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Contemporary African dance theatre =...

Sorgel, Sabine.

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Contemporary African dance theatre = phenomenology, whiteness, and the gaze /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Contemporary African dance theatre/ by Sabine Sorgel.
Reminder of title:	phenomenology, whiteness, and the gaze /
Author:	Sorgel, Sabine.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	ix, 174 p. :ill., digital ;24 cm.
[NT 15003449]:	1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
Contained By:	Springer eBooks
Subject:	Dance - Social aspects - Africa. -
Online resource:	https://doi.org/10.1007/978-3-030-41501-3
ISBN:	9783030415013

Contemporary African dance theatre = phenomenology, whiteness, and the gaze /
Sorgel, Sabine.

Contemporary African dance theatrephenomenology, whiteness, and the gaze /[electronic resource] :by Sabine Sorgel. - Cham :Springer International Publishing :2020. - ix, 174 p. :ill., digital ;24 cm. - New world choreographies. - New world choreographies..

1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.

This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.

ISBN: 9783030415013

Standard No.: 10.1007/978-3-030-41501-3doiSubjects--Topical Terms:

3450262
Dance
--Social aspects--Africa.

LC Class. No.: GV1705 / .S865 2020

Dewey Class. No.: 306.484096

Contemporary African dance theatre = phenomenology, whiteness, and the gaze /
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505 0 $a 1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
520 $a This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
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