Literature, Germanic.
概要
| 作品: | 268 作品在 0 項出版品 0 種語言 | |
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書目資訊
Hippokratischer keunstler, philosophischer kopf. Toward a philosophy of history in Friedrich Schiller's early works.
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Children of chaos: Historical atrocity and youth survival in the literature of American slavery and the Holocaust.
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Studies in early Germanic Biblical literature: Medieval rewritings, medieval receptions, and modern interpretations.
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Mystical modernisms: Trauma and the poetics of ineffability in T. S. Eliot, Rainer Maria Rilke, and W. B. Yeats.
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The concept of nature in American Transcendentalism: Emerson and Thoreau appropriating Kant.
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Die Orphische Weltanschauung der Antike und ihr Erbe bei Den dichtern Nietzsche, Hoelderlin, Novalis und Rilke.
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Self-consciousness and music in early Romanticism: Hoelderlin, Hegel, Wordsworth, and Beethoven.
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Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
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Hoelderlin's skeptical horizon: Negation and the renunciation of dialectical production in "Hyperion".
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"Fragmentary extravagance": Modernist readings of Kierkegaard in Kafka, Rilke and Adorno.
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Rewriting home and migration: Spatiality in the narratives of Barbara Honigmann and Emine Sevgi Ozdamar.
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Erwin Panofsky and Walter Benjamin: German Jewish cultural traditions and the writing of history in Weimar Germany.
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Context effects in spoken word recognition of English and German by native and non-native listeners.
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Illness and insight: Melancholic encounters with(in) history in Rainer Maria Rilke, Walter Benjamin, and Peter Handke.
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Community and utopia: The discourse of Gemeinschaft and the search for a new modernity in Germany.
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Eating bodies eating texts: Metaphors of incorporation and consumption in Walter Benjamin, Dada, and futurism.
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Allegorical renderings of the birth topos: Myth, technology, gender and selfhood in nineteenth-century poetic production.
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Turns of phrases: Formulaic directionals and grammaticalization in Dutch language change and German second language acquisition.
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The sublime writer and the lure of action: Malraux, Brecht, and Lu Xun on China and beyond.
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Diaspora and representation: Jewish Argentine, Turkish German, and Chinese American women writers.
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The history behind fairy tales: The Chinese translation and dissemination of western fairy tales in 1900--1937.
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Avant-garde East and West: A comparison of prewar German and Japanese avant-garde art and performance.
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Perspectives on technology in eighteenth-century encyclopedias, travel literature, and utopian fiction.
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Memory in fragments: "Gedaechtnis" and "Erinnerung" in early Romanticism (Friedrich Schlegel, Novalis).
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Seeing and being seen: Urban space and the German public, 1933--1949 (Hannah Arendt).
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Engendering space: Architectures of sexual difference in early twentieth-century Germany.
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Female acts of violence: French revolutionary theater in British and German Romantic drama.
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From family to society: Nature, reflection, and dramatic form in G. E. Lessing and J. M. R. Lenz.
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Theodor W. Adorno's poetics of dissonance: Music, language and literary modernism.
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Subversive women: Female performing artists in Zuerich Dada (Switzerland, Emmy Hennings, Sophie Taeuber, Katja Wulff, Suzanne Perrottet).
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Beyond Babel: Translating the Holocaust at century's end (Italy, Switzerland, Translation, Primo Levi, Roberto Benigni, Binjamin Wilkomirski).
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Who cares whodunit? Anti-detection in West German cinema (Robert Siodmak, Fritz Lang, Helmut Kaeutner, Reinhard Hauff, Doris Doerrie).
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Literary ventriloquism: Pound, Celan, Mandelstam and twentieth-century poetic translation.
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Lyric diplomacy: Cold War poetics in the United States and West Germany 1945--1955.
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Beyond the "year of song": Text and music in the song cycles of Robert Schumann after 1848.
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Narrating the German loss: Small histories and the historiography of Fascist violence.
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Cultural habits: The travel writing of Isabella Bird, Max Dauthendey and Ai Wu, 1850-1930.
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A remarkable cultural encounter: The reception of German Romanticism, Rilke, and modernism in Feng Zhi's poetry.
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Geschichte der Rezeption der deutschsprachigen Literatur in China: Von den Anfaengen bis zur Gegenwart.
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The effects of German gender essentialism on the musical production of nineteenth-century women composers.
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Playing against type: 'Actress-writers' in German literature and culture, 1775--1815.
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Performing that-which-will-become posthuman and queer bodies in the works of Heinrich von Kleist and Oscar Wilde.
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The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).
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The lyrical age: Reconfiguring metaphysics, modernity, and poetry in the thought of Martin Heidegger.
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The face of the times: Ernst Cassirer, Georg Simmel, and the development of the modern German idea of culture.
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Negotiating identity: Bertha Pappenheim (Anna O.) as German-Jewish feminist, social worker, activist, and author.
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Mehrfache Migration: Zum Zusammenhang zwischen Mehrsprachigkeit, Lebenswelten und Identitaetskonstruktion.
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Curious fashion and careful generosity: Concepts connected to clothing in the works of Hans Sachs and other sixteenth-century writers.
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Shegyptology: Encounters with ancient Egypt in nineteenth-century literature and culture.
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Apocalyptic futures: Inscribed bodies and the violence of the text in twentieth-century culture.
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White Eve in the 'petrified garden': The colonial African heroine in the writing of Olive Schreiner, Isak Dinesen, Doris Lessing and Nadine Gordimer.
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Taking objects for origins: Cultural fetishism and visions of Africa in the late imperial novel.
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Rewriting women's discourse across cultures: Reception and translation of Ingeborg Bachmann's prose in Poland and in the United States.
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The influence of English on German business language: A corpus-based study of the use of Anglicisms in the German business press.
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Discours ethnologique et dissidence chez Carl Einstein et Michel Leiris: Autour de la revue "Documents".
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The politics of East German memory: Representing the Holocaust in DEFA film, 1946--1988.
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Representing reality: Literature, film, and the construction of Turkish-German identity.
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Ultimate attainment in second language phonological acquisition: Evidence from adult learners of German.
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A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
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Grotesque visions: Art, science, and visual culture in early-twentieth-century Germany.
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Brazil after Humboldt---triangular perceptions and the colonial gaze in nineteenth-century German travel narratives.
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The interplay of Buddhism and Taoism in "The Dream of the Red Chamber" and Hermann Hesse's "Demian".
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The ghost and the corpse: Figuring the mind/brain complex at the turn of the twentieth century.
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Places of interest: The rhetoric of space in high-medieval courtly romance and late-medieval love discourse.
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The cultural and social challenges of economic integration after German unification.
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Co-constructing social roles in German business meetings: A conversation analytic study.
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Mapping topographies in the Anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson.
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Writing world history: The emergence of modern global consciousness in the late eighteenth century (1760--1790).
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'Thou shalt not believe (me)': Nietzsche's ethics of reading and the movement for emancipation.
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The Old Saxon Leipzig "Heliand" manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage.
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Performing the Lied, performing the self: Singing subjectivity in Germany, 1790--1832.
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Estranging poetic: On the poetic of the foreign in select works by Herta Mueller and Yoko Tawada.
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FROM DYNAMIC TO DEFICIENT STILLNESS. PHILOSOPHICAL CONCEPTIONS OF RUHE IN SCHILLER, HOELDERLIN, AND BUECHNER (GERMANY).
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The abyss above: Poetry, philosophy, and madness in Plato, Hoelderlin, and Nietzsche.
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'In Stuermen der Zeit': Poetics and revolution in the works of Friedrich Hoelderlin.
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A comparative study of Friedrich Hoelderlin poetry in the twentieth-century lieder of Fortner, Hauer, Hindemith, Pfitzner, and Reutter.
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Frictions, fictions, and forms: Woman's coming of age in eighteenth-century educational discourses.
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Educating for women's rights in three late eighteenth-century bestsellers: La Roche, Inchbald, and Rowson.
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"The poetics of everyday life": The sublime as an aesthetic force in the lyric poetry of Emily Dickinson and Annette von Droste-Hulshoff.
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The language of real life: Self-possession in the poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valery.
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Troping the timeless: Ontological desires and the representation of childhood in coming-of-age narratives.
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Rehabilitationen Roms: Die roemische Antike in der deutschen Kultur zwischen Winckelmann und Niebuhr.
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The hermeneutical tyrant and his impotent subject: Interpretation, violence, and power in the works of Franz Kafka (Austria).
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Elise Reimarus (1735--1805), the muse of Hamburg: A woman of the German Enlightenment.
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Ghosts in the machine: Modernism's religious other (Soren Kierkegaard, Denmark, Joseph Conrad, Gertrude Stein).
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The sentence-level processing of case markings and word order by native and non-native speakers of German.
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The rule of nature: Dance, physiocracy, and poetic language in Hoelderlin's "Hyperion" (Friedrich Hoelderlin, Germany).
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Functionalism with ornament: Modernist architectural discourse in Hermann Broch's "Die Schlafwandler".
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Talking perspective: Conversation analysis and culture in the German foreign language classroom.
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Personifying capitalism: Economic imagination, the novel, and the entrepreneur (Honore de Balzac, France, William Faulkner).
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Journeys of desire: Liguria as literary landscape in Eugenio Montale, Ezra Pound, and Gottfried Benn (Italy, Germany).
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Communication through interruption: The dislocated conversation of writing and reading.
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Novellenschatz. Searching for treasure in the novellas of Gottfried Keller and George Eliot.
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Brussel - Bruxelles - Brussel: Brussels in the Flemish literary mirror from 1830 to 1932.
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Commonplaces: Towards a political topogeography of culture: Carl Schmitt, Kant, and topics in political philosophy.
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Blake and allegory (William Blake, Johann Joachim Winckelmann, E. A. Swedenborg, John Bunyan, Edmund Spenser).
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The evolution of the warrior hero in medieval literature (Geoffrey of Monmouth, Sir Thomas Malory).
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
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Pedagogies of resistance (Sigmund Freud, Albert Camus, Tennessee Williams, Tony Kushner).
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Acting the child: Separating the infantile from the masculine in film and literature, 1835--1985.
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Writing against objectification: German-Jewish identity in the works of Grete Weil and Ruth Klueger (Austria).
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Borges, Benjamin, and the allegorical writing of history (Jorge Luis Borges, Argentina, Walter Benjamin, Germany).
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Escribir en la posguerra: La novela neopicaresca en la literatura europea (1942--1963) (Spanish text, Germany).
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POETIC REALISM AND THE HERMENEUTICAL CIRCLE: A STUDY IN INTERPRETATION THEORY AND NINETEENTH-CENTURY GERMAN LITERATURE.
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Faces: Maps, masks, mirrors, masquerades in German Expressionist visual art, literature, and film.
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Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).
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A forgotten history of modernity: Fashion in German literature, the illustrated press, and photography in the Weimar Republic.
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Origins, identity, home: Sites of subjectivity and displaced narratives in Marguerite Duras and Wim Wenders (France, Germany).
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Towards conspiracy theory: Revolution, terrorism and paranoia from Victorian fiction to the modern novel.
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Writing in another tongue: Contemporary German minority literature and creative writing in German as a foreign language.
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Commemorating communist East Germany in the Berlin Republic: Modes of remembrance in literature, film, and memorial sites.
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Imagining procreation: Conception and gestation in the works of Paracelsus (1493--1541).
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The distinguished norseman: Snorri Sturluson, the "Edda", and the conversion of capital in medieval Scandinavia (Iceland).
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Signs and symbols in the introductory German language textbook: An inclusionary perspective.
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Authoring the German "other": A semiotic, narrative discourse analysis of the culture box in beginning L2 German textbooks.
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Auf dem Weg zu einer neuen Mythologie: Die Aneignung und Umdeutung des griechischen Mythos (German text).
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The making of modernity: The Italian Renaissance in the German historical imagination, 1860-1930.
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A human end to history? Hans Blumenberg, Karl Loewith and Carl Schmitt on secularization and modernity.
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Buechner and the Bible: Function, configuration, and development of biblical quotations in the works of Georg Buechner.
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Wenn madchen uberleben: Inventur im gewalthaushalt bei J.M.R. Lenz und Frank Wedekind.
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Aesthetic Exercises and Poetic Form in the Works of Hoelderlin, Novalis, and Rococo Poets.
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Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Buechner, Hugo von Hofmannsthal, Heiner Mueller, and Elfriede Jelinek.
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A poetics of "Care," or time and the "Dasein" of modernism in Thomas Mann and Martin Heidegger (1924/1947).
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Revitalizing Romanticism: Novalis' "Fichte Studien" and the Philosophy of Organic Nonclosure.
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Shattering fragility: Illness, suicide, and refusal in fin-de-siecle Viennese literature.
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Once upon an ecocritical analysis: The nature-culture of German fairy tales and its implications.
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