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Representations of Greece on the Ger...

Kramer, Daniel John.

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Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann)./
作者:	Kramer, Daniel John.
面頁冊數:	286 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.
Contained By:	Dissertation Abstracts International64-05A.
標題:	Literature, Germanic. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3091602
ISBN:	049639311X

Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
Kramer, Daniel John.

Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann). - 286 p.

Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.

Thesis (Ph.D.)--Harvard University, 2003.

The dissertation investigates the extent to which German dramatists, directors, and actors in the Age of Goethe embraced or rejected Winckelmann's stoic vision of Greek art and culture. While scholars have discussed at length Winckelmann's decisive influence on the German Enlightenment and Weimar Classicism, there has been as yet no systematic examination of Winckelmann's impact on dramatic production and dramaturgy. The purpose of this study is not only to bring to light those plays---other than Goethe's Iphigenie auf Tauris---that represent Winckelmann's aesthetic ideal but also to demonstrate the profound and enduring impact of Winckelmann's theories on stage practices (i.e., direction, costume design, and acting styles), thereby refining our understanding of his influence on German Classicism.

ISBN: 049639311XSubjects--Topical Terms:

1019072
Literature, Germanic.

Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
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100 1 $a Kramer, Daniel John. $3 1924993
245 1 0 $a Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
300 $a 286 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.
500 $a Adviser: Karl S. Guthke.
502 $a Thesis (Ph.D.)--Harvard University, 2003.
520 $a The dissertation investigates the extent to which German dramatists, directors, and actors in the Age of Goethe embraced or rejected Winckelmann's stoic vision of Greek art and culture. While scholars have discussed at length Winckelmann's decisive influence on the German Enlightenment and Weimar Classicism, there has been as yet no systematic examination of Winckelmann's impact on dramatic production and dramaturgy. The purpose of this study is not only to bring to light those plays---other than Goethe's Iphigenie auf Tauris---that represent Winckelmann's aesthetic ideal but also to demonstrate the profound and enduring impact of Winckelmann's theories on stage practices (i.e., direction, costume design, and acting styles), thereby refining our understanding of his influence on German Classicism.
520 $a The dissertation incorporates performance analyses, research on acting styles, and close readings of over 50 original, often little-known plays that feature classical Greek subject matter and that were written between Winckelmann's essay Gedanken uber die Nachahmung der griechischen Werke in der Malerei and Bildhauerkunst (1755) and Kleist's Penthesilea (1807). Chapter one establishes the degree of Winckelmann's renown immediately following the publication of his Gedanken essay and demonstrates how his famous formulation "edle Einfalt and stille Grosse" might be applicable to tragic drama. Chapters two and three examine plays written between 1755 and 1787, the publication date of Goethe's Iphigenie. Winckelmann's bearing on Bodmer's dramatic works is the focus of chapter two, while chapter three reveals that the Winckelmannian stoic heroine which Goethe introduces in Iphigenie , and which others have until now viewed as revolutionary, had already been anticipated in 1780 by a Viennese playwright, Joseph Bernhard Pelzel. Chapter four compares the 1779 prose version of Goethe's Iphigenie to the 1787 verse play to highlight Winckelmann's continued influence on Goethe's writing. Chapter five in turn analyzes the plays, performances, and discussions of acting in the wake of Goethe's Iphigenie. Overall, the study demonstrates that Winckelmann's notion of the Greek ideal was not only employed by Goethe in his Iphigenie and the Weimar theater, but was also adopted by men and women of the theater at Berlin, Mannheim, Gotha, as well as Vienna and Zurich.
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650 4 $a Theater. $3 522973
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790 1 0 $a Guthke, Karl S., $e advisor
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