Musical composition.

Haydn and Mozart as Orchestrators. by: (書目-電子資源)

Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky. by: (書目-電子資源)

Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer. by: (書目-電子資源)

"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano. by: (書目-電子資源)

From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity. by: (書目-電子資源)

The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris. by: (書目-電子資源)

A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality. by: (書目-電子資源)

The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure. by: (書目-電子資源)

Piano Music for the Ballet Technique Class : = An Online Guide. by: (書目-電子資源)

A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources. by: (書目-電子資源)

Yuehan. Bulamusi "Jiu shou yi shu ge qu, zuo pin liu shi san" zhi yue qu fen xi yu yan zou quan shi = = The Analysis and the Interpretation of Neun Lieder und Gesange, Op. 63 by Johannes Brahms. by: (書目-電子資源)

Qin yun zai xian wu zheng ming : = yi Fan Weici gai bian zhi "Guangling San" ji "Longshuo Cao" wei li = The Charm of Guqin Menifasted in Guzeng Music : A Case Study on The Guangling San and Longshuo Cao Arranged by Wei-Tsu Fan. by: (書目-電子資源)

Shuman zhu ti bian zou qu : = Kelala Shuman zuo pin 20 yu Bulamusi zuo pin 9 de tong ti yi yun = Variations on a Theme of Robert Schumann : The Thoughts between Clara Schumann's Op.20 and Johannes Brahms' Op.9. by: (書目-電子資源)

"Songs from Vessels" for Ensemble and Live Electronics and Vessels : = A Virtual Reality Micro-Opera. by: (書目-電子資源)

Building Sensory Sound Worlds at the Intersection of Music and Architecture. by: (書目-電子資源)

On the Transmigration of the Arab Soul : = A Case Study in Contemporary Composition. by: (書目-電子資源)

Confronting Individual Existence in Musical Composition. by: (書目-電子資源)

Scenes, for Two-Channel Fixed Media. by: (書目-電子資源)

Writing Music and Its Role in a Conductor's Training as a Performer. by: (書目-電子資源)

Machine Learning for Inspired, Structured, Lyrical Music Composition. by: (書目-電子資源)

Bela Bartok's Sonata for Solo Violin: A Study of Variant Readings in the Sources. by: (書目-電子資源)

Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music. by: (書目-電子資源)

Gateways to 20th Century Violin Repertoire: Selections from Luciano Berio's Duetti per due Violini. by: (書目-電子資源)

A Performance Analysis of Scriabin's Early Piano Works: Sonata-Fantaisie (1886), Allegro Appassionato, Allegro de Concert, and Fantaisie. by: (書目-電子資源)

Contemporary Art Song of the United States: A Graded Handbook. by: (書目-電子資源)

Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs. by: (書目-電子資源)

Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble. by: (書目-電子資源)

What We See is What We Desire to See for Color and Instruments: Color as an Inspiration for Musical Composition. by: (書目-電子資源)

Lingua Franca: The Use of Labanotation in the Gestural-Based Compositions of Wayne Siegel, Mark Applebaum, and Casey Cangelosi. by: (書目-電子資源)

Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide. by: (書目-電子資源)

Seeking Spiritual Liberation: Gong Cycles and Dissolutions in Claude Vivier's "Prologue pour un Marco Polo" and an Original Composition, "peri{methe-" for Bass Clarinet, Baritone Saxophone, Mezzosoprano, Percussion, Violin and Double Bass. by: (書目-電子資源)

Consonance: A Computer Generated Composition. by: (書目-電子資源)

J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation. by: (書目-電子資源)

Database Music: A History, Technology, and Aesthetics of the Database in Music Composition = = Musica con base de datos: historia, tecnologia, y esteticas de la base de datos en la composicion musical.. by: (書目-電子資源)

Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular Bells. by: (書目-電子資源)

Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications. by: (書目-電子資源)

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama. by: (書目-電子資源)

Nineteenth-Century Performance and Editorial Practice: A Study of Beethoven's Sonata in C-sharp minor, Op. 27 No. 2. by: (書目-電子資源)

The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective. by: (書目-電子資源)

Rural and Urban Explorations of Transnational Performance: A Dialogue between Traditional Southwestern Chinese and Contemporary North American Music & Dance. by: (書目-電子資源)

A Study of 21st-Century Works for Clarinet and Multimedia Featuring Three Newly Commissioned Works for Clarinet and Electronics with Visuals. by: (書目-電子資源)

A Sketch of Sound. by: (書目-電子資源)

The Early Piano Music of Richard Wagner. by: (書目-電子資源)

The Cabinet of Dr. Caligari: An Original Film Score. by: (書目-電子資源)

Musica Universalis - The Pursuit of Pure Abstraction. by: (書目-電子資源)

Affecting Eternity: The Pedagogical Influence of Olivier Messiaen. by: (書目-電子資源)

The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration. by: (書目-電子資源)

You Have to Work with What the Computer Has: Music Software Affordances and Student Compositions. by: (書目-電子資源)

Setting the Tone: Fluid Hierarchies in Contemporary Georgian Polyphony. by: (書目-電子資源)

Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia. by: (書目-電子資源)

Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet. by: (書目-電子資源)

Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics. by: (書目-電子資源)

Interpreting Race and Difference in the Operas of Richard Strauss. by: (書目-電子資源)

Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung. by: (書目-電子資源)

Hearing the Tonality in Microtonality. by: (書目-電子資源)

Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15. by: (書目-電子資源)

Igor Stravinsky: Hidden Rhythmic Patterns and Codes in His Orchestral Music. by: (書目-電子資源)

Clementi the Scientist: Contemporary Reception of his Symphonies. by: (書目-電子資源)

Spherical Structured Time in the Three Toccatas of Die Soldaten by Bernd Alois Zimmermann and an Original Composition, Wer, Wenn Ich Schriee for Soprano and Double Bass. by: (書目-電子資源)

A Comparative Analysis of Debussy's Ondine and Ravel's Ondine. by: (書目-電子資源)

A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn. by: (書目-電子資源)

A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis. by: (書目-電子資源)

An Annotated Catalog of Flute Music by Female Composers between 1988 and 2021. by: (書目-電子資源)

Lebewohl. by: (書目-電子資源)

A Performer's Approach to the Horn Solo and Chamber Works of Thomas E. Weaver. by: (書目-電子資源)

Music Information Retrieval Driven Algorithmic Music. by: (書目-電子資源)

The Sonata-Fugue Hybrid in Haydn's Early Symphonies. by: (書目-電子資源)

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries. by: (書目-電子資源)

In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959. by: (書目-電子資源)

A Teacher's Guide to Diverse Piano Repertoire: An Annotated Bibliography of Intermediate Level Repertoire by Historically Underrepresented Composers Through Each Historical Period. by: (書目-電子資源)

"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano. by: (書目-電子資源)

Reger's Variations and Fugue on a Theme by Telemann, Op. 134 and Its Relationship to Brahms's Variations and Fugue on a Theme by Handel, Op. 24. by: (書目-電子資源)

Motive-Directed Meter. by: (書目-電子資源)

Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style. by: (書目-電子資源)

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han. by: (書目-電子資源)

Performance Guide and Pedagogical Videos of Isang Yun's Shao Yang Yin. by: (書目-電子資源)

An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe. by: (書目-電子資源)

Sound of the City : = Creating a Balanced Sound Composition in Urban Green Spaces. by: (書目-電子資源)

Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications. by: (書目-電子資源)

Real-Time Composition as a Strategy for the 21st Century Composer. by: (書目-電子資源)

A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions. by: (書目-電子資源)

Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes. by: (書目-電子資源)

The Way We Look to a Song : = Five Compositions and the Envoicing of Musical Inheritance. by: (書目-電子資源)

Designing a Computer-Assisted Meta-Composition Workflow : = Stimulation of a Ludic Creative Process Through the Production of Audiovisual Pieces. by: (書目-電子資源)

Musical Ecologies of Persons and Things. by: (書目-電子資源)

Musical and Spiritual Meaning in the Franciscan Works of Franz Liszt. by: (書目-電子資源)

Differential Music : = Automated Music Generation Using LSTM Networks with Representation Based on Melodic and Harmonic Intervals. by: (書目-電子資源)

Composing for the Performance Space : = A Practice-Based Investigation on the Design of Interfaces for Spatial Sound and Lighting. by: (書目-電子資源)

The Point of Intersection : = An Analysis of Interactivity and Synthesis in Historical Models of Mixed Music by Karlheinz Stockhausen and Elainie Lillios; and an Original Composition, Bare. for Trumpet, Piano, Percussion, and Live Electroacoustics. by: (書目-電子資源)

The Sound of the Sea All the Time : = Landscape and Image as Method. by: (書目-電子資源)

Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature. by: (書目-電子資源)

Music of the British Isles : = An Exploration of Music Written for the Violin by Composers From England, Ireland, and Scotland During the Romantic Era. by: (書目-電子資源)

Topics and Themes in Aaron Copland's Concerto for Clarinet. by: (書目-電子資源)

The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines. by: (書目-電子資源)

Evolution of the Roles of Messiaen's Birdsong in His Piano Works. by: (書目-電子資源)

"Praise Him with Instruments" the Successful Implementation of Orchestral Ensembles in the Modern Contemporary Worship Service. by: (書目-電子資源)

Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1". by: (書目-電子資源)

The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy. by: (書目-電子資源)

The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire. by: (書目-電子資源)

Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023. by: (書目-電子資源)

Tortoise's TNT and In-Studio Composition. by: (書目-電子資源)

Beyond Pitch : = Complexity in Contemporary Electronica. by: (書目-電子資源)

The Oscillation of Things a Composition Portfolio. by: (書目-電子資源)

How Chinese Production Companies Produce Adapted Broadway Musicals. by: (書目-電子資源)

Contemporary Musical Alchemy: Applying Medieval and Renaissance Artifacts to New Musical Compositions. by: (書目-電子資源)

Tesseract, Act I. for Amplified Soprano Saxophone Quartet and Octophonic Speaker Array. by: (書目-電子資源)

Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24. by: (書目-電子資源)

East, West, South, North, and Center- Live Electronic Music Based on Neural Network, Board Game, and Data-Driven Instrument. by: (書目-電子資源)

Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process. by: (書目-電子資源)

Music Composition as Pedagogy : = A Qualitative Case Study of Undergraduate Music Students' Experience with Composition. by: (書目-電子資源)

Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst. by: (書目-電子資源)

J.S. Bach's Goldberg Variations in the Context of Bach's Forerunners and Contemporaries : = Influences and Keyboard Techniques. by: (書目-電子資源)

These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics. by: (書目-電子資源)

Contemporary Classical Female Composer: An Exploration of Gender Roles and Stereotypes. by: (書目-電子資源)

Machinations: A Concerto for Bassoon and Orchestra. by: (書目-電子資源)

Chamber Music for Trumpet Recitals. by: (書目-電子資源)

Guillaume Lekeu's Sonata for Piano and Violin: A Performance Guide. by: (書目-電子資源)

The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings. by: (書目-電子資源)

Children's Innate Capacity for Experimental Music Performance: The Use of Artistic Play to Liberate Expression. by: (書目-電子資源)

Post-pitch World: Timbre as the Primary Element of Form. by: (書目-電子資源)

Networked Computer Music. by: (書目-電子資源)

Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16. by: (書目-電子資源)

A New Piano Reduction of the Antonin Dvorak Concerto for Cello and Orchestra in B Minor Op.104. by: (書目-電子資源)

Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise. by: (書目-電子資源)

Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano. by: (書目-電子資源)

What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20th Century. by: (書目-電子資源)

Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage. by: (書目-電子資源)

佛漢‧威廉士《英國民謠組曲》樂曲分析與指揮詮釋. by: (書目-電子資源)

Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano. by: (書目-電子資源)

From Imitation to Innovation: A Study of the Complete Violin Sonatas by George Enescu, Gabriel Faure and Johannes Brahms. by: (書目-電子資源)

Text and Music Interplay in the Sephardic Piyut in Israel. by: (書目-電子資源)

A Performer's Guide to Selected Early Violin Works of Darius Milhaud: Violin Sonata No. 1, Op. 3; Violin Sonata No. 2, Op. 40; and Le Boeuf Sur Le Toit, Op. 58b. by: (書目-電子資源)

A Performance Guide on Selected Sonatas for Flute and Piano By: Darius Milhaud (1892-1974), Louis Durey (1888-1979), Francis Poulenc (1899-1963). by: (書目-電子資源)

Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia. by: (書目-電子資源)

The Representation of Water in Twentieth-Century French and Chinese Piano Music. by: (書目-電子資源)

The Influence of Vietnamese Traditional Music on the Cello Works of P. Q. Phan, Van-Anh Vo, and Nhật Minh Nguyễn. by: (書目-電子資源)

Cultural Syncretism in Filipino Choral Music by: (書目-電子資源)

An Original Composition for Wind Orchestra as a Guide for Creating Literature-Specific Instructional Materials for Afro-Cuban Musical Interpretation. by: (書目-電子資源)

An Expression of Religion and Spirituality : = The Piano Music of John Tavener. by: (書目-電子資源)

Analyzing Subconsciousness for Symphonic Orchestra. by: (書目-電子資源)

Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet. by: (書目-電子資源)

Black Sound : = Black Musical Artistry in Western Music. by: (書目-電子資源)

The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century. by: (書目-電子資源)

Performer Interaction and States of Attention as Frameworks for Musical Analysis. by: (書目-電子資源)

A Historical Analysis of 100 Years of Heterogeneous String Method Books. by: (書目-電子資源)

A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011. by: (書目-電子資源)

A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music. by: (書目-電子資源)

Study in Clarity : = Josef Suk's Asrael Re-envisioned via Schoenberg. by: (書目-電子資源)

Going for the Goals : = How Teachers and Students Set and Meet Goals in Music Composition and Psalms and Meditations for Flexible Ensemble. by: (書目-電子資源)

Michael Kimber's Music for Solo Viola. by: (書目-電子資源)

Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta. by: (書目-電子資源)

The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait. by: (書目-電子資源)