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Even in front of myself Imagining th...
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Chiuminatto, Regina.
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Even in front of myself Imagining the Self in the Poetics of Love.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Even in front of myself Imagining the Self in the Poetics of Love./
作者:
Chiuminatto, Regina.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
158 p.
附註:
Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
Contained By:
Dissertations Abstracts International79-12A.
標題:
Comparative literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10830212
ISBN:
9780438080287
Even in front of myself Imagining the Self in the Poetics of Love.
Chiuminatto, Regina.
Even in front of myself Imagining the Self in the Poetics of Love.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 158 p.
Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2018.
This item must not be sold to any third party vendors.
The letters that Russian poets Marina Tsvetaeva and Boris Pasternak exchanged with their mentor, the older German poet, Rainer Maria Rilke, engage the poetic project of self-imagination and simultaneously enact its analog, the discovery of the self in human relationship. These letters have been much discussed in themselves, but this dissertation seeks to place key questions raised by the poets in a larger philosophical and literary-historical context. In this comparative framing, the relationship between the poet and the faculty of self-imagination reveals itself as one of structurally necessary interrelation. The work of poets gives us unique insight into the experience of imagining the self because the poet's project depends upon and builds out of this imaginative act. This study follows the letters and poems of Tsvetaeva and Rilke to the stories of three mythical women: Psyche, Eurydice, and Dido, who model the perils and possibilities of making contact, of boundary-crossing, and of self-destruction. These myths reveal the form and development of the imagined self, a story that begins with Psyche's trials and ends with Dido's self-immolation. This process and stakes of self-imagination are illuminated not only by the twentieth-century poets' interpretations of the myths, but also by earlier historical permutations, from Vergil, Ovid, Apuleius, Moliere, and the Roman D'Eneas. This project brings together the concepts of love and imagination developed by Gaston Bachelard, Roland Barthes, and Luce Irigaray to analyze the myths central to these poets' concerns, and to trace the philosophical implications through the vocabularies of both the philosophers and the poets. These stories move us toward an understanding of how self-imagination grows out of relationship, and also of how the poet, through many languages and centuries, achieves special access to the landscape of the imagined self.
ISBN: 9780438080287Subjects--Topical Terms:
570001
Comparative literature.
Subjects--Index Terms:
Imagination
Even in front of myself Imagining the Self in the Poetics of Love.
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The letters that Russian poets Marina Tsvetaeva and Boris Pasternak exchanged with their mentor, the older German poet, Rainer Maria Rilke, engage the poetic project of self-imagination and simultaneously enact its analog, the discovery of the self in human relationship. These letters have been much discussed in themselves, but this dissertation seeks to place key questions raised by the poets in a larger philosophical and literary-historical context. In this comparative framing, the relationship between the poet and the faculty of self-imagination reveals itself as one of structurally necessary interrelation. The work of poets gives us unique insight into the experience of imagining the self because the poet's project depends upon and builds out of this imaginative act. This study follows the letters and poems of Tsvetaeva and Rilke to the stories of three mythical women: Psyche, Eurydice, and Dido, who model the perils and possibilities of making contact, of boundary-crossing, and of self-destruction. These myths reveal the form and development of the imagined self, a story that begins with Psyche's trials and ends with Dido's self-immolation. This process and stakes of self-imagination are illuminated not only by the twentieth-century poets' interpretations of the myths, but also by earlier historical permutations, from Vergil, Ovid, Apuleius, Moliere, and the Roman D'Eneas. This project brings together the concepts of love and imagination developed by Gaston Bachelard, Roland Barthes, and Luce Irigaray to analyze the myths central to these poets' concerns, and to trace the philosophical implications through the vocabularies of both the philosophers and the poets. These stories move us toward an understanding of how self-imagination grows out of relationship, and also of how the poet, through many languages and centuries, achieves special access to the landscape of the imagined self.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10830212
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