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Unexpected Journeys: At the Crossroa...

von Petersdorff-Campen, Anne Christin.

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Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship./
作者:	von Petersdorff-Campen, Anne Christin.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	158 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
Contained By:	Dissertations Abstracts International80-03A.
標題:	German literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10929326
ISBN:	9780438294165

Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
von Petersdorff-Campen, Anne Christin.

Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 158 p.

Source: Dissertations Abstracts International, Volume: 80-03, Section: A.

Thesis (Ph.D.)--Michigan State University, 2018.

This item must not be added to any third party search indexes.

This hybrid dissertation combines collaborative, creative filmmaking and feminist scholarship grounded in German studies. The written dissertation addresses fundamental issues in feminist filmmaking-body, voice, and collaboration-and is in part conceived as a complement to the travel documentary Wanderlust, cuerpos en transito (2017), a bi-autobiographical account of a journey from Egypt to Germany that was co-directed and produced by the author of this dissertation and Maria Perez-Escala. Taken together, the two ask the question: how can we reframe the woman traveler? Chapter One focuses on Cinematography and the Body and explores embodied, intersubjective and haptic strategies to depict women's bodies. Chapter Two focuses on Narration and Voice and makes an argument for constructing embodied voices and expressions of relationality. Chapter Three demonstrates the potential of Collaboration, Friendship and Sisterhood in women's (bi-) autobiographical travel accounts. These elements have taken center stage throughout the pre-production, production and post-production of making Wanderlust and are explored within each chapter in a three-dimensional way. The first dimension is a theoretical-historical engagement with literature from feminist film studies, autobiographical scholarship, postcolonial theories of representation and German film history. The second dimension involves analysis of (primarily German) feminist films that grapple with questions of how to depict the female body and/or express female subjectivity through the filmic medium. The third dimension connects these first two with the film Wanderlust through an in-depth analysis and reflection of selected scenes. As an experiment in crossing cultures, borders, disciplines, and languages this dissertation presents practical examples of and theoretical insight into cross-cultural collaboration and autobiographical documentary filmmaking. In the epilogue, the wider cultural and political context of voluntary leisure travel is contrasted with other, less privileged forms of human mobility, such as migration and refugeeism, making an argument for reimagining touristic discourses in order to open up spaces for (narrative) encounters with these realities. Appended to this dissertation are two sample scenes from Wanderlust, cuerpos en transito (2017). The first consists of the opening sequence, which illustrates the core issues addressed in the body of the dissertation (camera, narration, and collaboration) (opening_sequence_wanderlust.mov). The second focuses on a border crossing between Egypt and Israel and addresses the problematics of embodied, gendered travel (border_crossing_Wanderlust .mov). Information on how to access the complete film is available at wanderlustlapelicula.com.

ISBN: 9780438294165Subjects--Topical Terms:

699188
German literature.
Subjects--Index Terms:

Autobiography

Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
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520 $a This hybrid dissertation combines collaborative, creative filmmaking and feminist scholarship grounded in German studies. The written dissertation addresses fundamental issues in feminist filmmaking-body, voice, and collaboration-and is in part conceived as a complement to the travel documentary Wanderlust, cuerpos en transito (2017), a bi-autobiographical account of a journey from Egypt to Germany that was co-directed and produced by the author of this dissertation and Maria Perez-Escala. Taken together, the two ask the question: how can we reframe the woman traveler? Chapter One focuses on Cinematography and the Body and explores embodied, intersubjective and haptic strategies to depict women's bodies. Chapter Two focuses on Narration and Voice and makes an argument for constructing embodied voices and expressions of relationality. Chapter Three demonstrates the potential of Collaboration, Friendship and Sisterhood in women's (bi-) autobiographical travel accounts. These elements have taken center stage throughout the pre-production, production and post-production of making Wanderlust and are explored within each chapter in a three-dimensional way. The first dimension is a theoretical-historical engagement with literature from feminist film studies, autobiographical scholarship, postcolonial theories of representation and German film history. The second dimension involves analysis of (primarily German) feminist films that grapple with questions of how to depict the female body and/or express female subjectivity through the filmic medium. The third dimension connects these first two with the film Wanderlust through an in-depth analysis and reflection of selected scenes. As an experiment in crossing cultures, borders, disciplines, and languages this dissertation presents practical examples of and theoretical insight into cross-cultural collaboration and autobiographical documentary filmmaking. In the epilogue, the wider cultural and political context of voluntary leisure travel is contrasted with other, less privileged forms of human mobility, such as migration and refugeeism, making an argument for reimagining touristic discourses in order to open up spaces for (narrative) encounters with these realities. Appended to this dissertation are two sample scenes from Wanderlust, cuerpos en transito (2017). The first consists of the opening sequence, which illustrates the core issues addressed in the body of the dissertation (camera, narration, and collaboration) (opening_sequence_wanderlust.mov). The second focuses on a border crossing between Egypt and Israel and addresses the problematics of embodied, gendered travel (border_crossing_Wanderlust .mov). Information on how to access the complete film is available at wanderlustlapelicula.com.
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