theatrical drama from China.
by:
(Language materials, printed)
Show more
Fewer
Subjects