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The critic as magician: The music ta...

Markx, Francien.

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The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung"./
作者:	Markx, Francien.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2003,
面頁冊數:	389 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2910.
Contained By:	Dissertation Abstracts International64-08A.
標題:	German literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3101916
ISBN:	9780496495023

The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".
Markx, Francien.

The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung". - Ann Arbor : ProQuest Dissertations & Theses, 2003 - 389 p.

Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2910.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003.

The music tales E. T. A. Hoffmann published between 1809 and 1814 in the Allgemeine Musikalische Zeitung (AMZ) are at the core of this study: "Ritter Gluck," "Don Juan," "Der Dichter and der Componist" and five of the Kreisleriana . Besides their publication in the most important music journal of the early 19th century, the explicit references in the tales to existing compositions indicate that they were written for a musically sophisticated audience.

ISBN: 9780496495023Subjects--Topical Terms:

699188
German literature.

The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".
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245 1 4 $a The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".
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300 $a 389 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2910.
500 $a Adviser: James M. McGlathery.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003.
520 $a The music tales E. T. A. Hoffmann published between 1809 and 1814 in the Allgemeine Musikalische Zeitung (AMZ) are at the core of this study: "Ritter Gluck," "Don Juan," "Der Dichter and der Componist" and five of the Kreisleriana . Besides their publication in the most important music journal of the early 19th century, the explicit references in the tales to existing compositions indicate that they were written for a musically sophisticated audience.
520 $a The present study examines the tales' contribution to music criticism without neglecting their narrative qualities, and endeavors to reveal the function and meaning of the musical references in the tales, the tales' relation to music criticism of the time, and a possible program behind Hoffmann's tales in the AMZ. By reconstructing the practices of performance and criticism at the moment of the tales' first publication, as well as a close examination of the then available scores of compositions mentioned in the tales, it can be shown that Hoffmann both commented on and proposed new approaches to the performance practice and music criticism of his time. Although the tales show different narrative strategies, they all reveal similarities as well: opera is treated as an art form that constitutes a unity, and only a complete score should form the basis of a performance or review; the music is not judged according to rules of composition, but every detail is considered in its relation to the whole; there is no preference for instrumental above vocal music, exemplary passages are chosen from both, and these passages are selected to demonstrate a new quality of opera music, which no longer illustrates but rather recreates dramatic action by its own means.
520 $a Hoffmann's insistence on these aspects in all of his narrative contributions to the AMZ reveals an agenda significantly different from what is usually attributed to this well-known advocate of instrumental music. It exemplifies Hoffmann's search for an adequate expression of his insights on opera, and his efforts to contribute to an understanding of the peculiarities of this genre and the new developments of opera music, thus creating a highly original form of innovative music criticism.
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