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Mirror of the invisible world -- Tra...

Giannoccaro, Thais Flaitt.

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Mirror of the invisible world -- Tracing hidden elements behind the words.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Mirror of the invisible world -- Tracing hidden elements behind the words./
Author:	Giannoccaro, Thais Flaitt.
Description:	196 p.
Notes:	Source: Masters Abstracts International, Volume: 51-05.
Contained By:	Masters Abstracts International51-05(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1535792
ISBN:	9781303027161

Mirror of the invisible world -- Tracing hidden elements behind the words.
Giannoccaro, Thais Flaitt.

Mirror of the invisible world -- Tracing hidden elements behind the words. - 196 p.

Source: Masters Abstracts International, Volume: 51-05.

Thesis (M.A.)--University of Nebraska at Omaha, 2013.

Theatre is a place for magic, a place where dreams come true by transforming "written" words into living images. It is a place where artists, such as actors, directors, designers, visual artists, etc., combine their different art mediums in order to find the common denominator, which is the end product or, in other words, the performance of a play. How the production team plans the "magic" is the hidden element that makes the realization of the dream possible. The dramaturgical research of a play, while obscure for the general audience, is fundamental to the process of developing the production.

ISBN: 9781303027161Subjects--Topical Terms:

522973
Theater.

Mirror of the invisible world -- Tracing hidden elements behind the words.
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245 1 0 $a Mirror of the invisible world -- Tracing hidden elements behind the words.
300 $a 196 p.
500 $a Source: Masters Abstracts International, Volume: 51-05.
500 $a Adviser: Cindy Phaneuf.
502 $a Thesis (M.A.)--University of Nebraska at Omaha, 2013.
520 $a Theatre is a place for magic, a place where dreams come true by transforming "written" words into living images. It is a place where artists, such as actors, directors, designers, visual artists, etc., combine their different art mediums in order to find the common denominator, which is the end product or, in other words, the performance of a play. How the production team plans the "magic" is the hidden element that makes the realization of the dream possible. The dramaturgical research of a play, while obscure for the general audience, is fundamental to the process of developing the production.
520 $a Mirror of the Invisible World is based on Nizami Ganjavi's "Haft Paykar," a medieval Persian romance, adapted to the stage by Mary Zimmerman. Mirror is a dramaturg's dream play. Multi-layered, rich in history, written with truths revealed in riddles and covering seven countries in three continents, it required extensive research to uncover the play's mysteries. Full of surprises and rewards, the process was a challenge from beginning to end and utilized the dramaturge's contributions to the fullest. Therefore the purpose of this study is to assemble and conveniently locate in one place the essential research regarding Mirror. Bringing other scholars' work together may inform future productions of the play. In our contemporary world, the Middle East is best known by its rich wells of oil and, sadly, wars. Through this project I had the opportunity to investigate the Islamic culture and its great works of art, bringing to light the richness of its golden past and making stories that at first seemed strange, feel familiar.
590 $a School code: 1060.
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650 4 $a Performing Arts. $3 896022
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710 2 $a University of Nebraska at Omaha. $b Theatre. $3 1024589
773 0 $t Masters Abstracts International $g 51-05(E).
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792 $a 2013
793 $a English
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