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The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor :/
其他題名:	A Comparative Investigation into Cyclic Form and Dramatic Structure.
作者:	Anwar, Kerim Sait.
面頁冊數:	1 online resource (508 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:	Dissertations Abstracts International84-05A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28771319click for full text (PQDT)
ISBN:	9798357553140

The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.
Anwar, Kerim Sait.

The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor :A Comparative Investigation into Cyclic Form and Dramatic Structure. - 1 online resource (508 pages)

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (D.M.A.)--University of Toronto (Canada), 2022.

Includes bibliographical references

While past studies have provided a general comparison of the three versions of Schumann's Fourth Symphony, or a more detailed account of orchestrational variances among the first movement(s), this thesis addresses the first and the fourth movements, primarily from a form-functional perspective, and secondarily in terms of dramatic structure / Steigerung characteristics. From a conductor's perspective, the study informs the formal and expressive clarity of each version's broad "four-in-one" design. It also evaluates a somewhat more subjective matter, which is the effectiveness of each version's dramatic transformation from dark and heavy to light and exuberant: a process that manifests most prominently across the duration of the Finale.The dissertation's first section deals with the first movement in five parts. It reveals that the 1851 version, though lacking the transparency and contrapuntal variety of the original, creates a more expressive higher-level exposition of the work's melodic content. Moreover, Schumann's revised final sections clearly depict an evaded reprise for the movement, while the original is less resolute in this characterization. As a result, Schumann's revision more compellingly points to the Finale for the powerful arrival of the work's higher-level recapitulation. Mahler's first movement, in turn, surpasses the 1851 version in creating the clearest large-scale exposition of thematic content, and the most vivid depiction of recapitulatory evasion.The study's second section focuses on the transition to the Finale and the Finale's main theme, the subordinate theme, development, elements of recapitulation, and the coda sections. The investigation reveals that the 1841 version forms the least powerful high-level recapitulatory confirmation at the start of the Finale; and, as it is consistent with a relatively light aesthetic across the movement, the least vivid depiction of "relaxant" transformation by the end of the symphony. By contrast, Schumann's revision creates the strongest large-scale reprise, and expresses the greatest "relaxant" transformation across the movement. Mahler's version, despite possessing a wonderful Steigerung in the transition to the Finale, actually displaces intensity from the start of the Finale to its end. This ultimately undermines the symphony's recapitulatory climax, and re-shapes the dramatic narrative to emphasize heroic brilliance at the work's end.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798357553140Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

1841 1851 mahler version schumann op. 120Index Terms--Genre/Form:

542853
Electronic books.

The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.
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