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Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi =/
其他題名:
Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
其他題名:
Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
作者:
Cheng, Chien-Chi.
面頁冊數:
1 online resource (122 pages)
附註:
Source: Masters Abstracts International, Volume: 82-03.
Contained By:
Masters Abstracts International82-03.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28121943click for full text (PQDT)
ISBN:
9798664770414
Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
Cheng, Chien-Chi.
Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi =
Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1". - 1 online resource (122 pages)
Source: Masters Abstracts International, Volume: 82-03.
Thesis (Master's)--National Taiwan Normal University (Taiwan), 2019.
Includes bibliographical references
受到法國作曲家德布西(Claude Debussy, 1862-1918)、拉威爾(Maurice Ravel, 1875-1937)和佛瑞(Gabriel Faure, 1845-1924)等人的影響,亨利•杜悌尤(Henri Dutilleux, 1916-2013)早期的作品多混用調性與調式,並使用平行和弦、連續五度等創作素材,其鋼琴獨奏曲集《隨波逐流》更被視為具強烈的仿作性質;同時,生長於充滿藝術氣息家庭的杜悌尤,亦受到繪畫與文學的影響,甚至由普魯斯特小說《追憶似水年華》(A la recherche du temps perdu)的「記憶概念」發展出中期後重要的創作技法「主題的漸進發展」(croissance progressive)。《鋼琴奏鳴曲,作品一》作於1947-1948年間,屬於早期的創作,此時杜悌尤正處於創作理念與風格的轉捩點;而作為具「過渡」性質之作品,杜悌尤也成功地在「傳統」與「創新」之間呈現出完美的平衡。因此,本論文將透過探討法國音樂的發展、作曲家的生平與風格發展,進一步聚焦於《鋼琴奏鳴曲,作品一》,探討此曲之特色與重要性,並就個人經驗提出詮釋之看法。
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798664770414Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
杜悌尤Index Terms--Genre/Form:
542853
Electronic books.
Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
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受到法國作曲家德布西(Claude Debussy, 1862-1918)、拉威爾(Maurice Ravel, 1875-1937)和佛瑞(Gabriel Faure, 1845-1924)等人的影響,亨利•杜悌尤(Henri Dutilleux, 1916-2013)早期的作品多混用調性與調式,並使用平行和弦、連續五度等創作素材,其鋼琴獨奏曲集《隨波逐流》更被視為具強烈的仿作性質;同時,生長於充滿藝術氣息家庭的杜悌尤,亦受到繪畫與文學的影響,甚至由普魯斯特小說《追憶似水年華》(A la recherche du temps perdu)的「記憶概念」發展出中期後重要的創作技法「主題的漸進發展」(croissance progressive)。《鋼琴奏鳴曲,作品一》作於1947-1948年間,屬於早期的創作,此時杜悌尤正處於創作理念與風格的轉捩點;而作為具「過渡」性質之作品,杜悌尤也成功地在「傳統」與「創新」之間呈現出完美的平衡。因此,本論文將透過探討法國音樂的發展、作曲家的生平與風格發展,進一步聚焦於《鋼琴奏鳴曲,作品一》,探討此曲之特色與重要性,並就個人經驗提出詮釋之看法。
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Influenced by French composers such as Claude Debussy (1862-1918), Maurice Ravel (1875-1937) and Gabriel Faure (1845-1924), Henri Dutilleux, 1916-2013)'s early works mostly mixed tones and modes, and used parallel chords, continuous fifths and other creative materials, and his piano solo collection "Follow the Flow" was regarded as a strong imitation; at the same time, growth In a family full of artistic atmosphere, Du Tiuyou was also influenced by painting and literature, and even the "concept of memory" in Proust's novel A la recherche du temps perdu (A la recherche du temps perdu) developed an important post-medium period. The creative technique "croissance progressive". "Piano Sonata, Opus 1" was composed between 1947 and 1948, and belonged to an early creation. At this time, Du Tiyou was at a turning point in his creative concept and style. As a work with a "transition" nature, Du Tiyou also successfully created There is a perfect balance between "tradition" and "innovation". Therefore, this dissertation will further focus on "Piano Sonata, Opus 1" by exploring the development of French music, the life and style of the composer, to explore the characteristics and importance of this piece, and to offer interpretations from personal experience.
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Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
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