東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Humorality in early modern art, mate...

Kenny, Amy.

FindBook

Google Book

Amazon

博客來

Humorality in early modern art, material culture, and performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Humorality in early modern art, material culture, and performance/ edited by Amy Kenny, Kaara L. Peterson.
其他作者:	Kenny, Amy.
出版者:	Cham :Springer International Publishing : : 2021.,
面頁冊數:	xiv, 207 p. :ill., digital ;24 cm.
內容註:	Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A 'dummy corpse full of bones and entrails': Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. 'Having no heart': the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen's Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It" Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- 'Great Annyoyance to Their Mindes:' the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library)
Contained By:	Springer Nature eBook
標題:	Arts, Modern - Themes, motives. -
電子資源:	https://doi.org/10.1007/978-3-030-77618-3
ISBN:	9783030776183

Humorality in early modern art, material culture, and performance
Humorality in early modern art, material culture, and performance[electronic resource] /edited by Amy Kenny, Kaara L. Peterson. - Cham :Springer International Publishing :2021. - xiv, 207 p. :ill., digital ;24 cm. - Palgrave studies in literature, science and medicine,2634-6443. - Palgrave studies in literature, science and medicine..

Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A 'dummy corpse full of bones and entrails': Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. 'Having no heart': the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen's Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It" Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- 'Great Annyoyance to Their Mindes:' the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library)

Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals' activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012)

ISBN: 9783030776183

Standard No.: 10.1007/978-3-030-77618-3doiSubjects--Topical Terms:

553459
Arts, Modern
--Themes, motives.

LC Class. No.: NX449.5

Dewey Class. No.: 700.903

Humorality in early modern art, material culture, and performance
LDR:03973nmm a2200337 a 4500 001 2251416
003 DE-He213
005 20210909110013.0
006 m d
007 cr nn 008maaau
008 220215s2021 sz s 0 eng d
020 $a 9783030776183 $q (electronic bk.)
020 $a 9783030776176 $q (paper)
024 7 $a 10.1007/978-3-030-77618-3 $2 doi
035 $a 978-3-030-77618-3
040 $a GP $c GP
041 0 $a eng
050 4 $a NX449.5
072 7 $a DSB $2 bicssc
072 7 $a LIT024000 $2 bisacsh
072 7 $a DSB $2 thema
082 0 4 $a 700.903 $2 23
090 $a NX449.5 $b .H925 2021
245 0 0 $a Humorality in early modern art, material culture, and performance $h [electronic resource] / $c edited by Amy Kenny, Kaara L. Peterson.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xiv, 207 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in literature, science and medicine, $x 2634-6443
505 0 $a Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A 'dummy corpse full of bones and entrails': Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. 'Having no heart': the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen's Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It" Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- 'Great Annyoyance to Their Mindes:' the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library)
520 $a Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals' activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012)
650 0 $a Arts, Modern $x Themes, motives. $3 553459
650 0 $a Body fluids in art. $3 3518388
650 0 $a Body fluids in literature. $3 3383523
650 1 4 $a Early Modern/Renaissance Literature. $3 2182039
650 2 4 $a History of Early Modern Europe. $3 2182432
650 2 4 $a Drama. $3 522981
650 2 4 $a Cultural Studies. $3 1569312
650 2 4 $a Audio-Visual Culture. $3 3210047
650 2 4 $a Performing Arts. $3 896022
700 1 $a Kenny, Amy. $3 3383520
700 1 $a Peterson, Kaara L. $3 889548
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in literature, science and medicine. $3 2200183
856 4 0 $u https://doi.org/10.1007/978-3-030-77618-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)