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The theatre of imagining = a cultura...

Kallenbach, Ulla.

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The theatre of imagining = a cultural history of imagination in the mind and on the stage /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The theatre of imagining/ by Ulla Kallenbach.
Reminder of title:	a cultural history of imagination in the mind and on the stage /
Author:	Kallenbach, Ulla.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xv, 324 p. :ill., digital ;22 cm.
[NT 15003449]:	1. Introduction -- 2. The Mirror and the Messenger -- 3. Corruption or Perfection? The Precariousness of the Early Modern Imagination -- 4. Macbeth: A Dramaturgy of Deceit -- 5. From Mirror to Lamp -- 6. The Disenchantment of the Idealist Imagination -- 7. A Doll's House - Performing the Cultural Imaginary -- 8. The Late Modern Re-Imagining Imagination -- 9. The Killer - The Interplay of Absence and Presence -- 10. Towards a Dramaturgy of Physicalization and Imagination.
Contained By:	Springer eBooks
Subject:	Drama - History and criticism. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-76303-3
ISBN:	9783319763033

The theatre of imagining = a cultural history of imagination in the mind and on the stage /
Kallenbach, Ulla.

The theatre of imagininga cultural history of imagination in the mind and on the stage /[electronic resource] :by Ulla Kallenbach. - Cham :Springer International Publishing :2018. - xv, 324 p. :ill., digital ;22 cm.

1. Introduction -- 2. The Mirror and the Messenger -- 3. Corruption or Perfection? The Precariousness of the Early Modern Imagination -- 4. Macbeth: A Dramaturgy of Deceit -- 5. From Mirror to Lamp -- 6. The Disenchantment of the Idealist Imagination -- 7. A Doll's House - Performing the Cultural Imaginary -- 8. The Late Modern Re-Imagining Imagination -- 9. The Killer - The Interplay of Absence and Presence -- 10. Towards a Dramaturgy of Physicalization and Imagination.

This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare's Macbeth (c.1606); Henrik Ibsen's A Doll's House (1879); and Eugene Ionesco's The Killer (1957)

ISBN: 9783319763033

Standard No.: 10.1007/978-3-319-76303-3doiSubjects--Topical Terms:

523108
Drama
--History and criticism.

LC Class. No.: PN1655 / .K33 2018

Dewey Class. No.: 809.2

The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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245 1 4 $a The theatre of imagining $h [electronic resource] : $b a cultural history of imagination in the mind and on the stage / $c by Ulla Kallenbach.
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505 0 $a 1. Introduction -- 2. The Mirror and the Messenger -- 3. Corruption or Perfection? The Precariousness of the Early Modern Imagination -- 4. Macbeth: A Dramaturgy of Deceit -- 5. From Mirror to Lamp -- 6. The Disenchantment of the Idealist Imagination -- 7. A Doll's House - Performing the Cultural Imaginary -- 8. The Late Modern Re-Imagining Imagination -- 9. The Killer - The Interplay of Absence and Presence -- 10. Towards a Dramaturgy of Physicalization and Imagination.
520 $a This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare's Macbeth (c.1606); Henrik Ibsen's A Doll's House (1879); and Eugene Ionesco's The Killer (1957)
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