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The ontology of presentation: The in...

Nassar, Dalia T.

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The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802)./
作者:	Nassar, Dalia T.
面頁冊數:	322 p.
附註:	Adviser: Vanessa P. Rumble.
Contained By:	Dissertation Abstracts International68-10A.
標題:	Literature, Germanic. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3283894
ISBN:	9780549273769

The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).
Nassar, Dalia T.

The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802). - 322 p.

Adviser: Vanessa P. Rumble.

Thesis (Ph.D.)--Boston College, 2007.

The task, therefore, was not to eliminate the ontological reality of the absolute, but to understand it. In order to explicate the nature of the absolute, the Romantics turn to presentation.

ISBN: 9780549273769Subjects--Topical Terms:

1019072
Literature, Germanic.

The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).
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245 1 4 $a The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).
300 $a 322 p.
500 $a Adviser: Vanessa P. Rumble.
500 $a Source: Dissertation Abstracts International, Volume: 68-10, Section: A, page: 4331.
502 $a Thesis (Ph.D.)--Boston College, 2007.
520 $a The task, therefore, was not to eliminate the ontological reality of the absolute, but to understand it. In order to explicate the nature of the absolute, the Romantics turn to presentation.
520 $a In this dissertation, I investigate the concept of presentation in early German Romantic philosophy. It is my contention that the most significant and unique contributions of early Romanticism are revealed through an investigation of the Romantic understanding of presentation. I illustrate that the Romantic concept of presentation offers a particular solution to the problems of Kantian dualism and show that it is through this concept that Romantic epistemology and ontology can be properly understood. Finally, I demonstrate that through a consideration of presentation significant differences between Romanticism and absolute Idealism are made clear.
520 $a The Romantics began to develop their ideas within the post-Kantian philosophical environment. The Romantics agreed with Kant's rejection of the claim that the absolute is an object or a thing given in experience. They disagreed, however, with Kant's understanding of the absolute as unconditioned, opposed to and outside of the conditioned, the world of experience. The absolute as absolute cannot be radically separated from the conditioned.
520 $a In elaborating a system where the absolute was completely distinguished from the conditioned, Kant posited a dualism which, the Romantics argued, necessarily resulted in skepticism. Skepticism could be overcome only if there were an absolute reality that constitutes the world of experience, that is, an original unity between being and knowing. For only then does knowing have access to being.
520 $a By presentation, I do not only denote the German Darstellung , but also mediation (Vermittlung, Mittlertum), revelation (Offenbarung) and the office of mediator ( Mittler). Moreover, presentation does not only concern epistemological presentation---representation, communication or exhibition of knowledge---but also ontological presentation---the self-presentation of the absolute. Insofar as presentation is both ontological and epistemological, one of the most significant themes which the dissertation addresses is the nature of the relation between being and knowing.
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