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Flights of memory: Narrating the pas...
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Kaplan, Silia.
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Flights of memory: Narrating the past in wings of desire.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Flights of memory: Narrating the past in wings of desire./
作者:
Kaplan, Silia.
面頁冊數:
60 p.
附註:
Adviser: Alice Kuzniar.
Contained By:
Masters Abstracts International45-04.
標題:
Cinema. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1442307
Flights of memory: Narrating the past in wings of desire.
Kaplan, Silia.
Flights of memory: Narrating the past in wings of desire.
- 60 p.
Adviser: Alice Kuzniar.
Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2007.
Wings of Desire engages in a dialectic of remembering and forgetting by presenting the inner dialogues and memories of the people of Berlin in the foreground of a physical memory of destruction. The inhabitants wander the city with little attentiveness to its architecture (the Berlin wall and the ruined buildings as a record of jarred collective memory) while being absorbed in their own troubled thoughts, but Wenders reconciles this disconnect in the figure of the storyteller. The film explores the intricacies of memory through notions of storytelling, often reflecting Benjamin's theories of memory and history. My paper extensively analyzes these concepts as they are portrayed in the postmodern metropolis of Berlin, identifying not only the problems that arise in the attempt to depict a postmodern narrative but also the ways in which Wenders is able to resolve these problems and leave his viewers with optimism and hope for the future.Subjects--Topical Terms:
854529
Cinema.
Flights of memory: Narrating the past in wings of desire.
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Wings of Desire engages in a dialectic of remembering and forgetting by presenting the inner dialogues and memories of the people of Berlin in the foreground of a physical memory of destruction. The inhabitants wander the city with little attentiveness to its architecture (the Berlin wall and the ruined buildings as a record of jarred collective memory) while being absorbed in their own troubled thoughts, but Wenders reconciles this disconnect in the figure of the storyteller. The film explores the intricacies of memory through notions of storytelling, often reflecting Benjamin's theories of memory and history. My paper extensively analyzes these concepts as they are portrayed in the postmodern metropolis of Berlin, identifying not only the problems that arise in the attempt to depict a postmodern narrative but also the ways in which Wenders is able to resolve these problems and leave his viewers with optimism and hope for the future.
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