東華大學圖書館 |

Of essence and context = between music and philosophy /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Of essence and context/ edited by Ruta Staneviciute, Nick Zangwill, Rima Povilioniene.
其他題名:	between music and philosophy /
其他作者:	Staneviciute, Ruta.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	xv, 409 p. :ill., digital ;24 cm.
內容註:	Essence or Context? -- Musics, Essence and Context -- Essence Facilitating Plurality: Theorizing Art with Schelling -- Aristotle Meets Schumann: Essence and Geist -- Musical Images in the Tanakh: Between their Essence, Context and Interpretation -- Xi Kang's Reflection on the Essence of Music: "Hesheng" -- Deleuze, Ruyer, and Musical Morphogenesis -- he Biological Constraints on Musical Structure as the Foundations of Musical Essence -- 'In-between' the Autonomous and Contingent Worlds of Music -- Formulating the Essence All Together -- Mathesis as the Source of Beauty in Music -- Some Remarks on Verbal Models in Music -- On the Role of Intonation in Music and Communication Practices -- In Defense of "Authentic" Performance: Adjust Your Ears, Not the Music -- Where is the Essence of a Musical Work? -- Performance as Understanding in Action: Re-thinking the Concept of Musical Experience -- What Is a Musical Act? Understanding Improvisation Through Artefact and Performance -- The Experience of Music as a Process of [Self]Development -- Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renie's Reflections -- Redefining Essence: Tuning and Temperament of Chinese Traditional Music -- The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences -- Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono -- The Distance of Presque-rien Between the Musicology and the Philosophy of Music -- Mikhail Gnessin on the Essence of Music and Russian Music -- Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s -- Essence, Context and Meaning in Versions of Wagner's Wesendonck Lieder by Wagner, Mottland Henze -- Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement.
Contained By:	Springer eBooks
標題:	Music - Philosophy and aesthetics. -
電子資源:	https://doi.org/10.1007/978-3-030-14471-5
ISBN:	9783030144715

Of essence and context = between music and philosophy /
Of essence and contextbetween music and philosophy /[electronic resource] :edited by Ruta Staneviciute, Nick Zangwill, Rima Povilioniene. - Cham :Springer International Publishing :2019. - xv, 409 p. :ill., digital ;24 cm. - Numanities - arts and humanities in progress,v.72510-442X ;. - Numanities - arts and humanities in progress ;v.7..

Essence or Context? -- Musics, Essence and Context -- Essence Facilitating Plurality: Theorizing Art with Schelling -- Aristotle Meets Schumann: Essence and Geist -- Musical Images in the Tanakh: Between their Essence, Context and Interpretation -- Xi Kang's Reflection on the Essence of Music: "Hesheng" -- Deleuze, Ruyer, and Musical Morphogenesis -- he Biological Constraints on Musical Structure as the Foundations of Musical Essence -- 'In-between' the Autonomous and Contingent Worlds of Music -- Formulating the Essence All Together -- Mathesis as the Source of Beauty in Music -- Some Remarks on Verbal Models in Music -- On the Role of Intonation in Music and Communication Practices -- In Defense of "Authentic" Performance: Adjust Your Ears, Not the Music -- Where is the Essence of a Musical Work? -- Performance as Understanding in Action: Re-thinking the Concept of Musical Experience -- What Is a Musical Act? Understanding Improvisation Through Artefact and Performance -- The Experience of Music as a Process of [Self]Development -- Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renie's Reflections -- Redefining Essence: Tuning and Temperament of Chinese Traditional Music -- The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences -- Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono -- The Distance of Presque-rien Between the Musicology and the Philosophy of Music -- Mikhail Gnessin on the Essence of Music and Russian Music -- Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s -- Essence, Context and Meaning in Versions of Wagner's Wesendonck Lieder by Wagner, Mottland Henze -- Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement.

This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.

ISBN: 9783030144715

Standard No.: 10.1007/978-3-030-14471-5doiSubjects--Topical Terms:

525611
Music
--Philosophy and aesthetics.

LC Class. No.: ML3845 / .O347 2019

Dewey Class. No.: 780.1

Of essence and context = between music and philosophy /
LDR:04512nmm a2200337 a 4500 001 2191519
003 DE-He213
005 20191030131220.0
006 m d
007 cr nn 008maaau
008 200504s2019 gw s 0 eng d
020 $a 9783030144715 $q (electronic bk.)
020 $a 9783030144708 $q (paper)
024 7 $a 10.1007/978-3-030-14471-5 $2 doi
035 $a 978-3-030-14471-5
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3845 $b .O347 2019
072 7 $a AV $2 bicssc
072 7 $a MUS000000 $2 bisacsh
072 7 $a AV $2 thema
082 0 4 $a 780.1 $2 23
090 $a ML3845 $b .O31 2019
245 0 0 $a Of essence and context $h [electronic resource] : $b between music and philosophy / $c edited by Ruta Staneviciute, Nick Zangwill, Rima Povilioniene.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2019.
300 $a xv, 409 p. : $b ill., digital ; $c 24 cm.
490 1 $a Numanities - arts and humanities in progress, $x 2510-442X ; $v v.7
505 0 $a Essence or Context? -- Musics, Essence and Context -- Essence Facilitating Plurality: Theorizing Art with Schelling -- Aristotle Meets Schumann: Essence and Geist -- Musical Images in the Tanakh: Between their Essence, Context and Interpretation -- Xi Kang's Reflection on the Essence of Music: "Hesheng" -- Deleuze, Ruyer, and Musical Morphogenesis -- he Biological Constraints on Musical Structure as the Foundations of Musical Essence -- 'In-between' the Autonomous and Contingent Worlds of Music -- Formulating the Essence All Together -- Mathesis as the Source of Beauty in Music -- Some Remarks on Verbal Models in Music -- On the Role of Intonation in Music and Communication Practices -- In Defense of "Authentic" Performance: Adjust Your Ears, Not the Music -- Where is the Essence of a Musical Work? -- Performance as Understanding in Action: Re-thinking the Concept of Musical Experience -- What Is a Musical Act? Understanding Improvisation Through Artefact and Performance -- The Experience of Music as a Process of [Self]Development -- Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renie's Reflections -- Redefining Essence: Tuning and Temperament of Chinese Traditional Music -- The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences -- Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono -- The Distance of Presque-rien Between the Musicology and the Philosophy of Music -- Mikhail Gnessin on the Essence of Music and Russian Music -- Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s -- Essence, Context and Meaning in Versions of Wagner's Wesendonck Lieder by Wagner, Mottland Henze -- Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement.
520 $a This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
650 0 $a Music $x Philosophy and aesthetics. $3 525611
650 0 $a Music and philosophy. $3 2022727
650 0 $a Essentialism (Philosophy) $3 615038
650 0 $a Context effects (Psychology) $3 543833
650 1 4 $a Music. $3 516178
650 2 4 $a Philosophy, general. $3 2162493
650 2 4 $a Performing Arts. $3 896022
650 2 4 $a Creativity and Arts Education. $3 3135569
700 1 $a Staneviciute, Ruta. $3 3410998
700 1 $a Zangwill, Nick. $3 906557
700 1 $a Povilioniene, Rima. $3 3220476
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Numanities - arts and humanities in progress ; $v v.7. $3 3410999
856 4 0 $u https://doi.org/10.1007/978-3-030-14471-5
950 $a Literature, Cultural and Media Studies (Springer-41173)