Musical composition.
Overview
| Works: | 55 works in 0 publications in 0 languages | |
|---|---|---|
Titles
The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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(Electronic resources)
Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
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An Exploration and Analysis of the Unaccompanied Viola Sonatas of Gunter Raphael.
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An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
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What We See is What We Desire to See for Color and Instruments: Color as an Inspiration for Musical Composition.
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Lingua Franca: The Use of Labanotation in the Gestural-Based Compositions of Wayne Siegel, Mark Applebaum, and Casey Cangelosi.
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Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular Bells.
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Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications.
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Rural and Urban Explorations of Transnational Performance: A Dialogue between Traditional Southwestern Chinese and Contemporary North American Music & Dance.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet.
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Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.
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These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics.
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Contemporary Classical Female Composer: An Exploration of Gender Roles and Stereotypes.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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Database Music: A History, Technology, and Aesthetics of the Database in Music Composition = = Musica con base de datos: historia, tecnologia, y esteticas de la base de datos en la composicion musical..
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The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
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Nineteenth-Century Performance and Editorial Practice: A Study of Beethoven's Sonata in C-sharp minor, Op. 27 No. 2.
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The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective.
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A Study of 21st-Century Works for Clarinet and Multimedia Featuring Three Newly Commissioned Works for Clarinet and Electronics with Visuals.
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The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings.
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Children's Innate Capacity for Experimental Music Performance: The Use of Artistic Play to Liberate Expression.
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You Have to Work with What the Computer Has: Music Software Affordances and Student Compositions.
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Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Bela Bartok's Sonata for Solo Violin: A Study of Variant Readings in the Sources.
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Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music.
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Gateways to 20th Century Violin Repertoire: Selections from Luciano Berio's Duetti per due Violini.
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A Performance Analysis of Scriabin's Early Piano Works: Sonata-Fantaisie (1886), Allegro Appassionato, Allegro de Concert, and Fantaisie.
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Chinese Aesthetics and Performance Practice in Three Works for Piano by Chen Yi: Tunes from My Home, Northern Scenes, and Four Spirits = = 浅析陈怡含有钢琴的作品中涉及到中国艺术美学及演出实践的三首作品：钢琴三重奏《家乡的歌》，钢琴独奏《北方景色》，钢琴协奏曲《四灵》.
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Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide.
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