Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Representations of Greece on the Ger...
~
Kramer, Daniel John.
Linked to FindBook
Google Book
Amazon
博客來
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann)./
Author:
Kramer, Daniel John.
Description:
286 p.
Notes:
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.
Contained By:
Dissertation Abstracts International64-05A.
Subject:
Literature, Germanic. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3091602
ISBN:
049639311X
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
Kramer, Daniel John.
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
- 286 p.
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.
Thesis (Ph.D.)--Harvard University, 2003.
The dissertation investigates the extent to which German dramatists, directors, and actors in the Age of Goethe embraced or rejected Winckelmann's stoic vision of Greek art and culture. While scholars have discussed at length Winckelmann's decisive influence on the German Enlightenment and Weimar Classicism, there has been as yet no systematic examination of Winckelmann's impact on dramatic production and dramaturgy. The purpose of this study is not only to bring to light those plays---other than Goethe's Iphigenie auf Tauris---that represent Winckelmann's aesthetic ideal but also to demonstrate the profound and enduring impact of Winckelmann's theories on stage practices (i.e., direction, costume design, and acting styles), thereby refining our understanding of his influence on German Classicism.
ISBN: 049639311XSubjects--Topical Terms:
1019072
Literature, Germanic.
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
LDR
:03332nmm 2200289 4500
001
1836515
005
20050315120458.5
008
130614s2003 eng d
020
$a
049639311X
035
$a
(UnM)AAI3091602
035
$a
AAI3091602
040
$a
UnM
$c
UnM
100
1
$a
Kramer, Daniel John.
$3
1924993
245
1 0
$a
Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
300
$a
286 p.
500
$a
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1675.
500
$a
Adviser: Karl S. Guthke.
502
$a
Thesis (Ph.D.)--Harvard University, 2003.
520
$a
The dissertation investigates the extent to which German dramatists, directors, and actors in the Age of Goethe embraced or rejected Winckelmann's stoic vision of Greek art and culture. While scholars have discussed at length Winckelmann's decisive influence on the German Enlightenment and Weimar Classicism, there has been as yet no systematic examination of Winckelmann's impact on dramatic production and dramaturgy. The purpose of this study is not only to bring to light those plays---other than Goethe's Iphigenie auf Tauris---that represent Winckelmann's aesthetic ideal but also to demonstrate the profound and enduring impact of Winckelmann's theories on stage practices (i.e., direction, costume design, and acting styles), thereby refining our understanding of his influence on German Classicism.
520
$a
The dissertation incorporates performance analyses, research on acting styles, and close readings of over 50 original, often little-known plays that feature classical Greek subject matter and that were written between Winckelmann's essay Gedanken uber die Nachahmung der griechischen Werke in der Malerei and Bildhauerkunst (1755) and Kleist's Penthesilea (1807). Chapter one establishes the degree of Winckelmann's renown immediately following the publication of his Gedanken essay and demonstrates how his famous formulation "edle Einfalt and stille Grosse" might be applicable to tragic drama. Chapters two and three examine plays written between 1755 and 1787, the publication date of Goethe's Iphigenie. Winckelmann's bearing on Bodmer's dramatic works is the focus of chapter two, while chapter three reveals that the Winckelmannian stoic heroine which Goethe introduces in Iphigenie , and which others have until now viewed as revolutionary, had already been anticipated in 1780 by a Viennese playwright, Joseph Bernhard Pelzel. Chapter four compares the 1779 prose version of Goethe's Iphigenie to the 1787 verse play to highlight Winckelmann's continued influence on Goethe's writing. Chapter five in turn analyzes the plays, performances, and discussions of acting in the wake of Goethe's Iphigenie. Overall, the study demonstrates that Winckelmann's notion of the Greek ideal was not only employed by Goethe in his Iphigenie and the Weimar theater, but was also adopted by men and women of the theater at Berlin, Mannheim, Gotha, as well as Vienna and Zurich.
590
$a
School code: 0084.
650
4
$a
Literature, Germanic.
$3
1019072
650
4
$a
Theater.
$3
522973
690
$a
0311
690
$a
0465
710
2 0
$a
Harvard University.
$3
528741
773
0
$t
Dissertation Abstracts International
$g
64-05A.
790
1 0
$a
Guthke, Karl S.,
$e
advisor
790
$a
0084
791
$a
Ph.D.
792
$a
2003
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3091602
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9186029
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login