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Why nation? Globalization and natio...

Nestingen, Andrew.

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Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki)./
作者:	Nestingen, Andrew.
面頁冊數:	271 p.
附註:	Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2758.
Contained By:	Dissertation Abstracts International62-08A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3022874
ISBN:	0493337873

Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).
Nestingen, Andrew.

Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki). - 271 p.

Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2758.

Thesis (Ph.D.)--University of Washington, 2001.

This study examines how globalization has affected national culture in Finland during the last two decades. The study begins by accounting for how culture was nationalized in Finland during the nineteenth and twentieth centuries, theorizing its institutional function during the period. It then proceeds to examine how globalization has been understood today, paying particular attention to its cultural dimensions. It then examines a rupture that has occurred in Finnish national culture's function through the latter's integration into processes of globalization. Drawing on the problems and questions that arise, I present readings of Aki Kaurismäki's film and Leena Krohn's writing. The study discusses Kaurismäki's “Loser Trilogy”—<italic> Shadows in Paradise</italic> (1986), <italic>Ariel</italic> (1988), and <italic> The Match-Factory Girl</italic> (1990). It also discusses a fourth thematically related film <italic>Drifting Clouds</italic> (1996). In discussing Krohn's production, the study focuses on her 1985 novel <italic>Tainaron</italic>, her 1995 essay collection <italic>Kyndä ja kone</italic>, and her recent novel <italic>Pereat mundus</italic> (1998). These readings suggest ways of approaching these texts, and Finnish culture, which underscore the effects of globalization and challenge the primacy of the national as a form of cultural expression.

ISBN: 0493337873Subjects--Topical Terms:

624011
Literature, Modern.

Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).
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245 1 0 $a Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).
300 $a 271 p.
500 $a Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2758.
500 $a Chairperson: Thomas A. DuBois.
502 $a Thesis (Ph.D.)--University of Washington, 2001.
520 $a This study examines how globalization has affected national culture in Finland during the last two decades. The study begins by accounting for how culture was nationalized in Finland during the nineteenth and twentieth centuries, theorizing its institutional function during the period. It then proceeds to examine how globalization has been understood today, paying particular attention to its cultural dimensions. It then examines a rupture that has occurred in Finnish national culture's function through the latter's integration into processes of globalization. Drawing on the problems and questions that arise, I present readings of Aki Kaurismäki's film and Leena Krohn's writing. The study discusses Kaurismäki's “Loser Trilogy”—<italic> Shadows in Paradise</italic> (1986), <italic>Ariel</italic> (1988), and <italic> The Match-Factory Girl</italic> (1990). It also discusses a fourth thematically related film <italic>Drifting Clouds</italic> (1996). In discussing Krohn's production, the study focuses on her 1985 novel <italic>Tainaron</italic>, her 1995 essay collection <italic>Kyndä ja kone</italic>, and her recent novel <italic>Pereat mundus</italic> (1998). These readings suggest ways of approaching these texts, and Finnish culture, which underscore the effects of globalization and challenge the primacy of the national as a form of cultural expression.
520 $a The study asserts that national culture has functioned to produce national subjectivities in line with the ideals of state elites. Globalization, it is claimed, dismantles the nation-state's capacity to function in this way. Finnish culture can no longer produce only national subjects; globalization pluralizes subjectifying discourses, creating manifold, impermanent subjectivities, although some of these may have national aspects. As a result, I argue, we must reconsider and revise the assumptions that justify institutional study of cultural objects deemed to be expressions of Finnish culture—film by Aki Kaurismäki and writing by Leena Krohn, for example.
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790 $a 0250
791 $a Ph.D.
792 $a 2001
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3022874