語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Drag king camp: A new conception of ...
~
Arithson, Andryn.
FindBook
Google Book
Amazon
博客來
Drag king camp: A new conception of the feminine.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Drag king camp: A new conception of the feminine./
作者:
Arithson, Andryn.
面頁冊數:
90 p.
附註:
Source: Masters Abstracts International, Volume: 51-06.
Contained By:
Masters Abstracts International51-06(E).
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1539295
ISBN:
9781303143908
Drag king camp: A new conception of the feminine.
Arithson, Andryn.
Drag king camp: A new conception of the feminine.
- 90 p.
Source: Masters Abstracts International, Volume: 51-06.
Thesis (M.A.)--University of Colorado at Boulder, 2013.
This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. The Introduction will contextualize drag king performance as a subversive queer performance form. Chapter 1 will give an overview of the history of female cross-dressing on theatrical stages, including the development of contemporary drag king performance. Three types of drag king Camp will be introduced: Pond Scum Camp, Marginal Male Camp, and Celebrity Camp. In Chapter 2, the term Camp will be defined and explained in terms of its relation to feminist theatre. Finally, Chapter 3 will build a framework based on feminist theatre scholarship and third wave feminist scholarship in order to situate the use of drag king Camp as destabilizing the gender binary and revealing multiple femininities. The conclusion will situate drag king performance as a form of cultural performance, engaged in an ongoing challenge to hegemonic cultural structures.
ISBN: 9781303143908Subjects--Topical Terms:
522973
Theater.
Drag king camp: A new conception of the feminine.
LDR
:02452nam a2200313 4500
001
1959038
005
20140512081939.5
008
150210s2013 ||||||||||||||||| ||eng d
020
$a
9781303143908
035
$a
(MiAaPQ)AAI1539295
035
$a
AAI1539295
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Arithson, Andryn.
$3
2094317
245
1 0
$a
Drag king camp: A new conception of the feminine.
300
$a
90 p.
500
$a
Source: Masters Abstracts International, Volume: 51-06.
500
$a
Adviser: Bud Coleman.
502
$a
Thesis (M.A.)--University of Colorado at Boulder, 2013.
520
$a
This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. The Introduction will contextualize drag king performance as a subversive queer performance form. Chapter 1 will give an overview of the history of female cross-dressing on theatrical stages, including the development of contemporary drag king performance. Three types of drag king Camp will be introduced: Pond Scum Camp, Marginal Male Camp, and Celebrity Camp. In Chapter 2, the term Camp will be defined and explained in terms of its relation to feminist theatre. Finally, Chapter 3 will build a framework based on feminist theatre scholarship and third wave feminist scholarship in order to situate the use of drag king Camp as destabilizing the gender binary and revealing multiple femininities. The conclusion will situate drag king performance as a form of cultural performance, engaged in an ongoing challenge to hegemonic cultural structures.
590
$a
School code: 0051.
650
4
$a
Theater.
$3
522973
650
4
$a
Theater History.
$3
644289
650
4
$a
Performing Arts.
$3
896022
650
4
$a
Gender Studies.
$3
898693
650
4
$a
GLBT Studies.
$3
1669655
690
$a
0465
690
$a
0644
690
$a
0641
690
$a
0733
690
$a
0492
710
2
$a
University of Colorado at Boulder.
$b
Theatre and Dance.
$3
1024597
773
0
$t
Masters Abstracts International
$g
51-06(E).
790
$a
0051
791
$a
M.A.
792
$a
2013
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1539295
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9253866
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入