東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Sacred Spring of Nature: Gustav...

McColgan, Denise Sarah.

FindBook

Google Book

Amazon

博客來

The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche)./
作者:	McColgan, Denise Sarah.
面頁冊數:	382 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3840.
Contained By:	Dissertation Abstracts International66-11A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3194688
ISBN:	9780542394539

The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche).
McColgan, Denise Sarah.

The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche). - 382 p.

Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3840.

Thesis (Ph.D.)--Yale University, 2005.

The dissertation examines the landscape paintings of the Viennese artist Gustav Klimt (1862-1918). Although best known for his figurative work, Klimt turned to landscape at an advanced stage in his career. He embraced it emphatically, painting close to sixty landscapes from 1898 until his death, almost half of his total production during this time, the most important years of his artistic life. His turn to landscape is examined in the context of a crisis in meaning with his figurative art during the 1890s, and the founding of the Secession in 1897 to embrace international modernism. Themes of life, death, and rebirth are traced in allegories and portraits of the 1890s that suggest Klimt's adoption of a Nietzschean tragic vision, articulated in the philosopher's Birth of Tragedy (1872; rev. ed. 1886); Nietzsche's world view questioned the assumptions and "false optimism" of a rationalistic-scientific culture and celebrated nature and instinct as opposed to culture as a source of solace and creativity. Klimt's landscapes are shown to reflect this viewpoint in their presentation of nature as a "Sacred Spring"---a rejuvenating source of infinite replenishment---through the identification and analysis of formal factors that remain consistent---the square format, the exclusion of people, the suppression of cultural symbols, and the emphatic display of nature's sensuous fecundity in an iconicizing Stil of color and pattern.

ISBN: 9780542394539Subjects--Topical Terms:

635474
Art History.

The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche).
LDR:02405nmm 2200289 4500 001 1821946
005 20061115130108.5
008 130610s2005 eng d
020 $a 9780542394539
035 $a (UnM)AAI3194688
035 $a AAI3194688
040 $a UnM $c UnM
100 1 $a McColgan, Denise Sarah. $3 1911107
245 1 4 $a The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche).
300 $a 382 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3840.
500 $a Director: Christopher S. Wood.
502 $a Thesis (Ph.D.)--Yale University, 2005.
520 $a The dissertation examines the landscape paintings of the Viennese artist Gustav Klimt (1862-1918). Although best known for his figurative work, Klimt turned to landscape at an advanced stage in his career. He embraced it emphatically, painting close to sixty landscapes from 1898 until his death, almost half of his total production during this time, the most important years of his artistic life. His turn to landscape is examined in the context of a crisis in meaning with his figurative art during the 1890s, and the founding of the Secession in 1897 to embrace international modernism. Themes of life, death, and rebirth are traced in allegories and portraits of the 1890s that suggest Klimt's adoption of a Nietzschean tragic vision, articulated in the philosopher's Birth of Tragedy (1872; rev. ed. 1886); Nietzsche's world view questioned the assumptions and "false optimism" of a rationalistic-scientific culture and celebrated nature and instinct as opposed to culture as a source of solace and creativity. Klimt's landscapes are shown to reflect this viewpoint in their presentation of nature as a "Sacred Spring"---a rejuvenating source of infinite replenishment---through the identification and analysis of formal factors that remain consistent---the square format, the exclusion of people, the suppression of cultural symbols, and the emphatic display of nature's sensuous fecundity in an iconicizing Stil of color and pattern.
590 $a School code: 0265.
650 4 $a Art History. $3 635474
650 4 $a Literature, Germanic. $3 1019072
650 4 $a Philosophy. $3 516511
690 $a 0377
690 $a 0311
690 $a 0422
710 2 0 $a Yale University. $3 515640
773 0 $t Dissertation Abstracts International $g 66-11A.
790 1 0 $a Wood, Christopher S., $e advisor
790 $a 0265
791 $a Ph.D.
792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3194688