東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han./
作者:	Han, Jihee.
面頁冊數:	1 online resource (131 pages)
附註:	Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Contained By:	Dissertations Abstracts International82-01A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27743352click for full text (PQDT)
ISBN:	9798662421189

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
Han, Jihee.

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han. - 1 online resource (131 pages)

Source: Dissertations Abstracts International, Volume: 82-01, Section: A.

Thesis (Ph.D.)--Rutgers The State University of New Jersey, School of Graduate Studies, 2020.

Includes bibliographical references

The poem Dies irae, written in the thirteenth century and commonly part of the requiem mass, has been a source for many composers ever since, including several composers from the 20th and 21st centuries. This dissertation presents an analysis of musical features of two Dies irae sequences from the twentieth century: Alfred Schnittke's Requiem (1971) and Penderecki's Polish Requiem (1980-84), as well as my own composition, Dies irae for Chorus and Orchestra (2012-14).Introduction states a brief history of the music set to the Dies irae text, whether a part of a requiem or an independent piece. Since the Dies irae sequence is part of requiem mass, I also present some general features of requiem music. Chapter one examines the Dies irae sequence from Schnittke's Requiem. I explore Schnittke's use of multiple motives, the harmonic structure, as well as monophonic, homophonic, and polyphonic textures. Chapter two investigates the Dies irae sequence from Penderecki's Polish Requiem, including his use of motives, harmonic structures, and textures. Chapter three introduces my own choral-orchestral piece, Dies irae (2012-14). I introduce the motives and their variations, harmonic materials, and textures. I also present the personal interpretation of the texts and their relationship with harmonic language and textures.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798662421189Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Dies iraeIndex Terms--Genre/Form:

542853
Electronic books.

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
LDR:02691nmm a2200385K 4500 001 2355149
005 20230512095508.5
006 m o d
007 cr mn ---uuuuu
008 241011s2020 xx obm 000 0 eng d
020 $a 9798662421189
035 $a (MiAaPQ)AAI27743352
035 $a AAI27743352
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Han, Jihee. $3 1924470
245 1 3 $a An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
264 0 $c 2020
300 $a 1 online resource (131 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
500 $a Advisor: Kemper, Steven.
502 $a Thesis (Ph.D.)--Rutgers The State University of New Jersey, School of Graduate Studies, 2020.
504 $a Includes bibliographical references
520 $a The poem Dies irae, written in the thirteenth century and commonly part of the requiem mass, has been a source for many composers ever since, including several composers from the 20th and 21st centuries. This dissertation presents an analysis of musical features of two Dies irae sequences from the twentieth century: Alfred Schnittke's Requiem (1971) and Penderecki's Polish Requiem (1980-84), as well as my own composition, Dies irae for Chorus and Orchestra (2012-14).Introduction states a brief history of the music set to the Dies irae text, whether a part of a requiem or an independent piece. Since the Dies irae sequence is part of requiem mass, I also present some general features of requiem music. Chapter one examines the Dies irae sequence from Schnittke's Requiem. I explore Schnittke's use of multiple motives, the harmonic structure, as well as monophonic, homophonic, and polyphonic textures. Chapter two investigates the Dies irae sequence from Penderecki's Polish Requiem, including his use of motives, harmonic structures, and textures. Chapter three introduces my own choral-orchestral piece, Dies irae (2012-14). I introduce the motives and their variations, harmonic materials, and textures. I also present the personal interpretation of the texts and their relationship with harmonic language and textures.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 516178
650 4 $a Musical composition. $3 3289630
650 4 $a Music theory. $3 547155
653 $a Dies irae
653 $a Penderecki
653 $a Requiem
653 $a Schnittke
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0413
690 $a 0214
690 $a 0221
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Rutgers The State University of New Jersey, School of Graduate Studies. $b Music. $3 3558290
773 0 $t Dissertations Abstracts International $g 82-01A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27743352 $z click for full text (PQDT)