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Intercultural aesthetics in traditio...

Feng, Wei.

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Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Intercultural aesthetics in traditional Chinese theatre/ by Wei Feng.
其他題名:	from 1978 to the present /
作者:	Feng, Wei.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xv, 277 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
Contained By:	Springer eBooks
標題:	Chinese drama - History and criticism. -
電子資源:	https://doi.org/10.1007/978-3-030-40635-6
ISBN:	9783030406356

Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /
Feng, Wei.

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /[electronic resource] :by Wei Feng. - Cham :Springer International Publishing :2020. - xv, 277 p. :ill., digital ;24 cm.

1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.

This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.

ISBN: 9783030406356

Standard No.: 10.1007/978-3-030-40635-6doiSubjects--Topical Terms:

740648
Chinese drama
--History and criticism.

LC Class. No.: PL2357 / .F464 2020

Dewey Class. No.: 895.12009

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505 0 $a 1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
520 $a This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.
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