Musical composition.
Overview
| Works: | 214 works in 0 publications in 0 languages | |
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Titles
The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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Database Music: A History, Technology, and Aesthetics of the Database in Music Composition = = Musica con base de datos: historia, tecnologia, y esteticas de la base de datos en la composicion musical..
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Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular Bells.
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Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications.
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Gateways to 20th Century Violin Repertoire: Selections from Luciano Berio's Duetti per due Violini.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
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Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.
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These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics.
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What We See is What We Desire to See for Color and Instruments: Color as an Inspiration for Musical Composition.
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Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide.
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Contemporary Classical Female Composer: An Exploration of Gender Roles and Stereotypes.
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The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
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Nineteenth-Century Performance and Editorial Practice: A Study of Beethoven's Sonata in C-sharp minor, Op. 27 No. 2.
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The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings.
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Children's Innate Capacity for Experimental Music Performance: The Use of Artistic Play to Liberate Expression.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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You Have to Work with What the Computer Has: Music Software Affordances and Student Compositions.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
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Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15.
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
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"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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A New Piano Reduction of the Antonin Dvorak Concerto for Cello and Orchestra in B Minor Op.104.
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Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano.
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Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
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Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano.
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From Imitation to Innovation: A Study of the Complete Violin Sonatas by George Enescu, Gabriel Faure and Johannes Brahms.
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Contemporary Musical Alchemy: Applying Medieval and Renaissance Artifacts to New Musical Compositions.
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Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
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Tesseract, Act I. for Amplified Soprano Saxophone Quartet and Octophonic Speaker Array.
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Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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East, West, South, North, and Center- Live Electronic Music Based on Neural Network, Board Game, and Data-Driven Instrument.
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The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
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In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
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"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano.
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The Influence of Vietnamese Traditional Music on the Cello Works of P. Q. Phan, Van-Anh Vo, and Nhật Minh Nguyễn.
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A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions.
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Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet.
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Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process.
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The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
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Music Composition as Pedagogy : = A Qualitative Case Study of Undergraduate Music Students' Experience with Composition.
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Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes.
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The Way We Look to a Song : = Five Compositions and the Envoicing of Musical Inheritance.
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A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources.
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"Songs from Vessels" for Ensemble and Live Electronics and Vessels : = A Virtual Reality Micro-Opera.
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A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011.
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A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
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The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait.
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Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023.
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The Nordic Romantic: A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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Robert Schumann and "The Artist's Highest Goal": Religion, Romanticism, and Nation in the Late Choral Works.
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From Small to Large: Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
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Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms: Romanticism Within Classicism.
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Playing With Shadows: Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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Ghost Structures: Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology.
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Solo and Chamber Pieces for Viola by Female Composers: Late Nineteenth to Twenty-First Centuries.
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Kaleidoscope: Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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Relational Music: A Participatory Approach Towards Live Experimental Electronic Music.
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The Relationship Between Musical Fluency, Reading Fluency, and Visual Search Patterns.
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Exploring Imaginary Landscapes: A Practice of Brushstroke and Soundscape in Compositions.
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Community Co-Creation and Virtual Reality in Opera: Composing Out of the Ordinary/As an nGnach.
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Chamber Tone Poems at the Turn of the Twentieth Century: How the Harp Contributed to Their Development.
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