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Screenwriters and screenwriting = putting practice into context /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screenwriters and screenwriting/ Edited by Craig Batty.
Reminder of title:	putting practice into context /
Author:	Batty, Craig,
Published:	Basingstoke :Palgrave Macmillan : : 2014.,
Description:	320 p. :5 figures.
Notes:	Electronic book text.
[NT 15003449]:	Introduction PART I: SCREENWRITERS AND THEIR SCREENPLAYS 1. White Space: An Approach to the Practice of Screenwriting as Poetry-- Elisabeth Lewis Corley and Joseph Megel 2. Narrating Voices in the Screenplay Text: How the Writer can Direct the Reader's Visualisations of the Potential FIlm-- Ann Ingelstrom 3. Writing Horror: Blending Theory With Practice-- Shaun Kimber 4. Beyond the Screenplay: Memoir and Family Relations in Three Films by Gaylene Preston-- Hester Joyce 5. Costume as Character Arc: How Emotional Transformation is Written into the Dressed Body-- Craig Batty PART II: SCREENWRITING AND THE DEVELOPMENT PROCESS 6. Developing the Screenplay: Stepping into the Unknown-- Margot Nash 7. 'The Irish Film Board: Gatekeeper or Facilitator?' The Experience of the Irish Screenwriter-- Diog O'Connell 8. First Impressions: Debut Features by Irish Screenwriters-- Susan Liddy 9. 'Sorry Blondie, I Don't Do Backstory!' Script Editing: The Invisible Craft-- Paul Wells 10. Scripting the Real: Mike Leigh's Practice as Antecedent to Contemporary Reality TV Texts The Only Way is Essex and Made in Chelsea-- Peri Bradley PART III: SCREENWRITING AND AUTHORSHIP 11. Based on a True Story: Negotiating Collaboration, Compromise and Authorship in the Script Development Process-- Alec McAulay 12. Sarah Phelps on Writing Television: Adaptation, Collaboration, and the Screenwriter's Voice-- Kate Iles 13. Working the Writers' Room: The Context, the Creative Space and the Collaborations of Danish Television Series Borgen-- Eva Novrup Redvall 14. And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedy-- Helen Jacey 15. Gals Who Make the Jokes: Feature Film Screenwriting for the Satirical Female Voice-- Marilyn Tofler 16. Self-Reflexive Screenwriting and LGBT Identity: Framing and Indirectly Reading the Self-- Christopher Pullen.
Subject:	Motion picture authorship. -
Online resource:	http://link.springer.com/10.1057/9781137338938Online journal 'available contents' page
ISBN:	1137338938 (electronic bk.) :

Screenwriters and screenwriting = putting practice into context /
Batty, Craig,

Screenwriters and screenwritingputting practice into context /[electronic resource] :Edited by Craig Batty. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 320 p. :5 figures.

Electronic book text.

Introduction PART I: SCREENWRITERS AND THEIR SCREENPLAYS 1. White Space: An Approach to the Practice of Screenwriting as Poetry-- Elisabeth Lewis Corley and Joseph Megel 2. Narrating Voices in the Screenplay Text: How the Writer can Direct the Reader's Visualisations of the Potential FIlm-- Ann Ingelstrom 3. Writing Horror: Blending Theory With Practice-- Shaun Kimber 4. Beyond the Screenplay: Memoir and Family Relations in Three Films by Gaylene Preston-- Hester Joyce 5. Costume as Character Arc: How Emotional Transformation is Written into the Dressed Body-- Craig Batty PART II: SCREENWRITING AND THE DEVELOPMENT PROCESS 6. Developing the Screenplay: Stepping into the Unknown-- Margot Nash 7. 'The Irish Film Board: Gatekeeper or Facilitator?' The Experience of the Irish Screenwriter-- Diog O'Connell 8. First Impressions: Debut Features by Irish Screenwriters-- Susan Liddy 9. 'Sorry Blondie, I Don't Do Backstory!' Script Editing: The Invisible Craft-- Paul Wells 10. Scripting the Real: Mike Leigh's Practice as Antecedent to Contemporary Reality TV Texts The Only Way is Essex and Made in Chelsea-- Peri Bradley PART III: SCREENWRITING AND AUTHORSHIP 11. Based on a True Story: Negotiating Collaboration, Compromise and Authorship in the Script Development Process-- Alec McAulay 12. Sarah Phelps on Writing Television: Adaptation, Collaboration, and the Screenwriter's Voice-- Kate Iles 13. Working the Writers' Room: The Context, the Creative Space and the Collaborations of Danish Television Series Borgen-- Eva Novrup Redvall 14. And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedy-- Helen Jacey 15. Gals Who Make the Jokes: Feature Film Screenwriting for the Satirical Female Voice-- Marilyn Tofler 16. Self-Reflexive Screenwriting and LGBT Identity: Framing and Indirectly Reading the Self-- Christopher Pullen.

Document

This innovative, fresh and lively collection, assembled by both creative academics and critical practitioners, focuses on how screenplays are written, developed and received.Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.

PDF.

Craig Batty works at RMIT University, Australia. He is a writer and script consultant, co-author of Writing for the Screen: Creative and Critical Approaches (2008), Media Writing: A Practical Introduction (2010) and The Creative Screenwriter: Exercises to Expand Your Craft (2012), and author of Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey (2011) and Screenplays: How to Write and Sell Them (2012).

ISBN: 1137338938 (electronic bk.) :£55.00Subjects--Topical Terms:

607579
Motion picture authorship.

LC Class. No.: PN1996 / .S37235 2014

Dewey Class. No.: 808.23

Screenwriters and screenwriting = putting practice into context /
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505 0 $a Introduction PART I: SCREENWRITERS AND THEIR SCREENPLAYS 1. White Space: An Approach to the Practice of Screenwriting as Poetry-- Elisabeth Lewis Corley and Joseph Megel 2. Narrating Voices in the Screenplay Text: How the Writer can Direct the Reader's Visualisations of the Potential FIlm-- Ann Ingelstrom 3. Writing Horror: Blending Theory With Practice-- Shaun Kimber 4. Beyond the Screenplay: Memoir and Family Relations in Three Films by Gaylene Preston-- Hester Joyce 5. Costume as Character Arc: How Emotional Transformation is Written into the Dressed Body-- Craig Batty PART II: SCREENWRITING AND THE DEVELOPMENT PROCESS 6. Developing the Screenplay: Stepping into the Unknown-- Margot Nash 7. 'The Irish Film Board: Gatekeeper or Facilitator?' The Experience of the Irish Screenwriter-- Diog O'Connell 8. First Impressions: Debut Features by Irish Screenwriters-- Susan Liddy 9. 'Sorry Blondie, I Don't Do Backstory!' Script Editing: The Invisible Craft-- Paul Wells 10. Scripting the Real: Mike Leigh's Practice as Antecedent to Contemporary Reality TV Texts The Only Way is Essex and Made in Chelsea-- Peri Bradley PART III: SCREENWRITING AND AUTHORSHIP 11. Based on a True Story: Negotiating Collaboration, Compromise and Authorship in the Script Development Process-- Alec McAulay 12. Sarah Phelps on Writing Television: Adaptation, Collaboration, and the Screenwriter's Voice-- Kate Iles 13. Working the Writers' Room: The Context, the Creative Space and the Collaborations of Danish Television Series Borgen-- Eva Novrup Redvall 14. And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedy-- Helen Jacey 15. Gals Who Make the Jokes: Feature Film Screenwriting for the Satirical Female Voice-- Marilyn Tofler 16. Self-Reflexive Screenwriting and LGBT Identity: Framing and Indirectly Reading the Self-- Christopher Pullen.
516 $a Document
520 $a This innovative, fresh and lively collection, assembled by both creative academics and critical practitioners, focuses on how screenplays are written, developed and received. $b Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.
520 1 $a Each essay included in this collection serves two purposes: information and inspiration. Craig Batty has chosen authors who have dual abilities: they understand the creative process and they are able to find the kernels of truth in their topics that speak to both method and practice in screenwriting. This book is absolutely accessible and stimulating. Batty has gathered a compendium of worthy researchers whose studies, inquiries and insights motivate and encourage readers to think more deeply on the screenwriting process - and also aid those interested in the formation and construction of screenplays. His goals - to shape a collection of work that is relevant to both academics and at-work screenwriters, and to put the art and craft of screenwriting into 'context' - have been accomplished.' - Jule Selbo, award-winning screenwriter and Professor of Screenwriting at California State University, Fullerton.
538 $a PDF.
545 0 $a Craig Batty works at RMIT University, Australia. He is a writer and script consultant, co-author of Writing for the Screen: Creative and Critical Approaches (2008), Media Writing: A Practical Introduction (2010) and The Creative Screenwriter: Exercises to Expand Your Craft (2012), and author of Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey (2011) and Screenplays: How to Write and Sell Them (2012).
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