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Schumann's piano cycles and the nove...

Reiman, Erika Lynne.

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Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany)./
作者:	Reiman, Erika Lynne.
面頁冊數:	338 p.
附註:	Source: Dissertation Abstracts International, Volume: 60-10, Section: A, page: 3571.
Contained By:	Dissertation Abstracts International60-10A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NQ41291
ISBN:	9780612412910

Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany).
Reiman, Erika Lynne.

Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany). - 338 p.

Source: Dissertation Abstracts International, Volume: 60-10, Section: A, page: 3571.

Thesis (Ph.D.)--University of Toronto (Canada), 1999.

Robert Schumann's enthusiasm for the works of the novelist, essayist, and satirist Jean Paul Friedrich Richter is well-documented. As yet, however, little attention has been devoted to similarities of technique and aesthetic between Jean Paul the novelist and Schumann the composer. My dissertation examines narrative discourse, self-referentiality, intertextuality, defamiliarization of stylistic models, and other discursive strategies typical of Jean Paul as they occur in Schumann's piano cycles of the 1830s. An introduction to Jean Paul's most striking literary tendencies precedes close readings of works which have received scant critical attention in the past, and none of which has been thoroughly examined in light of Jean Paul scholarship.

ISBN: 9780612412910Subjects--Topical Terms:

516178
Music.

Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany).
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245 1 0 $a Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany).
300 $a 338 p.
500 $a Source: Dissertation Abstracts International, Volume: 60-10, Section: A, page: 3571.
500 $a Adviser: Gaynor Jones.
502 $a Thesis (Ph.D.)--University of Toronto (Canada), 1999.
520 $a Robert Schumann's enthusiasm for the works of the novelist, essayist, and satirist Jean Paul Friedrich Richter is well-documented. As yet, however, little attention has been devoted to similarities of technique and aesthetic between Jean Paul the novelist and Schumann the composer. My dissertation examines narrative discourse, self-referentiality, intertextuality, defamiliarization of stylistic models, and other discursive strategies typical of Jean Paul as they occur in Schumann's piano cycles of the 1830s. An introduction to Jean Paul's most striking literary tendencies precedes close readings of works which have received scant critical attention in the past, and none of which has been thoroughly examined in light of Jean Paul scholarship.
520 $a An Introduction surveys the treatment of Jean Paul and Schumann in the secondary literature and also outlines my critical methodology. Chapter 1 introduces Jean Paul to a musicological audience. Major stylistic trends in his work are examined, particularly his digressive narrative style.
520 $a Chapter 2 centres around Schumann's first two piano cycles, Papillons and Intermezzi. These both take Schubert's suites of waltzes for piano solo and duet as their initial structural model, which is then subverted to the point of near-unrecognizability. Carnaval is based on the idea of the waltz suite. An intensive analysis in Chapter 3 examines the extent to which Jean Paul's unusual literary techniques have infiltrated Schumann's musical style.
520 $a Chapter 4 considers Kreisleriana, op. 16, Fantasiestucke , op. 12, Faschingsschwank aus Wien, op. 26, and Novelletten, op. 21, which also display traces of larger forms while preserving the cyclic model of Carnaval. Schumann's new preoccupations parallel a similar phase in Jean Paul's career.
520 $a Alongside his major novels, Jean Paul produced a number of shorter works which he dubbed "idylls", and which contain equal proportions of satire, humour, and the picturesque. Chapter 5 contains analyses of the Arabeske, Blumenstuck, and Humoreske and their resonance with Jean Paul's idyllic style.
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790 $a 0779
791 $a Ph.D.
792 $a 1999
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