Performing Arts.
Overview
| Works: | 330 works in 203 publications in 203 languages | |
|---|---|---|
Titles
Educating in the Arts = The Asian Experience: Twenty-Four Essays /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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(Electronic resources)
A phenomenology of contemporary flute improvisation: Contextual explications of techniques, aesthetics, and performance practices.
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Class divisions on the Broadway stage = the staging and taming of the I.W.W. /
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The dangerous lives of public performers = dancing, sex, and entertainment in the Islamic world /
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(Electronic resources)
Mapping South Asia through contemporary theatre = essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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The new humor in the progressive era = Americanization and the vaudeville comedian /
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Performance, identity, and immigration law = a theatre of undocumentedness /
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(Electronic resources)
Postmodern metanarratives = Blade Runner and literature in the age of image /
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(Electronic resources)
Staging the slums, slumming the stage = class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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A Strafed, Tactical, Pugnacious Island: Political Performances in Taiwan from 2000 to 2013.
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Performance training methodology through the choreographic process.
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Activating the Creative, Awakening the Spirit The Making of a Method.
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Dancing, fighting, and staging capoeira: Choreographies of Afro-Brazilian modernity and tradition.
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Flamenco and Transformations of the Cultural Public Sphere in Cuba: Race, Ethnicity, and the Performance of New Hierarchies of Difference, 1989-2009.
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Without agony: Analyzing Don Richardson's approach to actor-training for the university curriculum.
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The art of "having it all": Mothers in performing arts administration and the use of work-life policies.
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Patron participation in performing arts centers: A study of digital fan engagement in professional sports.
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Performing the Passion of Christ in Postmodernity: American Passion/passion Plays as Ritual and Postmodern Theatre.
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Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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(Electronic resources)
Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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(Electronic resources)
Art and politics under modern dictatorships = a comparison of Chile and Romania /
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Hollyweird science = the next generation :from spaceships to microchips /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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(Electronic resources)
Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
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(Electronic resources)
Creative selves / creative cultures = critical autoethnography, performance, and pedagogy /
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Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
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Choreographing the airport = field notes from the transit spaces of global mobility /
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Exploring, experiencing, and envisioning integration in US arts education
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African youth languages = new media, performing arts and sociolinguistic development /
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Theaters of error = problems of performance in German and French enlightenment theater /
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Translating across sensory and linguistic borders = intersemiotic journeys between media /
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Memory, identity and cognition = explorations in culture and communication /
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The civil rights theatre movement in New York, 1939-1966 = staging freedom /
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Teaching the Percussion Section: Differences between Teachers Whose Primary Instrument Is Percussion, and Teachers Whose Primary Instrument Is Not Percussion.
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What you see is what you hear = creativity and communication in audiovisual texts /
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Contemporary African dance theatre = phenomenology, whiteness, and the gaze /
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The future of music = towards a computational musical theory of everything /
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Sustainable tools for precarious times = performance actions in the Americas /
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Creative measures of the anthropocene = art, mobilities, and participatory geographies /
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Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /
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Labor and aesthetics in European contemporary dance = dancing precarity /
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Ubuntu as dance pedagogy in Uganda = individuality, community, and inclusion in teaching and learning of indigenous dances /
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Shakespeare's storytelling = an introduction to genre, character, and technique /
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Space-time geometries for motion and perception in the brain and the arts
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Affects in 21st-century British theatre = exploring feeling on page and stage /
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Dementia, narrative and performance = staging reality, reimagining identities /
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Madness in contemporary British theatre = resistances and representations /
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Dramatizing blindness = disability studies as critical creative narrative /
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The Palgrave handbook of queer and trans feminisms in contemporary performance
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Ways of seeing in the neoliberal state = a controversial play and its contexts /
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Choreographing agonism = politics, strategies and performances of the left /
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Digital theatre = the making and meaning of live mediated performance, US & UK 1990-2020 /
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Applied theatre and sexual health communication = apertures of possibility /
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Eugenics and physical culture performance in the progressive era = watch whiteness workout /
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Storytelling in participatory arts with young people = the gaps in the story /
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Analysis of wrist flexion and extension in piano performance: Biomechanical and anthropometrical perspectives.
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(Language materials, printed)
Gilgamesh: A scenic design The Robert and Arlene Kogod Theatre Clarice Smith Performing Arts Center University of Maryland -- College Park.
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"One of ya'll got my lyrics": Student artists exploring spoken word poetry, performance, and activism.
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Native American elements in piano repertoire by the Indianist and present-day Native American composers.
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Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912.
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(In)between nation and diaspora: Performing Indigenous and African legacies in Chicana/o and Mexican cultural production.
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Tendrils of Lost Time and the Self An Aesthetic Anthropology of New York City's "Post"-Avant-Garde.
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Homemade faces in a foreign mirror: "Mimetic authenticity" in Sino-Western cultural interchange of the 1930s.
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Creative change: Audience development and cultural engagement in the nonprofit arts.
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Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985.
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Diasporic jeliya in New York: A study of Mande griot repertoire and performance practice.
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The Evolution of Choral Sound: In Professional Choirs from the 1970s to the Twenty-First Century.
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A comparison of bluegrass bands: 2013 bands versus the 1940s-1960s bands.
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Theatre of State: the Performative Production of International Community.
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Uniting commedia dell'arte traditions with the spieltenor repertoire.
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Influence of aural and visual expressivity of the accompanist on audience perception of expressivity in collaborative performances of a soloist and pianist.
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Theater percussion: Developing a twenty-first-century genre through the connection of visual, dramatic, and percussive arts.
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Intersecting cultures in music and dance education = an oceanic perspective /
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Beyond immersive theatre = aesthetics, politics and productive participation /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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(Electronic resources)
Embodied philosophy in dance = Gaga and Ohad Naharin's movement research /
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Migrating modernist performance = British theatrical travels through Russia /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Out of the Pastel Shadows: Restoring the Artistic Legacy of Paris Opera Ballerinas in the era of Edgar Degas.
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Perspectives on a cappella: A mixed methods portrait of the perceived benefits of unaccompanied ensemble singing on the development of the musical skills of undergraduate students.
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How to improve theatre arts education in Chinese higher educational institutes.
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Intermedial praxis and practice as research = 'doing-thinking' in practice /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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Reframing immersive theatre = the politics and pragmatics of participatory performance /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Creating performances for teaching and learning = a practice session for pedagogy /
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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The topos of music. = theory, software, and case studies /. II,. Performance
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Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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Digital echoes = spaces for intangible and performance-based cultural heritage /
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Economies of collaboration in performance = more than the sum of the parts /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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Performing dream homes = theater and the spatial politics of the domestic sphere /
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Media archaeology and intermedial performance = deep time of the theatre /
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Digital Engagement as a Mechanism for Digital Transformation: An Exploratory Study of the Performing Arts.
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Transnational Chinese theatres = intercultural performance networks in East Asia /
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Performances of suffering in Latin American migration = heroes, martyrs and saints /
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Contemporary theatre education and creative learning = a great British journey /
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Theatre and archival memory = Irish drama and marginalised histories 1951-1977 /
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Seeing as practice = philosophical investigations into the relation between sight and insight /
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The comedy and legacy of music-hall women 1880-1920 = brazen impudence and boisterous vulgarity /
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Polyrhythmicity in language, music and society = complex time relations in the arts, humanities and social sciences /
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Performing new German realities = Turkish-German scripts of postmigration /
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Translated and visiting Russian theatre in Britain, 1945-2015 = a "Russia of the theatrical mind"? /
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Performing welfare = applied theatre, unemployment, and economies of participation /
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Pop with gods, Shakespeare, and AI = popular film, (musical) theatre, and TV drama /
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Finding Multiplicity in Dance and Spoken Word: An Analysis of Works by Kidd Pivot, Cynthia Ling Lee, and Bill T. Jones.
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Playing with Pain: Injury Prevention Strategies for Music Schools in the United States.
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The Transcendence of Timbre: Timbre and Spatialization in Jonathan Harvey's "Bhakti," and an original composition, "Zodiacal Light" for string quartet, percussion quartet, and electronic sound.
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Pedagogical Use of Cinematic Imagery in Augusta Read Thomas's Piano Etudes.
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An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos.
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Linguistic, Narrative, and Theatrical Elements in Selected Vocal Works by Gyorgy Ligeti: Implications of Analysis for Performance.
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Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s.
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The clinical use of musical components and their impact in improvisational music therapy.
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Using Hip Hop Puppet Theatre to increase awareness about the problems associated with bullying.
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Performing the Landscape: Figuring Perceptual Space in Joan Jonas' Video and Performance Works, 1970-73.
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The role of cognition in oral & written transmission as demonstrated in ritual chant.
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Doing fringe in LA: How three performing artists stay off-beat in the entertainment industry's backyard.
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Mirror of the invisible world -- Tracing hidden elements behind the words.
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The 19 percent: Disability and actor training in higher education.
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Between object and interpretation: Allan Kaprow's Happenings and environments.
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Politicizing Nostalgia: Cold War Theater in Taiwan and the US from the 1950s to the 1960s.
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Political Performance of Violence: Palestinian Female Bombers and the Politics of Visual Representation.
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Performing Lena: Race, representation, and the postwar autobiographical performances of Lena Horne.
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Queering Black Gay Historiography: Performance, (Mis)Identifications, and Possibilities.
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"Flowers in the desert": Cirque du Soleil in Las Vegas, 1993--2012.
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The influences of physical attributes, perceived exertion, and time spent playing the piano on hand discomfort, and the relationship of hand discomfort with hand function status among piano students: an exploratory study.
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Working women: Contemporary Cinematic Costumes in "Desk Set" and "Working Girl".
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Staging the cosmopolitan nation: The re-creation of the "Dunhuang Bihua Yuewu", a multifaceted music, dance, and theatrical drama from China.
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The Use of Theatrical Improvisation for Leadership Development in a Business Setting.
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A Performer's Guide to Violin Orchestral Excerpts from Baroque to the Twentieth Century Compositions.
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From Diminution to Autonomous Themes in Schenkerian Theory: Bridging the Divide between Tonally Organic and Modern Thematic Music.
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Understanding entertainment value: An investigation into the subjectivity of people who experience entertainment.
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Training for Performance: Lessons from Sports Psychology Applied to Musical Training.
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Belonging, ownership, social values: Three performances of place in current film.
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Trickster Dialogics: A Method For Articulating Cultural Archetypes From 'Q' To Performance Art.
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Development of an improvisational theatre skills training video to be used in the clinical training of psychotherapists.
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Therapeutic acting: Psychodrama with adolescent female survivors of sexual abuse.
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Creative musical improvisation in the development and formation of NEXUS percussion ensemble.
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Preparation Strategies in Percussion for the Music of J. S. Bach, Joseph Schwantner, and Iannis Xenakis.
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Passing on the legacy: Relevance of historical family narrative in motivating student efficacy and inspiring learning.
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Come Look at the Freaks: Costume Designs for Temple University's Production of Side Show.
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In the name of the body: Identity, subjectivity, and the global nation in He Chengyao's performance art.
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Don't Fall in Love: Designing Costumes for Shakespeare's Romeo and Juliet.
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How Meditative Breathing Can Enhance Musical Performance: A Study on the Practical Use of Alternate Nostril Breathing and Deep Breathing.
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A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
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Four Contemporary Trumpet Sonatas: A Recording Project and Performer's Guide.
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A Performance Guide for Oscar Navarro's Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure in a Classical Form.
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Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
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Music, Dance, and Tourism in Los Cabos, Mexico = = Musica, Danza, Y Turismo en Los Cabos, Mexico.
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