German literature.
Overview
| Works: | 152 works in 4 publications in 4 languages | |
|---|---|---|
Titles
Bildung und Rebellion. Jugend in literarischen und philosophischen Texten von Johann G. Herder bis Friedrich Nietzsche.
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Considerations on the use of authentic children's and youth literature in the foreign language classroom.
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Bertolt Brecht's Furcht und elend des dritten reiches = a German exile drama in the struggle against fascism /
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Anselm Kiefer and W. G. Sebald: Intersecting Approaches to German History.
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Meaning Through Context ‒ the Case of Discourse Neologisms: A Lexicological Approach to the Semiotic Nature and Function of Discourse Neologisms as an Extension to the Lexicographical Approach of Discourse Glossaries for COVID-19.
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Dramaturgies of the imagination: The theatre as a laboratory of spectatorial agency in Lessing and Kleist.
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Verschweigen, versagen, verkorpern -- silence, speechlessness and body language in Fontane's Effi Briest, Schnitzler's Fraulein Else and Wedekind's Lulu plays.
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Venice as no-place: Liminality and the modernist interpretation of the myth of Venice.
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Wie ein unsichtbarer Schleier schwebt er mit: Eine Analyse zur Todesmetaphorik in fruheren Werken Christa Wolfs.
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Franz Rosenzweig's "Hegel and the State": Biography, history and tragedy.
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Dissolving Linguistic Borders? Contemporary Multilingual Literature in German-speaking Countries.
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Was sagte dieser Schiller (damals)? Schillers Antworten auf seine Kritiker nach 1945.
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Die Geburt des modernen Mysteriendramas aus dem Geiste Weimars: Zur Bedeutung Goethes und Schillers fuer die Erkenntnistheorie, Aesthetik und Dramaturgie Rudolf Steiners.
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The spirit in the flesh: The translation of German Pietist imagery into Anglo-American cultures.
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Schiller und Freud: Vom Erhabenen zur Sublimierung. Eine Wissensgeschichte intellektueller Leidbewaltigung.
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Schreiben als Selbstbehauptung: Kulturkonflikt und Identitaet in den Werken von Aysel Oezakin, Alev Tekinay und Emine Sevgi Oezdamar.
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Schreiben gegen Schweigen: Grenzerfahrungen in Jean Amerys autobiographischem Werk.
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Elemente der illuminatischen Ideologie in einigen vorklassischen Werken von Goethe und Schiller.
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Through a Literary Lens: The Effect of Jean Paul and E.T.A. Hoffmann's Writing Styles on the Compositional Techniques of Robert Schumann.
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Expressionist Art and Drama Before, During, and After the Weimar Republic.
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Autonomy, authenticity, and the flight from God: The phenomena of despair and defiance in the writings of Soren Kierkegaard and Thomas Aquinas.
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E. T. A. HOFFMANN'S BILDUNGSMARCHEN: "DER GOLDNE TOPF" (ROMANTICISM, HEINRICH VON OFTERDINGEN, NOVALIS, WILHELM MEISTER, BILDUNGSROMAN).
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Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.
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NOVALIS' 'HEINRICH VON OFTERDINGEN': 'ERFUELLUNG' AS 'INDIVIDUATION'. AN INTERPRETATION OF THE NOVEL BASED ON THE PSYCHOLOGY OF C. G. JUNG.
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"IDEAL" VERSUS "REAL": WOMANHOOD AS PORTRAYED IN THE LITERATURE AND CORRESPONDENCE OF EARLY GERMAN ROMANTICISM.
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THE RICHLY SOWN FIELD: THREE ESSAYS ON SEMIOLOGY IN THE WRITINGS OF FRIEDRICH VON HARDENBERG (NOVALIS).
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ROMANTIC DISTANCE: THE POETICS OF ESTRANGEMENT AND SELF-DISCOVERY IN NOVALIS' "HEINRICH VON OFTERDINGEN" (ROMANTICISM, GERMANY, NOVEL).
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"THE VISIBLE SOUL OF POETRY: " WOMEN AND THE POET IN NOVALIS'S "HEINRICH VON OFTERDINGEN" (GERMANY).
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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The embodiment of the absolute: Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
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"Rilke und kein Ende": Zur Rilke-Rezeption in Schweden von 1904 bis in die 1960er Jahre.
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Der traum von der Geliebten: Aeussere und innere Bauform, Erzaehlweise und stofflicher Gehalt in Werken von Novalis, E. T. A. Hoffmann, Edgar Allan Poe und Nerval.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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"Liebes-Toeten": Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
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When Looks Can Kill: Consumption as Failed Formation in Lessing's "Emilia Galotti" and Goethe's "Die Leiden Des Jungen Werthers" and "Faust".
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Freud and the problem with music: A history of listening at the moment of psychoanalysis.
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Winning New Freedom. Intersections of Text and Image in the Arts of Kurt Schwitters.
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Autonomie und Kreaturlichkeit: Hunde in der Literatur der Goethezeit und der Moderne.
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Emil Franklin Rudebusch: Ein deutsch-amerikanischer Autor zwischen Anarchie und Sexualreform.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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Ethnischer Humor im Mainstream: Deutschturkische Filmkomodien und Sitcoms aus transkultureller Perspektive.
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Weisse weiblichkeiten: Afrika, deutschsprachige schriftstellerinnen und ihre (Post-)koloniale verortung von geschlecht.
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Impossible Communities in Prague's German Gothic: Nationalism, Degeneration, and the Monstrous Feminine in Gustav Meyrink's Der Golem (1915).
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Die Widerspiegelung von aberglaubischen und religiosen Glaubensvorstellungen des Islams anhand von Beispielen in Emine Sevgi Ozdamars "Das Leben ist eine Karawanserei - hat zwei Turen - aus einer kam ich rein aus der anderen ging ich raus".
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The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".
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Goethe's "Fortgepflanztes"---Metaphor, Repetition, Rhyme, Form. On Unconceptuality.
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The real and the imaginary in the literary works of E. T. A. Hoffmann, Joseph Eichendorff, and Vladimir Odoevsky.
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Schuld ist immer zweifellos: Strafe und poetische Gerechtigkeit in deutsch-juedischer Literatur des fruehen 20. Jahrhunderts.
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Igor Strawinsky und Bertolt Brecht: Zur Poetik des epischen Musiktheaters. [German text].
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Musikphilosophische Konzepte in Robert Schneiders "Schalfes Bruder": Postmoderne Strukturen bei der Darstellung von Musik.
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A Feeling Unlike Any Other: Reactionary Rhetorics of Rechtsgefuhl in Kleist, Droste-Hulshoff, and Fontane.
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(Un)doing and (Un)becoming: Temporality, Subjectivity, and Relationality in Twenty-First-Century German Literature and Film.
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Picture Books and Photo Albums: Visual Memory of the First World War in the Weimar Republic.
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The Narrowest Path: Antinomic of Form in Adorno's Aesthetic Theory Analysed Through Kleist, Hegel, and Marx.
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Bergbau, Tagebau, Umbau: The Post-industrial Landscape Aesthetics of Repurposed Coal Mines in Germany.
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Increasingly Soft-Boiled!? Kemal Kayankaya's Transformation from Hard-Boiled Loner to Bourgeois Father-To-Be in Jakob Arjouni's Kayankaya Series.
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Cold War Crossings: Border Poetics in Postwar German and Polish Literature.
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Acting Bodies. The Role of Gestures in German Drama, Film, and Performance.
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Living and Judging: Studies in Pragmatic Reasoning in Philosophy, Literature, and Law.
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Poetic inspiration in cultural contexts: A comparative study of the European Romantic concept of inspiration and the Chinese Six Dynasties view of the "inspired" state of creation.
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Persecution and Resistance: The Carinthian Slovenes and Memories of the Second World War.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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Melancholy and the Photo-Historical Approach in the Films of Wim Wenders.
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Communicative Efficacy of Myth and Das Gesamtkunstwerk: Transcending the Limitations of Art.
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The Colors of Modernity : = Limning the Margins in Walter Benjamin, Rainer Maria Rilke, and Peter Altenberg.
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Music and Exile in Twentieth-Century German, Italian, and Polish Literature.
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Schelling's Aesthetic Ecology : = From Poetic Consciousness to Tragic Phronēsis.
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Natures of Color : = The Literary Environments of Adalbert Stifter and Paul Scheerbart.
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The Shape of Things : = Reading Culture Through Form in Wilhelmine and Weimar Germany.
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Mediated Benjamin : = An annotated selection and translation of Walter Benjamin's radio texts.
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Modern Spaces and Cinema : = Movie Theaters and City Films in Wilhelmine and Weimar Berlin.
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Inside the city: Gender and the production of interior space in Weimar Republic German literature, 1929-1933.
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The Space of Alterity: Language and National Identity in Theodor Adorno and W.G. Sebald.
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May hammers and hearts ring out in unison. Exploring Heimat in GDR literature and film of the 1950s and 1960s.
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Vergangenheitsbewaeltigung- und Aufarbeitung in "Der Verlorene", "Am Beispiel meines Bruders" und "Pawels Briefe".
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Crisis of identity of German Jews in fin -de -siecle Vienna: Operas and plays by Hofmannsthal, Schnitzler, Zemlinsky, and Schreker.
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Transplanting Languages : = Botanical Poetics of Paul Celan and Yoko Tawada.
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Reading as ritual: Desire for textual community in works by Jeremias Gotthelf, Izumi Kyoka, Yanagita Kunio, and Annette von Droste-Hulshoff.
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"A lock upon all conduct:" Modesty in German courtly literature (c. 1175--1220).
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Mysticism & confessional conflict in post-Reformation Germany: The mystical theology of Valentin Weigel (1533--1588).
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STEM Education in the Foreign Language Classroom with Special Attention to the L2 German Classroom.
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Photography and trauma in photo-fiction: Literary montage in the writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald.
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Behold the Kingdom of God: The intellectual and theological origins of National Socialism.
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Negative seeing: Benjamin's dialectical image in W.G. Sebald's "Austerlitz".
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Negotiating constructions of femininity, subjective agency and resistance in select prose by Kaschnitz, Bachmann and Wolf.
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Neue literarische annaherungen an den mythos Amerika. Zum Amerikabild in den romanen Woraus wir gemacht sind (2006) von Thomas Hettche und Gesellschaft mit beschrankter Haftung (2012) von Nora Bossong.
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Aesthetic selves: Non-narrative constructions of identity in Central Europe.
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Smallpox, Interiority and the Emergence of the Modern European Autobiography.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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A comparative and critical analysis of seventeen German versions of "Little Red Riding Hood".
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After Jena = Goethe's elective affinities and the end of the old regime /
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Melancholie in Uwe Timms Romanen "Rot" und "Morenga" = = Melancholy in Uwe Timm's novels "Rot" and "Morenga".
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Creating the Third Reich through film, press, and pageantry (1933--1934): A myth-ritual analysis.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Making History in High Medieval Styria (1185-1202)-The Vorau Manuscript in its Secular and Spiritual Context.
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Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
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