內容註: |
1. Introduction, Helen Bailey & William Davies -- 2. The Politics of Forms in Beckett's Writing, Nadia Louar -- 3. Beckett, Contradiction and a Textual Politics of Change, Arka Chattopadhyay -- 4. "Made of words": Beckett and the Politics of Language, Alan Graham -- 5. "First the Place, Then I'll Find Me in It": The Unnamable's Pronouns and the Politics of Confinement, James Little -- 6. Beckett, Evangelicalism and the Biopolitics of Famine, Sean Kennedy -- 7. Tweaking Misogyny or Misogyny Twisted: Beckett's Take on "Aristotle and Phyllis" in Happy Days, Kumiko Kiuchi -- 8. Insufferable Maternity and Motherhood in "First Love", Brenda O'Connell -- 9. Beckett, Biopolitics and the Problem of Life, Marc Farrant -- 10. Beckett's Portrait of the Artist as a Young "Post-War Degenerate", Giovanna Vincenti -- 11. Waiting for Godot and the Fascist Aesthetics of the Bod, Hannah Simpson -- 12. Political Theatre and the Beckett Problem, Emilie Morin -- 13. "The air is full of our cries": Staging Godot during apartheid South Africa, Matthew McFrederick -- 14. Samuel Beckett's Nominalist Politics and the Pitfalls of 'Presentism', Matthew Feldman -- 15. Samuel Beckett's Subaltern Figures, Brendan Dowling -- 16. The Big House in the Suburbs: Home Thoughts from Abroad in Watt, Feargal Whelan -- 17. Beckett and the Politics of Empathy in Site-Specific Theatre, Niamh M. Bowe -- 18. Towards A Modernism with Meaning: Beckett's Refugees, Rodney Sharkey -- 19. Afterword, Peter Boxall. |