東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Composing Metaphors.

Welsh, Ryan P.

FindBook

Google Book

Amazon

博客來

Composing Metaphors.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Composing Metaphors./
作者:	Welsh, Ryan P.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	170 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-02, Section: A.
Contained By:	Dissertations Abstracts International80-02A.
標題:	Musical composition. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10830398
ISBN:	9780438169753

Composing Metaphors.
Welsh, Ryan P.

Composing Metaphors. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 170 p.

Source: Dissertations Abstracts International, Volume: 80-02, Section: A.

Thesis (Ph.D.)--University of California, San Diego, 2018.

This item must not be sold to any third party vendors.

After the premiere performance of my String Quartet No. 1: Convergences, my advisor, Roger Reynolds, posed a daunting and challenging question. This question has guided my reflections on how to define the progress I have made as a composer while pursuing my Ph.D. at UCSD. Professor Reynolds asked me to discuss what has changed in my music from the time I began my study in 2008 until now. I believe the fundamental issue at hand is not what has changed in my music, but rather, why my music has changed. From these beliefs and underpinnings, I will discuss my older music, my compositional process and the issues that exist for me as a composer. I will use my piano solo, Lattice, Cobwebs, Tunnels, and Spirals, to illustrate the culmination and development of a new understanding of composition. Then I will reference String Quartet No. 1: Convergences as a case study to illustrate my new process and show its extensibility to new domains, such as electronic processing.

ISBN: 9780438169753Subjects--Topical Terms:

3289630
Musical composition.

Composing Metaphors.
LDR:01971nmm a2200313 4500 001 2205951
005 20190909085604.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438169753
035 $a (MiAaPQ)AAI10830398
035 $a (MiAaPQ)ucsd:17647
035 $a AAI10830398
040 $a MiAaPQ $c MiAaPQ
100 1 $a Welsh, Ryan P. $3 3432836
245 1 0 $a Composing Metaphors.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 170 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-02, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Reynolds, Roger.
502 $a Thesis (Ph.D.)--University of California, San Diego, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a After the premiere performance of my String Quartet No. 1: Convergences, my advisor, Roger Reynolds, posed a daunting and challenging question. This question has guided my reflections on how to define the progress I have made as a composer while pursuing my Ph.D. at UCSD. Professor Reynolds asked me to discuss what has changed in my music from the time I began my study in 2008 until now. I believe the fundamental issue at hand is not what has changed in my music, but rather, why my music has changed. From these beliefs and underpinnings, I will discuss my older music, my compositional process and the issues that exist for me as a composer. I will use my piano solo, Lattice, Cobwebs, Tunnels, and Spirals, to illustrate the culmination and development of a new understanding of composition. Then I will reference String Quartet No. 1: Convergences as a case study to illustrate my new process and show its extensibility to new domains, such as electronic processing.
590 $a School code: 0033.
650 4 $a Musical composition. $3 3289630
690 $a 0214
710 2 $a University of California, San Diego. $b Music. $3 1043088
773 0 $t Dissertations Abstracts International $g 80-02A.
790 $a 0033
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10830398