東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Moving bodies and political movement...

Song, Ji-Yun.

FindBook

Google Book

Amazon

博客來

Moving bodies and political movement: Dance in German modernism.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Moving bodies and political movement: Dance in German modernism./
作者:	Song, Ji-Yun.
面頁冊數:	160 p.
附註:	Adviser: Russell A. Berman.
Contained By:	Dissertation Abstracts International67-05A.
標題:	Literature, Germanic. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219387
ISBN:	9780542708213

Moving bodies and political movement: Dance in German modernism.
Song, Ji-Yun.

Moving bodies and political movement: Dance in German modernism. - 160 p.

Adviser: Russell A. Berman.

Thesis (Ph.D.)--Stanford University, 2006.

This study examines the relationship between aesthetics and politics in early twentieth century Germany by looking at the development of German modern dance, commonly known as Ausdruckstanz. Dance was at the forefront of the "modernist" movement during the Weimar Republic. Under the Nazi regime, modernist dance was used to represent a body politic that privileged choreographies of mass movement. I follow the early career of a pioneering dancer and choreographer, Mary Wigman. An artist who consciously self-identified herself as a "modernist" and yet worked under the Nazi regime, Wigman choreographed for various mass spectacles, including the 1936 Olympic Games. I show how Ausdruckstanz was rooted in the larger cultural context of the so-called Lebensreform movement and developed out of a utopian ideal of social renewal and a new form of "life". In this sense, I argue Ausdruckstanz evades the common association of modernism with "self-referentiality", "irony", and "individualism". By examining the representations of dancing bodies and mass movements in Fritz Lang's Metropolis and Leni Riefenstahl's Triumph des Willens, as well as in Bruno Frank's Politische Novelle and Thomas Mann's "Mario und der Zauberer", I further demonstrate how dance inspired various other arts of the time. In fact, it is through this utopian ideal of Ausdruckstanz that modernism attempted to understand its own aesthetic endeavor and political agenda. When the Nazis came to power, choreographies of mass movement that figured so prominently in Ausdruckstanz also became a highly visible medium for expressing the political ideology of National Socialism. My dissertation contributes to a wider understanding of German modernism by considering the hitherto neglected aspect of "performance" in order to illuminate the aesthetic origin of a politics of "mass movement".

ISBN: 9780542708213Subjects--Topical Terms:

1019072
Literature, Germanic.

Moving bodies and political movement: Dance in German modernism.
LDR:02753nam 2200289 a 45 001 971089
005 20110921
008 110921s2006 ||||||||||||||||| ||eng d
020 $a 9780542708213
035 $a (UMI)AAI3219387
035 $a AAI3219387
040 $a UMI $c UMI
100 1 $a Song, Ji-Yun. $3 1295122
245 1 0 $a Moving bodies and political movement: Dance in German modernism.
300 $a 160 p.
500 $a Adviser: Russell A. Berman.
500 $a Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1747.
502 $a Thesis (Ph.D.)--Stanford University, 2006.
520 $a This study examines the relationship between aesthetics and politics in early twentieth century Germany by looking at the development of German modern dance, commonly known as Ausdruckstanz. Dance was at the forefront of the "modernist" movement during the Weimar Republic. Under the Nazi regime, modernist dance was used to represent a body politic that privileged choreographies of mass movement. I follow the early career of a pioneering dancer and choreographer, Mary Wigman. An artist who consciously self-identified herself as a "modernist" and yet worked under the Nazi regime, Wigman choreographed for various mass spectacles, including the 1936 Olympic Games. I show how Ausdruckstanz was rooted in the larger cultural context of the so-called Lebensreform movement and developed out of a utopian ideal of social renewal and a new form of "life". In this sense, I argue Ausdruckstanz evades the common association of modernism with "self-referentiality", "irony", and "individualism". By examining the representations of dancing bodies and mass movements in Fritz Lang's Metropolis and Leni Riefenstahl's Triumph des Willens, as well as in Bruno Frank's Politische Novelle and Thomas Mann's "Mario und der Zauberer", I further demonstrate how dance inspired various other arts of the time. In fact, it is through this utopian ideal of Ausdruckstanz that modernism attempted to understand its own aesthetic endeavor and political agenda. When the Nazis came to power, choreographies of mass movement that figured so prominently in Ausdruckstanz also became a highly visible medium for expressing the political ideology of National Socialism. My dissertation contributes to a wider understanding of German modernism by considering the hitherto neglected aspect of "performance" in order to illuminate the aesthetic origin of a politics of "mass movement".
590 $a School code: 0212.
650 4 $a Literature, Germanic. $3 1019072
650 4 $a Biography. $3 531296
650 4 $a Dance. $3 610547
690 $a 0304
690 $a 0311
690 $a 0378
710 2 $a Stanford University. $3 754827
773 0 $t Dissertation Abstracts International $g 67-05A.
790 $a 0212
790 1 0 $a Berman, Russell A., $e advisor
791 $a Ph.D.
792 $a 2006
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219387