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Louise Rosler's Die Strasse: Subject...

Katzenbach, Katrina.

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Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art./
作者:	Katzenbach, Katrina.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	93 p.
附註:	Source: Masters Abstracts International, Volume: 85-03.
Contained By:	Masters Abstracts International85-03.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30522325
ISBN:	9798380359160

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.
Katzenbach, Katrina.

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 93 p.

Source: Masters Abstracts International, Volume: 85-03.

Thesis (M.A.)--University of California, Davis, 2023.

The end of National Socialism and the Second World War created a vacuum for German cultural identity in West Germany, leading to a philosophical discourse regarding the nature and future of that identity, a discourse in which visual aesthetics played a vital part. Hoping to create and reinforce the idea of a fundamental reshaping of society, philosophers, art critics, artists, and historians gathered in Darmstadt in July of 1950 to discuss "Das Menschenbild in unserer Zeit", "The Image of Man in Our Time". Seemingly only focused on aesthetic formalism, the Darmstadter Gesprache posed deeper existential questions about how a future, post-National Socialist identity would be shaped and reflected in visual art. The following thesis argues that such works as Louise Rosler's 1951 collage, Die Strasse, rather than evincing the indecision and lack of direction typically assigned to this period of West German art, show a pivotal and much needed grappling with the existential issues of the time, and form a vital part of how West Germany perceived itself and the path forward.

ISBN: 9798380359160Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Existential debate

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.
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520 $a The end of National Socialism and the Second World War created a vacuum for German cultural identity in West Germany, leading to a philosophical discourse regarding the nature and future of that identity, a discourse in which visual aesthetics played a vital part. Hoping to create and reinforce the idea of a fundamental reshaping of society, philosophers, art critics, artists, and historians gathered in Darmstadt in July of 1950 to discuss "Das Menschenbild in unserer Zeit", "The Image of Man in Our Time". Seemingly only focused on aesthetic formalism, the Darmstadter Gesprache posed deeper existential questions about how a future, post-National Socialist identity would be shaped and reflected in visual art. The following thesis argues that such works as Louise Rosler's 1951 collage, Die Strasse, rather than evincing the indecision and lack of direction typically assigned to this period of West German art, show a pivotal and much needed grappling with the existential issues of the time, and form a vital part of how West Germany perceived itself and the path forward.
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